I have such mixed feelings about this book. The writing, particularly the descriptive language, is powerful, and the character development is superb. The characters, however, are despicable. There are three "Avengers" in the story, which is set in the early 18th century in the fictional town of Mockbeggar Newfoundland: Abe Strapp, a sort of "town boss, who is lazy, evil, and power hungry; his older sister the Widow Caines, a jealous old lady who would do anything to take her brother's place at the top of the pile; and the Beadle, a religious leader who sides with Abe but works also to enhance his own interests, making him entirely two-faced. These three are in constant opposition to one another, to the detriment of their small fishing community and the individuals who populate it. The story is full of death, sexual immorality (Abe owns a large brothel), back-stabbing and revenge. The book is completely unpleasant to read, and I finished it only because I had promised BookBrowse a review.

A fictionalized version of the author's family history, Daughters of Shandong is set during the Chinese Revolution (1948 - 1960) and traces the story of the wealthy Nationalist Ang family. When their town of Zhucheng is threatened by the Communists, the father of the family and his parents leave for greener pastures, delegating the care of the family home to his wife and their three daughters -- less important because they were women. Communist forces seize the family home and "try" the oldest daughter, Hai, as a stand-in for her father, beating and torturing her in the process. The women escape on a cross-China journey in search of their family members, ultimately reaching Hong Kong, and then Taiwan. They face starvation, horrible living conditions, disease, and danger in their search. A consistent emphasis of the book is the status (or lack thereof) and treatment of women in the Chinese culture.The book is well-written; the story line is propulsive and the characters are well-developed.I learned a lot while enjoying a really good story.

Milena Urbanska is a "red princess," the daughter of the vice president of a Soviet communist satellite, enjoying relative privilege in her home country. When a friend asks her to serve as a translator for a British poet who is accepting a minor prize, she falls in love and ultimately follows him back to London. She is immediately thrown into a clash of cultures. At home, she was economically privileged, but politically , morally, and emotionally constrained by the political system. In Britain, the political, emotional and moral fronts are wide open, but Jason Connor, her poet husband, is a graduate student and economically times are hard. Her struggle to balance and adjust to this cultural dichotomy provides the storyline of the book. The tale is poignant, occasionally humorous, and ultimately a bit tragic. Well worth reading.

Jamila Minnicks's new novel looks at the Civil Rights Movement from a different perspective. Set in an independent all-Black town in Alabama, Minnicks posits the arrival of Alice Young, a young woman fleeing an abusive white landlord in another town whose bus ticket runs out when she reaches New Jessup. Alice falls in love with and marries Raymond Chapman, who is secretly working with an "agitator" organization, while she thrives in the protective atmosphere of an all black community that she perceives as "separate but equal." The story line weighs and balances the two viewpoints and their impact on the lives of the Chapmans and other citizens of New Jessup. It's an interesting perspective, and one I've not heard or read about attached to the Black community during late 50s/early 60s Civil Rights era.

Colleen Oakley's Thelma-and Louise-tinged road trip novel involves two quirky characters -- 58-year-old Louise Wilt has just been released from rehab after hip surgery, and needs some help around the house. 21-year-old Tanner Quimby, a Northwestern University women's soccer star out of school because she broke her leg falling off a 2-story deck at a party, needs a job, so she can save the money she needs to return to school.

Louise is a stereotypical crotchety old lady, at least in Tanner's eyes, and Louise sees Tanner as a thoughtless, cell-phone and video-game=obsessed, junk-food-eating millennial. Then Louise gets a phone call out of her past, and she needs to get out of town. She offers Tanner a substantial bonus to drive her to California, and off they go. Over the course of an extraordinary road trip, these two characters evolve in dimension and understanding of one another in touching, humorous, and engaging ways.

The light mystery that underlies their trip has a big surprise ending, but it is not really the focus of the story, which is at heart a tale of true female friendship and commitment.

