A Short History of Tractors in Ukrainian is the first novel by British/Ukrainian author, Marina Lewycka. Two years after the death of his wife, Ludmilla, eighty-four year old Nikolai Mayevskyj announces to his youngest daughter, Nadezhda (Nadia) that he is going to marry Valentina, a thirty-six year old Ukrainian divorcee with a teenaged son. As Nadia tries to reason with her determined father, she realises that if she is to prevent him being fleeced by this unscrupulous (bottle-)blonde bombshell, she will need to join forces with Vera, the older sister from whom she has been estranged since they disagreed over their mother’s will. In the process of trying to oust Valentina from their lives and have her deported, much of the family’s history is dredged up and Nadia discovers that what she has been told as a child was not necessarily accurate. This is a rollicking ride that encompasses boil-in-the-bag suppers, an undriveable Rolls Royce, a tomcat named Lady Di, a portable photocopier, a baby of unknown paternity, yoga, sheltered housing and some green satin underwear. Nikolai’s theory on the integral role of tractors in the development of Great Depression, Fascism in Germany and Communism in Russia will provide food for thought. The extracts from the book he is writing, the eponymous “A Short History of Tractors in Ukrainian” are delightful. This book was longlisted for the Man Booker Prize and shortlisted for the Orange Prize in 2005. A fun read with a happy ending.

All The Birds, Singing is the second novel by British-Australian author, Evie Wyld, and winner of the 2014 Miles Franklin Literary Award. The first narrative starts with Jake Whyte, currently living on an unnamed British island, finding a second of her sheep dead and mutilated, and wondering whether foxes, some other wildlife or the local teens are to blame. Jake’s isolated existence, with only her dog, Dog, and her herd of sheep for company, puzzles the locals. The second narrative starts some three years earlier, with Jake part of a sheep-shearing troupe in Western Australia. It seems that Jake is on the run from something or someone: just who is Otto? And why does Jake have scars on her back? What knowledge is it that another shearer tries to hold over her? The hints and clues will have the reader intrigued as to the events in Jake’s past that have led to her current situation. Astute readers will quickly realise that the events occurring in Australia are told in reverse order. With her evocative descriptions, Wyld sets her scenes, both the isolated, cold British island and the hot, dusty West Australian outback, with consummate ease. Her plot has twists that eventually reveal hidden depths and flaws in the prickly Jake the world is shown. While some of the subject matter can be quite confronting, there is also subtle humour contained in Wyld’s prose. A brilliant read.

The White Tiger is the first novel by Indian author, Aravind Adiga. The narrative takes the form of a series of eight rambling emails sent over the period of a week from Balram Halwai aka Munna aka The White Tiger to Chinese Premier Wen Jiabao on the eve of his visit to India, and describes how Balram advanced from half-baked school boy son of a rickshaw puller to lowly teashop employee in Laxmangarh to chauffeur of rich Landlords in Delhi to fugitive wanted for the murder of his former employer to Bangalore entrepreneur. All this, under the guise of advising the Premier on producing much-needed entrepreneurs for China. Along the way, Balram comments on the divide in India between the rich and the poor, the powerful and the powerless, and details the bribery and corruption that are de rigeur in India. Adiga’s India is slums and sewage, shopping malls and traffic jams, call centres and cockroaches. As the main character, Balram is neither endearing nor wholly odious; in fact none of the characters will hold the reader’s interest for long. Some of Adiga’s descriptive prose is excellent, but this is not really enough to make this a “blazingly savage and brilliant” novel as described on the front cover. Winner of the Man Booker Prize for 2008, this is a pleasant enough read, at times blackly funny, but a far cry in quality from the works by those other Indian authors that won the Man Booker Prize in 1997 and 2006

The Tiger’s Wife is the first novel by Serbian-born American author, Tea Obrecht, and is the winner of the 2011 Orange Prize for Fiction. Young doctor, Natalia Stefanovic is on an assignment with her life-long friend Zora to innoculate the children of a remote Balkan village orphanage when she learns of her grandfather’s death. Her grandmother believes he was on his way to meet Natalia, is distraught that he died alone in a town none of them recognises, and that his belongings are missing.

