(1/12/2017)
Michiel Heyns reincarnates Henry James's 1907 Garden Room, where he dictates his novels to Frieda Wroth, The Typewriter, at Lamb House in Rye, England. Written in Jameson style complete with compound complex sentences and vocabulary, which SAT Prep students should appreciate, and I might add, punctuated correctly, as I know for certain because I checked the online website OWL from Purdue University, Heyns employs subtle humor to develop the multi-layered Frieda, the manipulative Morton Fullerton, and the flamboyant Edith Wharton. Suffragettes emerge in the background urging women to fight for equality, but the choices are few; hence encouraged by Aunt Frederica, Frieda, "whose future, though very indefinite, had never included a vision of 'taking dictation' that would deprive her of any independent agency," and the "chronic regard of Mr Dodds, an apothecary, whose placid courtship as well as his persistent odor of the tincture of iodine she had been fleeing, graduates from the Young Ladies Academy of Typewriting.
"The worst part of taking dictation is the waiting." (First line in book) "at the point from which the school-child, comma, with eyes raised to the wall, comma, gazes at the part-colored map of the world. Full stop." . . . "she clattered obediently after him, then halted, while he continued his treading of the carpet." Then, the dashing Morton Fullerton, a long time friend of James, bursts unannounced through the doors of the Garden Room, and Frieda is smitten.
At this point I realized two important facts: I was smitten with the Mr. Heyns's writing; and I wanted to peek into the mind of Henry James whose works I have not given much thought in the past forty years.
I conclude that I could have researched more about Edith Wharton, but why dispel the fond memories I have of her characters, that I am not sure of the accuracy of Mr. Heyns's portrayal of her and Morton Fullerton, although I do recall mention of their affair from past readings. Neither I am not sure if Mr. James would have been so easily duped by their actions and their use of him.
What is most important about The Typewriter's Tale is Frieda's coming of age. The effects of her betrayal to Mr. James weighed heavily on me throughout the book. Her telepathic communication with Mr. Fullerton via the machine, the typewriter, not the person Miss Wroth, and her interpretation of his physical silence after their afternoon fling in the local hotel was both sad and humorous. The mutual understanding of Frieda and James at the novel's conclusion reaffirmed Henry James brilliance and Frieda's awareness of herself.
It takes a committed reader to accept The Typewriter's Tale pace, its structure, and vocabulary usage. I admit that I did have to reread some paragraphs and check the meanings and part of speech of some of the vocabulary; but, the quasi love triangle of Wroth, Fullerton, and Wharton, the mutterings of the James's servants, and the recognition of some of the phrases from his novels create an interesting trip back to the 19th century.
I did enjoy the book.