In December 1990, when the "Velvet Revolution" came to Albania (the last of the Stalinist socialist governments in Eastern Europe), Lea Ypi, now a professor of political theory at the London School of Economics, was 11 years old. She experienced the transition from authoritarian socialism to a "western" multi-party democracy, complete with economic chaos which led to the Albanian Revolution:of 1997. On one level this book operates as a family history and memoir of the time period, reflecting on how changing conditions affected her family's life and her own experiences as a teenager. On another, more macro plane, Ypi explores the concept of :freedom" in all its complexity and its differing manifestations: freedom of religion, of movement, of thought, of speech. She argues that freedoms in one situation can become strictures in others, with a number of personally- experienced supporting examples.The book provided a useful first-hand look into a rapidly changing society in a time of great turmoil..

Author Russell Shorto, whose oeuvre is narrative history, accomplishes three things with his latest work. First, he presents an engaging narrative history of a small town mob unit operating in Johnstown, Pennsylvania, from World War II until the 1960s. The star of this story is another Russell Shorto: his grandfather, a second generation Italian immigrant. The story also focuses secondly, on the Italian -- specifically the Sicilian -- immigrant experience and its attempt to merge itself into US culture. Finally, Shorto presents a fraught family history. He explores the relationship of his father and his grandfather. and his grandfather's relationship with his grandmother,as they say, warts and all. The book is short, reads easily, and draws excellent and interesting characters. I enjoyed this one!

Eighty-eight-year-old Duffy Sinclair and his roommate Carl Upton consider themselves lucky to live at Centennial Assisted Living -- it sure beats the less upscale nursing home across town. Staying there depends on good health and good behavior. The behavior part gets challenged when Carl's granddaughter (who, it turns out is an alcoholic with a nasty boyfriend) climbs in the window of their room and asks to stay for a few days. With no overnight guests allowed, helping her out offers a challenge -- and they accept it. Adventure ensues, and the resulting story, narrated by Duffy, redefines family and friendship, and ends with the titular Big Finish. The book is a fast read, written in a casual vernacular with lots of quirky characters and a good bit of rather dark, age-related humor. Frankly, I'm a bit surprised by all the 5-star reviews. It's quick and entertaining, but not THAT fabulous.

In the fall of 1969, Yale admitted its first women - 575 of them - to its undergraduate college.The pressure came from male students who were selecting coed universities in preference to the all-male Yale, and the school feared losing its preeminence to other elite schools. Then Yale though it had done enough. So women were admitted -- and Yale thought it had done enough. As author Anne Gardiner Perkins (who entered Yale in 1977 herself) notes at the end of her book, the story typically told of what happened next was "... a sanitized tale of equity instantly achieved, as if all it took to transform these villages of men into places where women were treated as equals was the flip of an admissions switch. That is not what happened."

Perkins, as research for her doctoral dissertation, interviewed 51 of the women in that first class, with particular attention to five of them, 2 black and 3 white. Using their stories she traces the first three years of Yale's coeducation experience from the women's point of view -- and it was not an easy life. They were discounted, disrespected, ignored, excluded and harassed --but they involved themselves in the life of the school in spite of all that and fought for increasing the number of women and improving the conditions under which they lived and studied.

This book was of particular interest to me because I graduated from college in 1970, the same school year in which this story begins. I was in graduate school at University of Virginia in 1970/71, the first year women were admitted to the undergraduate college there, and taught at UVA in 1972/72, the first year a full class of women entered through the normal admissions process.The situations Perkins describes are familiar. She tells the story well. This book does an excellent job of charting the path women have followed over the past 50 years, at least with regard to academics. But as the end of the book indicates,while we have in fact come a long way, baby -- but we aren't there yet.

Narrator Zamani, an orphan himself, attempts to attach himself to a family (Abednigo and Agnes) with whom he boards and whose 17-year-old son has recently disappeared. His approach seems to be to collect the family history and adopt it as his own, so he becomes a surrogate son. He collects this history through all kinds of trickery and manipulation, playing on Abednigo's alcoholish, plying him with drugs, and emotionally manipulating Agnes, although I was never clear on why he felt the need to take this approach. Since the family story is tied to the downfall of Rhodesia and the rise of Zimbabwe, there's a good bit of historical (and unpleasant) information contained in those stories. The telling of them is scattered , not chronological, and confusing. There are extraneous characters and complicated flashbacks, including a strange emotional relationship between Zamani and his vision of Abednigo's first wife. I found reading this book to be a pretty unsatisfying experience, and although the general topic of the Rhodesia/Zimbabwe revolution is of interest to me, this is not the way I would chose to experience it.