As she tries to come to terms with the loss of a man who loomed large in her life, Natalia is distracted from her medical duties by memories of her grandfather and also by the strange digging activities in a nearby vineyard. Obrecht employs three narrative strands: Natalia relates what happens on her vaccination excursion; her grandfather, a well-respected doctor, tells of his three encounters with a deathless man; and Natalia chronicles the events of a certain winter in World War Two, when the village her grandfather grew up in was visited by a tiger. In each of the narrations, secondary characters are elegantly given backstories so that a collection of short stories is seamlessly woven into the whole. Obrecht’s characters are interesting and authentic and her descriptive prose is wonderfully evocative: “Pigeons, clustered thick enough to be visible from the hill, shuffled like cowled women up and down the street..”

Against a backdrop of seemingly ever-present war, Obrecht explores superstitions and customs, secrets and lies, fears and rituals, history and folklore, myths and mysteries, love and revenge, and of course, death. This moving and thought-provoking novel is an amazing debut. Readers will look forward to more from Obrecht.

Doctor Sleep is the 45th full-length novel by bestselling American author, Stephen King, and is the sequel to his fourth novel, The Shining. After a short preface that details an important interaction between young Danny Torrance and an ageing Dick Hallorann, King picks up the story some 23 years after the events at the Overlook Hotel, when Dan is hitting rock-bottom as an alcoholic.

Getting off a bus in the small New Hampshire town of Frazier, he takes a temporary job as a groundsman, begins the AA program and is unwittingly contacted for the first time (of many) by a newborn with an incredibly bright “shine”, Abra Stone. Their paths do not cross, however, until some twelve years later when the actions of a group called The True Knot cause Abra to seek out Dan, now working as an orderly in a hospice, in person. The True Knot are a tribe of people who travel the country in search of children who shine to feed on the “steam” they produce.

As usual, King’s main characters are well-rounded out and appealing. He creates a support cast with plenty of variety to people his tale: a feisty grandmother, a resourceful groundsman, a prescient cat, an alcoholic paediatrician and a bunch of innocuous-looking travellers in RVs with unusual nicknames. He sets the era of events using popular movies, songs and cheeky descriptions of presidents. His descriptive prose is wonderfully evocative: “’I must not look at it.’ Too late. His head was turning; he could hear the tendons in his neck creaking like old doorhinges.” His plot has several twists and turns, plenty of excitement and a gripping climax (or two), all of which ensure this work is another page-turner.

Reading (or rereading) The Shining before this novel is not essential, but it is certainly advisable as many references are made to the events that occurred at the Overlook Hotel some thirty-five years previous and key phrases echo throughout this novel. This is a very satisfying sequel to The Shining; it would make a great movie with the right director (thankfully not Kubrick) and cast. Another excellent tale from the master story-teller.

An Incomplete Revenge is the fifth book in the Maisie Dobbs series by British-born American author, Jacqueline Winspear. James Compton, son of Maisie’s long-time patron, Lady Compton, is in the process of purchasing a large estate at Heronsdene, Kent for the family company, but some incidents of petty crime, vandalism and small fires in the area are cause for concern, so Maisie is engaged to conduct enquiries.

It is early autumn of 1931, and as these cases all seem to occur during the hop harvest, it is especially convenient that her assistant, Billy Beale usually takes his family for a working holiday hop-picking at this time, and is able to contract to the farm on said estate. The waters are muddied, somewhat, by the influx of large groups of Londoners and gypsies, all taking part in the harvest, and the fact that the villagers of Heronsdene seem reluctant to involve the police or fire-brigade.


It appears that the land-owner, Alfred Sandermere, is a poor businessman and not well-liked by his tenant farmers or the villagers. A theft from the Manor house, blamed on two young London boys, sees Maisie visiting the gypsy matriarch in search of information. Maisie notices that the mood in the village is unusual: there is an undercurrent of fear in addition to the resentment and suspicion that the presence of the Londoners and gypsies usually brings. It seems the villagers are still keenly feeling the wartime loss of many of their young men, and are strangely hesitant to discuss the Zeppelin raid that occurred in 1916. In trying to determine if this is a case of sabotage, insurance fraud, opportunistic theft by itinerant workers or something else entirely, Maisie’s investigations lead her to encounters with a determined journalist, a dishonest vicar, a loyal dog, some reticent villagers, a luthier and a very snobbish land-owner.

