Summary | Excerpt | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio
Sloane Crosley, according to her bio on the back of the book,
wrote the cover story for the worst-selling issue of Maxim in the magazine's
history. Chances are if she's broadcasting that fact, she'll put all her foibles
on display and make us laugh at them along with her. Add that to the
publisher's comparison that Crosley is a 21st century David Sedaris and Dorothy
Parker, and the reader is prepared for a sly and humorous collection of essays.
While Crosley shows her youth, she lives up to the hype, taking the minutiae of
everyday life and injecting it with her unique humor. She is a person to whom
crazy things happen, like being locked out of her old and new apartments on the
same day, or finding feces on her bathroom floor after a dinner party.
As she humorously describes situations that people can relate to, like the first
real job after college, her (mis)adventures evoke memories of the iconic show
Seinfeld. When talking about the difficulties of having a unique name, she
recalls the various ways in which people ask about or mangle her name. Number 10
on the list is the 32 times "I have received an e-mail with my name spelled
incorrectly in response to an e-mail originating from me and therefore making
use of the correct spelling of my name and thus have passive-aggressively
retaliated by leaving off the last letter of the sender's name in all future
correspondence: 'Thanks for getting back to me, Rebecc.'"
Some essays are mere snapshots, with endings that leave one wondering what
happened after the last line. Others start off being about one thing and cover a
lot of ground before ending on an entirely different topic, but somehow it all
seems to flow. Sometimes she ends with a zinger, yet it's not always
successful, or for that matter, consistent. The essays are of varying lengths,
which makes for unpredictable reading, and not necessarily in a good way. The
casual reference to drugs is a bit disturbing, though perhaps for a
twenty-something in New York, it's more commonplace than one might realize.
Ironically, there's no title essay, so where does the title come from?
Like the lure of cake at the wedding Crosley attended, so the reader is drawn to this
essay collection. Yet we are left with a relationship that, unlike Crosley's
with her newly married friend, is sure to grow. Crosley may be young, but her
talent is obvious, making it safe to predict that this book will be the first of
many.
This review first ran in the May 15, 2008 issue of BookBrowse Recommends.
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