Anissa Gray's family drama focuses on the Butler family. When their mother dies and dad, a traveling evangelist, is largely absent, oldest sister Althea takes over. Then Althea and her husband Proctor are imprisoned following a food stamp and charity swindle, and younger sisters Viola and Lillian have to take over the management of Althea's daughters, Kim and "Baby Vi." Trouble is they have problems of their own, as do both daughters. The novel walks the reader through a complex set of family dynamics as the whole family tries to sort out its problems. The characters are wonderfully drawn, with the story told in the alternating voices of the three sisters, and the resolution of the story is satisfying without being corny or cloying. My only frustration was a sense that Gray was attempting to be so sure she had left no potential problem or issue unrecognized -- there's gay marriage (on the rocks, yet), bulimia, OCD, prison life, bullying, extramarital affairs, and more, but in the end the story feels like it's about people with real problems, not a catalog of potential issues.

This was not the book I expected based on the First Impression description. The Resurrection of Joan Ashby tries to do too much,employing too many stylistic devises. The writing is confusing, inconsistent, and wordy. Part 1: Joan of the title is a writer, author of two unique and successful short story collections, who is determined to focus on her craft - but instead (with a promise of support in her goal, which includes no kids) - marries, has children and loses her way as an author. Just as she is about to get back on track a significant bit of family treachery derails her. Part 2: We learn the story of the treachery. Part 3: We see Joan find her way back. In all three parts of the story, Joan's (and in part 2, son Daniel's) story is interlaced with samples of Joan's writing. The interweaving is incredibly awkward; the transitions between the third person story and the writing excerpts are flat and unimaginative ("and then he read." "the story continued"). And the writing samples serve mostly to lengthen the book -- it's over 500 pages -- rather than advance the story. The final section the resurrection story (which also contains some of Joan's work, with the same problems) struck me as a Eastern-spirituality-based version of books like The Shack and The Celestine Prophesy, both of which I despised. I guess you either love this one or you hate it. I finished the book only because I promised to review it.

Kathleen Rooney's novel-styled-as-a-memoir tells a story inspired by the life of poet and ad-woman Margaret Fishback, who was in fact the highest-paid female advertising copy manager in the world in the 1930s, during her career at R.H. Macy's in New York City. Lillian Boxfish is a compelling protagonist - feisty, ambitious, creative, independent, yet deeply flawed. On New Year's Eve 1984, 85-year-old Lillian takes a walk around Manhattan, visiting places important to her in her life in the city where she has lived since 1926. The visits allow her to tell the story of her life - her career, her marriage and divorce, her aging - as well as describe the changes in the city that she loves.

Lillian is both an adventurer and a philosopher, and her 10.4 mile walk (there is a map on the inside front cover of my book) gives her ample opportunity to demonstrate proficiency on both scores. Rooney's writing is wonderful; both the character and the setting pop off the page. There's dramatic tension on several levels : Will she ever get married? have children? What was "the Incident"? Will Lillian survive an after-dark walk around Manhattan? Every time one question gets answered another appears. What fun this was to read!

Anne Sebba's history of the German occupation of Paris, seen through the eyes of its women, has much to recommend it. The book is extensively researched, using both primary and secondary sources, and covers the impact of the Paris Occupation by the Nazis from a variety of perspectives: the social and artistic elite, the fashion community, collaborators, Resistance participants, Jews, mothers - in addition to providing lots of contextual information. The cast of characters provided at the end of the book is an essential item, so many women are discussed. In fact that strength is also a huge problem. The book is organized chronologically, with chapters named by year. A character first discussed in 1940 may not show up again until 1944 - so keeping a story line in mind (when there are nearly 100 women on the list and lots of men show up in this book ,too) is nearly impossible. The material is just not well organized, and that makes the book very frustrating. The subject is fascinating but this presentation of it is just not very satisfying.