Winspear touches on school bullying, prejudice against gypsies and anyone who is different, mob mentality and, of course, revenge. Her extensive research into gypsy customs and beliefs and into hops and hop picking in the early 20th century is apparent in every page. This gentle-paced mystery has quite a twist in the tail: a shocking crime that only becomes apparent in the last few chapters. Once again, an excellent read that will have Winspear fans looking forward to the next book in the series, Among The Mad.

The Dinner is the sixth novel by Dutch actor, television and radio producer, newspaper columnist and author, Herman Koch, and the first book to be translated into English. Two brothers and their wives meet for dinner at an expensive restaurant to discuss the management of the recent, shocking activities of their teenaged sons. Serge Lohman is the charismatic leader of an opposition party poised to take power at the next election, a few months away, making him a strong candidate for the next Prime Minister of the Netherlands. His younger brother, Paul, has little respect for his brother’s position and posturing, instead being focussed on the happiness of his own small family. The events of the evening are narrated by Paul and are interspersed with flashbacks to incidents that occurred months or years previously. Koch is a master craftsman when it comes to building his main character: Paul starts out as a reasonable, upstanding citizen, although his antagonism towards his brother is immediately apparent. As the story progresses, a different person begins to be revealed by glimpses, at first fleeting but gradually more sustained, and the reader starts to wonder about Paul’s reliability as a narrator. In fact, none of the characters is quite what they first appear to be. Koch uses his novel to comment on Dutch tourists, pretentious restaurants, politics, marriage, parental control and adolescent right to privacy, youth violence and the internet, eugenics, and the instinct to protect one’s young. Koch manages to include blackmail, a hereditary disorder, You Tube clips, quite a bit of violence, some hilarious descriptions of restaurant practices, a plot twist that will leave readers gasping and a chilling climax. This compelling, thought-provoking novel is flawlessly translated by Sam Garrett.

Juliet, Naked is the seventh novel by British author, Nick Hornby. Thirty-nine-year-old former teacher, Annie Platt is curator of the museum in Gooleness, a dead-end seaside town in the north of England. Duncan, her partner of some fifteen years, is a teacher and the moderator of a website dedicated to a reclusive American singer/songwriter from the nineteen-eighties, Tucker Crowe. Annie has been telling her (rather too judgemental) therapist, Malcolm every Saturday morning that she feels dissatisfied with her relationship, her job, her life. As she thinks about fifteen wasted years with Duncan and wishes for a baby, events conspire to suddenly put her in contact with the elusive Tucker Crowe. Since Tucker’s disappearance from the music scene, the internet chat rooms have been buzzing speculation about the cause of his withdrawal, and reported sightings, none of it remotely close to the truth. Hornby employs narrations from his three main characters as well as Wikipedia entries, emails and website discussion group posts to tell his tale. His characters are realistically flawed, multi-dimensional and appealing: even the nerdy Duncan will strike a chord with readers. As well as examining the fine line between passion and obsession, Hornby touches on the right to privacy, settling for what is convenient and acting responsibly. This novel comments perceptively on the often ridiculous over-analysis in which scholars, connoisseurs and self-styled experts of music, wine, sport, art and literature habitually indulge, when discussing the object of their fervour. Hornby treats the reader to some marvelously descriptive prose: “Consistency and repetition were beginning to make the lie feel something like the truth, in the way that a path eventually becomes a path, if enough people walk along it” and “Mumbled greetings were formed in his sons’ throats and emitted with not quite enough force to reach him; they dropped somewhere on the floor at the end of the bed, left for the cleaners to sweep up” are just two examples. There are some thought-provoking themes, an abundance of laugh-out-loud moments and plenty of wit. A delightful read.

