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A Novel
by Tana FrenchTo read a Tana French novel is an experience that involves
understanding the heart and soul of each of her fabulously
flawed characters. Her characters are endowed with major
personal issues, seeming to live on the outskirts of
society's mandates due to life crises that have changed and
damaged them irrevocably. Cassie Maddox, the main character
in The Likeness, is complex and disturbed. She
travels from one turbulent life event to another without any
time to mend her wounded being. She is a loner, has issues
from her childhood and seems to be drawn to other similarly
flawed people.
Her parents were killed when she was a small child so she
was raised by kindly but emotionally detached relatives who
provided everything she needed but familial love. She became
involved with an extremely popular fellow student at her
university who wanted to control her. When she broke off
this relationship she was hazed by fellow students and
ultimately left her university without a degree. She drinks
and smokes and rides an old Vespa, and appears to live her
life in a reckless manner. This risk taking approach to life
causes her to completely assume the identity and lifestyle
of the murder victim, including moving in to live with
Lexie's former housemates who believe Lexie was wounded, but
not fatally.
When I first began reading The Likeness I questioned
how feasible it would be to assume another's identity. The
author leads us to believe that, in the circumstances, it
was quite easy for Cassie to do so. Hair, mannerisms,
clothing can be learned (Cassie had access to a number of
videos of Lexie), but inevitably there are small errors and
issues that Cassie is unaware of - little slips here and
there that the author handles in acceptable ways but which
left me wondering if I would be as accepting of Cassie as
the housemates are.
The heart of The Likeness is the relationship with
Cassie and her housemates. She steps into the life of Lexie,
the murder victim, almost flawlessly. There is a need in
Cassie that allows her to be enveloped into the lifestyle of
the house and its occupants. As she absorbs herself ever
further into Lexie's life and delves deeper into what made
Lexie's relationship with her four housemates work so well
for so long, she begins to feel a dangerous comfort level as
well as a familial feeling and affection for her housemates
who enjoy a communal lifestyle with few boundaries that is
extremely appealing to Cassie. Ultimately this "marriage" of
sorts has to end
the detective in Cassie comes to the
forefront as she urges her housemates into a confrontation.
The after effects of this are sad and disturbing and the
course of five lives is forever changed.
Readers expecting a light distracting English/Irish mystery
might be a bit disappointed in this book. I found myself
reading and rereading passages to reassure myself that I
knew what events were occurring and why. This did not
detract from the book's essential story but did make it more
than light reading. Tana French's style of writing is unique
to her in its intensity and her fascination with developing
characters. After reading her first book,
In the Woods, and The Likeness I will need a
romp with a few English tea-drinking murderers who are not
complex and have nothing to hide, before I tackle her next
book. But I am certain of one thing - I will tackle it!
This review was originally published in The BookBrowse Review in September 2008, and has been updated for the May 2009 edition. Click here to go to this issue.
If you liked The Likeness, try these:
Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.
An apparent suicide exposes a deadly secret in the suburbs of Belfast.
A truly good book teaches me better than to read it...
Click Here to find out who said this, as well as discovering other famous literary quotes!
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