Frank and Ava recounts the story of the "relationship" of two celebrities who come off as shallow, self-absorbed, impulsive hedonists demanding loyalty from others but unwilling to offer the same. While there are plenty of interesting books written about such people, this is not one of them. Brady's "compelling drama of live and emotional war" might better be displayed as a spreadsheet of sexual conquests than presented as a 246 page book. The book is basically a listing of the affairs of two people who could not or would not control themselves. There is some interesting detail on the Hollywood studio system in the 50s and 60s, and commentary on the scandal created by the Hollywood lifestyle adopted by these two and others during a highly conventional era. While Brady has compiled a lot of material on his two principle characters, the detail does not make the story deep (it operates at the depth level of your typical Photoplay or People Magazine article) - just long.

When Rose's adoptive mother Iris Bowen faces a breast cancer scare, she decides she needs to fulfill a promise to her dying husband: she goes looking for Rose's birth mother.The search leads her from Ireland to Boston and back again, while Rose, a student at the Royal Academy of Music in London, undergoes some soul searching of her own. This is a sweet story, but it is not very surprising, abounding in coincidences that mostly resolve in a good way, with everything wrapping up positively in the end. The writing is not bad, and the characters are interesting, but the outcome is a little too pat for my taste. Also, I felt like Rowan was just dropped into the story in a very awkward way - aside from passing on a good luck charm he and his story had very little connection to the rest of the tale.

Amy Scheibe's tale of racial and ethnic discrimination in the upper Midwest of the 1950s is a great read for the last 100 pages - but the first 267 are a slog, poorly paced with wooden characters and little plot direction. Is it a coming of age story? A love story? A murder mystery? Hard to tell -and since the author sets up all of these possibilities, the direction of the story is unclear and the plot has little sense of dramatic tension. Scheibe finally decides which story she wants to emphasize and the book ends well, but had I not been reading this to review it, I would never have read that far.

Mating for Life is something of an ironic title for this novel, since it's something none of its characters seem to do very well. And are there characters! Meet hippie folksinger mom Helen, her three daughters (all by different fathers, none of whom married mom), their spouses and lovers and kids, the guy who runs the marina and his current live-in honey (and why are they even part of this story?), the local agriculture expert, the illegitimate daughter of one of the husbands who lives in Vienna, and a random few friends and neighbors. This book contains too many people for the amount of character development the author is willing to invest. Too many characters, too many subplots - the book has a very scatter-shot feel. the vignettes at the beginning of each chapter on the mating habits of a variety of non-human animals was interesting, but increased the feeling that what one was likely to find in Mating for Life was anything but.

Dr. Steve Mitchell has the world by the tail until, overconfident, he makes some serious mistakes that play into the plans of a killer working his hospital. The book's strengths: Author Kelly Parsons, a doctor, knows what he's talking about , so the medicine is convincing, and he really puts you inside of the main character's head. The weaknesses: Sometimes the technical medical language seems almost gratuitous - like he's showing off, and the head he puts you inside has some pretty unattractive thought patterns. Steve is not a very good guy. The writing is good, the story well-told -- but this falls into the "good on an airplane" category, not great literature.

This novel is one of a group of out-of-print books selected for reprinting by NPR's Nancy Pearl.

April and her 5-year-old daughter Marty are living in Hawaii with April's soldier husband Lang on December 7, 1941when the Japanese bomb Pearl Harbor. Lang is of course immediately pulled away to military duties, while his wife and daughter are moved around the island for their safety and then shipped home. The story, told in the voices of April and Marty, retells the events of the bombing and the war years spent in April's native New England. Author Kay Starbird does a beautiful job of contrasting the memories of events held by April and her 5-year-old, and of highlighting the nature of memory itself. She also portrays the pain and uncertainty faced by families with a member at war with great compassion and understanding. The lion in the lei shop is a character is Marty's recurring war nightmare; her resolution of his continued appearance is a poignant moment. The book is beautifully written, by turns poignant and funny. I'm sorry it had to end.