Messenger of Truth is the fourth book in the Maisie Dobbs series by British-born American author, Jacqueline Winspear. When the death of controversial artist Nicholas Bassington-Hope, from a fall whilst setting up his latest exhibition, is ruled as accidental, his twin sister Georgina is unconvinced. Georgina, an outspoken journalist, seeks out the help of Maisie Dobbs, psychologist and investigator. In the course of her investigations, Maisie meets the bohemian Bassington-Hope family, Nick’s fellow artists from the colony at Dungeness, his promoter, gallery owner Stig Svenson, and the collector who is determined to own all of his work, wealthy American Randolph Bradley. And while all the evidence points to an unfortunate fall, Maisie soon finds that plenty of possible motives exist for Nick’s murder. Nick was known for including real people in his paintings, careless of whom it might upset. Did his latest masterpiece, secreted away in an unknown lockup, offend the wrong person? Or did he fall foul of his younger brother’s contacts with the underworld? Was Randolph looking to increase the value of his collection (as the death of an artist is bound to do), or annoyed that he refused to sell the masterpiece? What were his artist friends, of late noticeably wealthier, hiding? Were the recent quarrels with his siblings relevant? Maisie is left to determine the true story alone, as Billy Beale has problems of his own. DI Stratton is being less than helpful and things come to a head with Maisie’s suitor, Andrew Dene. This instalment touches on war artists, war propaganda, the atrocities of war, the scourge of childhood diseases, and the loss of art works to richer countries. Stolen heirloom diamonds, European works of art and smugglers all feature as Maisie delves into the world of art. Winspear develops her main characters further and gives the reader an original plot with enough twists to keep the pages turning. Winspear uses some wonderfully descriptive prose: her depiction of the converted railway carriage is particularly evocative. This is another excellent mystery that skilfully conjures the feel of post-war England and her inhabitants. Fans will look forward to the next book in the series, An Incomplete Revenge.

Bobcat and Other Stories is a collection of seven short stories by Canadian-born author and professor of creative writing, Rebecca Lee. In this masterpiece of contemporary fiction, Lee gives the reader a wide range of topics, settings and characters: there is enough variety to please almost every reading taste. The first story, Bobcat gathers together at a Manhattan dinner party, publishers, writers, lawyers and the victim of a bobcat attack; in it, marital infidelity, pregnancy, Salman Rushdie and cannibalism all feature. In The Banks of the Vistula, a plagiarising student finds her actions have unexpected and undesired consequences; it touches on Communism, linguistic freedom and propaganda. Slatland is a beautiful story on getting perspective and explores the expectation of happiness in life. In Min, a woman finds herself earnestly performing the task of vetting prospective brides for a good friend. World Party and Fialta both examine the influence of respected elders on the younger generation, but in vastly different ways. Settlers manages to include marriage, miscarriage, Amazons and Clinton. Lee’s characters, even in these short stories have depth and charm; her plots are original with interesting twists; her prose is often beautifully descriptive: “…I heard about a thousand birds cry, and I craned my neck to see them lighting out from the tips of the elms. They looked like ideas would if released suddenly from the page and given bodies – shocked at how blood actually felt as it ran through the veins, as it sent them wheeling into the west, wings raking, straining against the requirements of such a physical world.” and occasionally breath-taking: “She wasn’t completely drunk but calculated that she would be in about forty-five minutes. Her body was like a tract of nature that she understood perfectly – a constellation whose movement across the night sky she could predict, or a gathering storm, or maybe, more accurately, a sparkling stream of elements into which she introduced alcohol with such careful calibration that her blood flowed exactly as she desired, uphill and down, intersecting precisely, chemically, with time and fertility.” This taste of Lee’s work will stimulate readers to seek out more works by this fine author.

Summer House With Swimming Pool is the seventh novel by Dutch actor, television and radio producer, newspaper columnist and author, Herman Koch, and the second book to be translated into English. Dr Marc Schlosser, a General Physician whose patients appreciate the time he takes with them, is summoned to appear before the Board of Medical Examiners. One of his patients, celebrity actor Ralph Meier, has died, and a question hangs over his medical management. Some eighteen months earlier, Marc, his wife and two daughters spent a week at a Mediterranean summer house with Meier’s family, an ageing Hollywood director and his very young girlfriend. Most of Marc’s narration is spent recounting, in hindsight, the events of that vacation that led to a shocking climax, and its aftermath. Koch so cleverly crafts his story that the reader is left wondering exactly what crimes or misdeeds were committed during that summer interlude, and by whom. While Marc’s narration is entirely reliable, it is, of course, wholly biased, and it is equally apparent that others who contribute to the account of events have their own agendas. Many of the characters are easy to find loathsome or obnoxious and none is quite what they first seem to be. Marc demonstrates an ability to shift priorities and abandon responsibility with breath-taking ease, as well as a cold, calculating nature, which makes his actions seem thoroughly plausible. Koch’s novel touches on the Dutch medical system, paedophiles, what is appropriate treatment of sexual deviants, justice, revenge and taking the law into one’s own hands. It is a given that we cannot know mere acquaintances to any significant degree, but Koch’s novel will have the reader questioning just how well we can truly know those really close to us: our children, our parents and our spouses. Koch gives the reader some marvellously descriptive prose (his depiction of abscesses and tumours is particularly imaginative) and he inserts some moments of sharp (and occasionally quite dark) humour to relieve the building tension. Female readers will be grateful that not all men are this shallow and most readers will hope their doctor is not this cynical. This thought-provoking, powerful, and compelling read is flawlessly translated by Sam Garrett. A brilliant novel that stays with the reader long after the last page is turned.

