(9/28/2010)
Adam and Eve is an industrious literary effort. Set in 2019, it is filled with a myriad of contrasting images, concepts, and plot lines. I found myself reading this book with a yellow marker in one hand and a pen in the other. I was compelled to underline sentences I wanted to re-read or think about and places that I wanted to comment on, right in the text! I was struck by the repetition of images/symbols, repeating themes of contrasting ideologies ( varying Creation stories, science versus art, literal versus figurative). I am eager to discuss this book with others, chapter by chapter, to get the most from it. I was reminded of Lessing’s "The Cleft" and Yann Martel's "Life of Pi"; there were times I was unsure whether it was a fantasy or not.
There is a desire to search for deeper meaning in images such as the falling black piano and the succubus in Eden. The story creates healthy opportunity for comparisons of the Creation story across the Jewish, Muslim, and Christian faiths. Pacing is erratic. At times the novel moves along like a good Dan Brown mystery, at other times it slogs along, with asides about intersecting characters including a Bedouin Sufi, and a nameless Texan Fundamentalist businessman.
This will be an excellent book club choice for those who enjoy analyzing content and meaning and having conversations of differing perspectives.
"Adam and Eve" is all about change, context and renewal.