(10/31/2009)
As a whole, The Secret of Everything is not bad. A good light read. The children and dogs are excellent additions. Unfortunately, the author got so wrapped up in hiding Tessa's past that she hid things she shouldn't have. Apparently O'Neal forgot that a reader's first introduction to the character becomes, literally, a picture in the reader's head. When we first meet Tessa, she is sauntering down to the beach carrying a mango, a chunk of bread, and a cup of tea. We know she is recovering from a hiking accident, caused by torrential rain and a spider bite. But paragraphs later there is a miss-able allusion to a cast on her arm. Immediately, I was wondering how she managed not to spill the tea. Chapters later, another aside mentions a friend who died in the hiking accident. All of this could have been handled with more finesse and allowed me to maintain the willingness to suspend disbelief that is so essential to good fiction. Why not have her struggle a little to balance the mango, bread, and tea on her cast? Why not add guilt to the opening litany of things she's trying not to face? O'Neal needed to deliberately make so many things in this book not be as they first seemed. Why clutter that lovely mysteriousness with unnecessaries?