The Invention of Wings is the third novel by bestselling American author, Sue Monk Kidd. In it, Kidd takes the bare facts surrounding Charleston’s famous (and infamous) 19th century abolitionist/emancipist sisters, Sarah and Angelina Grimke, and, as she puts it, grafts fiction onto truth to weave a fascinating and inspirational account of early abolitionism in America. Kidd employs two narrators: Sarah Grimke, and the slave she is given by her mother (and attempts to free) on her eleventh birthday, Hetty Handful Grimke. From this starting point, the contrast in their lives as they grow up is starkly illustrated. Even at the tender age of eleven, Sarah knew slavery was wrong, but it was years later before she “…saw then what I hadn’t seen before, that I was very good at despising slavery in the abstract, in the removed and anonymous masses, but in the concrete, intimate flesh of the girl beside me, I’d lost the ability to be repulsed by it. I’d grown comfortable with the particulars of evil. There’s a frightful muteness that dwells at the center of all unspeakable things, and I had found my way into it.” Handful’s narration consistently brings things into perspective: “White folks think you care about everything in the world that happens to them, every time they stub their toe.” Kidd populates her novel with character both real and fictitious: Denmark Vesey, charismatic and seditious; Charlotte, loving and determined; Mary, cruel and unpredictable. Sewing and quilts, the spirit tree, stuttering, blackbirds and Quakers all have their part to play. Through all that life throws at them, the women somehow remain friends. Handful often has a perceptive take on the situation: “She was trapped same as me, but she was trapped by her mind, by the minds of people around her, not by the law……I tried to tell her that. I said, ‘my body might be a slave, but not my mind. For you, it’s the other way round.’” and “This ain’t the same Sarah who left here. She had a firm look in her eye and her voice didn’t dither and hesitate like it used to. She’d been boiled down to a good, strong broth.” Kidd treats the reader to some marvellously descriptive prose: “Mother’s letter in response arrived in September. Her small, tight scrawl was thick with fury and ink.” and “It was the time of year when migrating crows wheeled across the sky, thunderous flocks that moved like a single veil, and I heard them, out there in the wild chirruping air. Turning to the window, I watched the birds fill the sky before disappearing, and when the air was still again, I watched the empty place where they had been” are just two examples. A powerful and moving novel.

The Confabulist is the fourth novel by Canadian author, Steven Galloway. Martin Strauss admits upfront to being an unreliable narrator; after all, his doctor has just told him “Yours is a rare condition in which the damage that is being done to your brain does not destroy cognitive function but instead affects your brain’s ability to store and process memories. In response to this, your brain will invent new memories.” The reader does well to keep this in mind as Martin tells the tale of his encounter, as a young man, with the famous Harry Houdini, an encounter that ends with him causing Houdini’s death. Or does it? Martin tells us “I didn’t just kill Harry Houdini. I killed him twice.” Intriguing, to say the least. Galloway weaves many known facts and real people from Houdini’s life into his novel, bringing to life historical facts and anecdotes whilst constructing his mystery. The narration switches between Martin’s life in the present day, Martin’s life in 1926 and 1927, and details of incidents in Houdini’s life. Just as in any good magic show, the reader is left wondering what, precisely, is fact and what is illusion, no doubt exactly as Galloway intended. As well as enthralling the reader with accounts and explanations of Houdini’s tricks, Martin’s version of Houdini’s life includes the Secret Service, Scotland Yard’s Special Branch, the Russian secret police, Russian nobility, séances and spiritualists, kidnap and coercion, diaries in code, a Congress Judiciary Subcommittee, spies and thieves, murder and a mystery daughter. Martin’s mother offers advice long after she departs this world, providing a source of both wisdom and humour. Galloway explores the nature of truth: “…truth wasn’t easily identifiable. You could spot a lie, but the opposite of a lie wasn’t always the truth”; of parenthood: “Being a parent is a monumental thing. You shape reality for another person. You cannot be an illusion”; and of memory: “A memory isn’t a finished product, it’s a work in progress” and “What is a memory anyway, other than a ghost of something that’s been gone for a long time?” This novel is imaginative, intriguing and ultimately, very moving.

