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You'll probably find Down River in
the mystery section of your local bookstore, but its
descriptive writing makes it more than a whodunit.
As Publisher Weekly says, "Down
River should settle once and for all the
question of whether thrillers and mysteries can also
be literature."
The first-person narrative immediately pulls the
reader into Adam Chase's mind, setting the tone for
what is to come, when, after returning home from a five-year
absence, he says, "The river is my earliest memory.
Everything that shaped me happened near that river".
Hart continuously and seamlessly weaves the reader
through three layers of Adam's thoughts: his
traumatic childhood memories, the town's reaction to
his murder charge five years ago, and his
present-day search for love and acceptance. His
reflections are reminiscent of Pat Conroy (author of
The Lords of Discipline, Prince of Tides
etc) with sensual and descriptive language of small
towns and the beloved land of the region.
"My fascination with the place was morbid, I knew,
but it had been my home and I'd loved it…I wondered
if it had the taste of me even now, so many years
after it spit me out." Adam doesn't have to wonder
long. The word "Killer", gouged on the hood of his
car the day he returns, is his first clue.
Greed, love, passion, family secrets—any one of
these could describe the currents in Down River.
How many ways can an author use universal themes and
make them unique enough to avoid the stereotypes?
Hart does it with believable motives that justify
the characters' actions. Also, in Conroy fashion,
the Chase family has all the dysfunction required of
a good southern read. There are shades of Anne
Rivers Siddons here too, both in characters and
setting. There's the estranged father-son, the
step-mother so wicked she makes Cinderella's mom
look like milquetoast*, and the ex-girlfriend tuned
cop who is still in love with Adam. Add
step-siblings with their own weird agendas of
gambling debts and suicide attempts and an old
friend gone missing after he begged Adam to return.
Like the river, the "town" itself becomes a vital
force as it tries to convince the father to sell the
large parcel of land that has been in the family
since 1789, meanwhile letting Adam know he is no
longer welcome. Adam tries desperately to solve the
crime in self-defense, fearing he will be charged
again. In doing so, he unravels unimaginable family
secrets and puts a haunting memory to rest.
It's rare that one would want to read a mystery
again, but once the motives are revealed, it sheds
new light on all the characters' previous behaviors.
In spite of some repetitive self-reflection on
Adam's part, Down River is a book that
warrants reading at least once, and perhaps once
again for the skillful plot and descriptive
language.
*Milquetoast (pronounced milktoast) is an eponym inspired by the comic-strip character Casper Milquetoast, created by Harold Tucker Webster in 1924 - a timid and retiring man named after the insipid dish of the same name consisting of buttered toast in a bowl of milk, once a popular food for invalids. The term is not a new one - as far back as the thirteenth century, similar characters were dismissed as milksops (milksops being untoasted bread soaked in milk).
This review was originally published in The BookBrowse Review in November 2007, and has been updated for the October 2008 edition. Click here to go to this issue.
If you liked Down River, try these:
The final chapter in the Natchez Burning trilogy.
With empathy, grace, humor, and piercing insight, the author of gods in Alabama pens a powerful, emotionally resonant novel of the South that confronts the truth about privilege, family, and the distinctions between perception and reality - the stories we tell ourselves about our origins and who we really are.
He has only half learned the art of reading who has not added to it the more refined art of skipping and skimming
Click Here to find out who said this, as well as discovering other famous literary quotes!
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