(10/24/2007)
I loved the IDEA of this book, and hoped it would reach the same heights of warmth, impact, and believability as Tracy Chevalier’s Girl With a Pearl Earring or Philippa Gregory’s The Other Boleyn Girl. Unfortunately, Charbonnier’s stiff, third-person prose kept me at too great a distance from the mind and heart of the enigmatic Nannerl. I think Charbonnier could have better connected with her readers by including a map of the story’s geography, for instance, and a foreword citing extant letters, family histories, palace documents, etc. as anchors upon which her tale was spun. For me, confidence that this narrative was soundly researched and factually based would have added a credible dimension to this sometimes disjointed and imperfect book. As an early reader, I couldn’t help wishing that one final pass by a brilliant editor could have tightened this novel for a more successful and sympathetic public run, and made it more fully satisfying. While Mozart’s Sister was very good in places, as outlined in other reviews -- ultimately for me, this telling fell short.