Where’d You Go, Bernadette? is the second novel by American author and TV writer, Maria Semple. When Bernadette Fox disappears two days before Christmas and a scheduled family trip to Antarctica, her fifteen-year-old daughter, Bee is determined to track her down. She is sure that her dad, Microsoft guru Elgin Branch, knows more than he’s letting on. And she’s convinced that the shouting match with another school-mom, Audrey Griffiths, was the trigger for the disappearance. Bee’s narration of events is interspersed with emails, notes, a school report, letters, bills, blog posts, announcements, journal articles, a poem, an audio transcript and several faxes, each in a different font and format, and all of which fill in the background facts on incidents and characters. Thus the reader learns about Bernadette’s decline from celebrated young architect to socially anxious semi-recluse, Bee’s precarious early childhood and Elgin’s rise to MS fame, as well as what led to Bernadette’s flight and why the FBI got involved. Semple’s characters develop, and not always in an expected manner: one surprisingly discovers a conscience; another disappointingly gives in to temptation; another metamorphoses, perhaps predictably, from small and benign to large and threatening. They are characters that are familiar from everyday life: the fawning admin, the venomous school mom, the hard-working father, the text-book psychiatrist, the excruciatingly enthusiastic fund-raiser. As Bee trails her mom to the ends of the earth, the full gamut of reactions to loss is depicted. This is a hilarious book that nonetheless touches on some topical issues including work/life balance, trust, identity theft, post-traumatic stress and the best way to remove blackberry bushes. Readers may find some parts bring a lump to the throat, but will spend most of this clever novel laughing out loud.

Pardonable Lies is the third book in the Maisie Dobbs series by British-born American author, Jacqueline Winspear. Maisie Dobbs, psychologist and investigator, uses her unique skills to tease from a thirteen-year-old girl the circumstances of her “uncle’s” death. Avril Jarvis is the prime suspect, but Maisie doubts her guilt, and sends Billy Beale to Avril’s hometown of Taunton to do some investigating. Meanwhile, Lord Julian Compton asks aisie to take on a case for a friend, Sir Cecil Lawton, QC. Maisie’s brief is to confirm that Cecil’s son, Ralph, died in a plane crash in France during the Great War, some 13 years ago. A reunion with her college friend, Priscilla Partridge (nee Evernden) sees Maisie also agreeing to establish the fate of her eldest brother, Peter, ostensibly another Great War casualty. After some initial research into Ralph Lawton’s background in England, Maisie reluctantly travels to France, the scene of her own wartime traumas. Her mentor, Maurice Blanche, insists on accompanying her, a move Maisie finds rather unsettling; she is unsettled, too, by several incidents which lead her to believe her life is in danger. Once again, the narration proceeds at a deliberate pace to cement a plot with several twists. While some details soon become obvious, there are a few intriguing surprises in store for the reader. Maisie’s trust in Maurice is compromised; she is involved in accidents in her beloved MG; poisoned chocolates, missing War Office records, a popular politician, secret passages, a gay men’s club, psychics and a secret diary all feature. As always, Winspear creates a 1930’s world that feels authentic, including rumblings about Nazi Germany. She continues to fill out the background of her regular characters in this enthralling historical mystery.

Birds of a Feather is the second book in the Maisie Dobbs series by British-born American author, Jacqueline Winspear. Now in a new office in Fitzroy Square with Billy Beale as her permanent assistant, Maisie Dobbs is still under the generous patronage of Lady Rowan Compton, living at the Compton's Ebery Street house and in the process of buying Lady Rowan's crimson MG. Maisie is engaged by a wealthy and highly respected self-made businessman and philanthropist, Joseph Waite, to find his daughter Charlotte, who has, once again, run away from home. A woman in her early thirties, the reason for Charlotte's disappearance is not entirely apparent, although it is obvious that neither her father nor the household staff have a good relationship with her. But is this rather unhappy young woman in hiding (and if so, where?), has she met with foul play or an accident, or has she taken her own life? Following up with Charlotte's very sparsely-populated address book, Billy and Maisie discover a link with a young woman recently murdered, and soon, in exactly the same manner, the same fate befalls another of Charlotte’s contacts. When Maisie tracks down a third contact, a weeks-old suicide also begins to look suspicious. Joseph Waite has not been entirely forthcoming with information, and it seems that Billy Beale also has a problem he is not sharing with Maisie. DI Stratton makes a premature arrest and dismisses Maisie's misgivings; he continues his pursuit of Maisie socially, but his are not the only attentions Maisie has to handle. As well as expanding on Maisie's support cast, this installment illustrates further what life was like in 1930's England in rich and poor households alike, describing clothing and accoutrements, customs and behaviours, attitudes and beliefs. It also touches on the themes of remembrance and reminders, guilt, resentment and forgiveness, shame and coercion. Maisie demonstrates the value of following one’s intuition, of listening to service personnel, of re-enacting certain situations and of empathy with witnesses and victims; she uses trace evidence and, as usual, gets valuable advice from her mentor, Maurice Blanche. Yoga, Pilates, a convent, chronic pain and narcotic abuse, and a decoy stand-in all feature. Another historical mystery with an intriguing plot and an exciting climax.

Ghostwritten is the first novel by British author, David Mitchell. Told by nine different narrators, with a plot spanning centuries and continents, this is an amazing debut novel. The narrators are a member of a doomsday cult who releases poison gas in a subway in Tokyo, and details his retreat to Okinawa and a small nearby island, Kume-jima; a jazz aficionado who works as a sales clerk in a Tokyo music store; a lawyer in a financial institution in Hong Kong who has been moving large sums of money from a certain account; a woman who owns a Tea Shack on China's Holy Mountain and speaks to a tree; a non-corporeal sentient entity which is searching for who or what it is; a gallery attendant in Petersburg who is involved in an art theft scam; a ghostwriter/drummer living in London who saves a woman from being run over by a taxi; an Irish nuclear physicist who quits her job when she finds her research is being used for military purposes; and a late night radio talkback DJ who finds himself fielding calls from an intriguing caller referring to himself as the zookeeper. Mitchell weaves together these nine narrations into a cohesive whole with vague or occasionally direct references to a myriad of common themes, characters, objects, or words (including, but not limited to, albino conger eels, camphor trees, an earth-bound comet, Kilmagoon whiskey, jazz music, cleaning toilets and artificial intelligence) in each narration. His characters muse on, ponder and articulate on various themes: love/lust; chance/fate; brainwashing; propaganda; one's own place in the world; why we are who we are; principles; and the character of London Underground Lines; There is humour, irony, intrigue, and a plentiful helping of tongue-in-cheek comments. And when Mo Muntervary tells Father Wally “Phenomena are interconnected regardless of distance, in a holistic ocean more voodoo than Newton”, she could be describing Mitchell’s own love affair with connections: fans of Mitchell's work will also recognise certain characters and concepts from his other novels, in particular, Cloud Atlas, Black Swan Green and number9dream. This is a brilliant debut novel.

The Childhood of Jesus is the twelfth stand-alone novel by award-winning author, J.M.Coetzee. David and Simon are newly arrived in the town of Novilla, after being processed at a camp where they were arbitrarily assigned new names and birthdates, and learned some basic Spanish. David was separated from his parents and, on the boat journey to his new country, has lost any information that he once had about them, so Simon decides to help him find his mother. In common with all the townspeople, they arrived washed of memories, but Simon is convinced he will know David’s mother when he sees her. In this environment without any history, the residents count themselves lucky not to suffer from memories of their past and concentrate on making a new life: goodwill and tolerance is common, but passion and yearning are virtually absent. In this slightly bizarre, seemingly third-world and possibly post-apocalyptic setting, Coetzee uses the encounters his characters have with neighbours, officials, work colleagues and random strangers to philosophise about various aspects of life: attraction and beauty; self-belief; work that fulfils; progress; the reality of history; rules and non-conformity; power and law-enforcement; and whether philosophical non-conformity warrants punishment. The novel has a tongue-in-cheek quality: the humour is often warped; there are Biblical undertones and parts are decidedly surreal. The feel of this new world is well conveyed, although readers may find the characters difficult to relate to, as nothing is ordinary in the world Coetzee has created. This is certainly unlike any other novel I have read: a unique experience.

Maisie Dobbs is the first book in the Maisie Dobbs series by British-born American author, Jacqueline Winspear. The story starts in 1929, when thirty-two-year-old Maisie is setting up her own private investigation business. She has taken over the business of her mentor, Maurice Blanche, and is supported by her patron, Lady Rowan Compton and the very capable office caretaker, Billy Beale. Her first client is convinced his wife is being unfaithful: an easy case to solve, but it leads Maisie into a very different investigation, partly out of curiosity, and partly on behalf of Lady Compton. The novel is divided into three parts, with the middle section describing Maisie’s life from her early teens through her involvement in the Great War, a history that proves very relevant to her investigation. Winspear has created a fascinating heroine: clever, wise, considerate, philosophical, with a good knowledge of psychology and a strong intuitive endowment. Alexander McCall Smith describes Maisie Dobbs as “a real gift”. In this novel, Winspear touches on desertion, “shell shock” (perhaps better known these days as Post Traumatic Stress Disorder), cowardice, disfiguring injuries and adjusting to post-war life. Maisie Dobbs was a nominee for Best Novel in the Edgar Award 2004. This historical mystery is a moving and thought-provoking read.

Noah’s Compass is the eighteenth adult novel by American author, Anne Tyler. When sixty-year-old Liam Pennywell is retrenched from his job as a fifth-grade teacher, he decides to downsize his life, moving to a smaller apartment with less possessions; he even considers retiring altogether. But after going to sleep in his new bedroom, he wakens in a hospital bed with no memory of intervening events. His capable ex-wife Barbara and his three daughters (the rather bossy Xanthe, the born-again Christian Louise and seventeen-year-old Kitty) tell him to be grateful he can’t remember being mugged, can’t remember how he got his scalp wound or the bite on his hand. But the void in his recall nags at him, and in his neurologist’s waiting room he encounters Eunice, a woman whom he feels may hold the key to the recollection he seeks. And it seems that, unlike Xanthe, Louise and Kitty, who find him hopeless and obtuse and are infuriated by his policy of not arguing, Eunice looks up to him and seems to understand him. Whilst aware of her shortcomings - “plump and frizzy-haired and bespectacled, dumpily dressed, bizarrely jeweled, too young for him and too earnest” - might he, after being widowed, remarried and divorced, have finally have found someone to be happy with? And just to complicate life even further, Kitty comes to live with him for the summer vacation, something he’s not entirely sure how to cope with. And there’s Kitty’s boyfriend, Damian, who attracts the disapproval of Xanthe and Barbara. Tyler excels at making the reader really care about fairly ordinary people doing fairly ordinary things and having fairly ordinary events occur in their fairly ordinary lives. And just when the plot sounds somewhat predictable, Tyler throws in a major twist or two. Liam is a likeable character who admits “….I haven’t exactly covered myself in glory. I just….don’t seem to have the hang of things, somehow. It’s as if I’ve never been entirely present in my own life.” Through Liam’s thoughts, Tyler displays some wonderful imagery: “Damian had the posture of a consumptive – narrow, curved back and buckling knees. He resembled a walking comma.” and “Nobody would mistake him for anything but a cop. His white shirt was so crisp that it hurt to look at it, and the weight of his gun and his radio and his massive black leather belt would have sunk him like a stone if he had fallen into any water.” Many of the interactions between characters are laugh-out-loud moments, but Liam provides some gems of wisdom too: “He started laughing. He was laughing out of surprise as much as amusement, because he hadn’t remembered this himself until now and yet it had come back to him in perfect detail. Where from? he wondered. And how had he ever forgotten it in the first place? The trouble with discarding bad memories was that evidently the good ones went with them.” This novel is characteristically Anne Tyler: funny, moving, thought-provoking and, as always, quite brilliant.