Prophetic with hindsight of recent tragic events of the Charlie Hebdo murders in Paris by religious extremists, and with increasing tension surrounding religious extremist groups, Arab Jazz by Karim Miské (originally written two years earlier) is set in the 19th arrondissement of Paris, where the inhabitants live in, not so much, a multicultural melting pot as a seething bubbling cauldron of religious hatred which is about to boil over. Jews, Christians, Muslims, and Jehovah's witnesses all live in close proximity to each other. Add corrupt police officers, rising tension between these groups, sociopolitical issues, oh and of course murder, then you have this engrossing gripping and all too realistic read.

Ahmed Taroudant is a loner and a dreamer. He also has some mental health issues. Ahmed prefers to stay in his apartment daydreaming, reading poetry and crime novels. Until, that is, the day he finds his neighbour, Laura Vignole, savagely murdered in her apartment located directly above his. Enter detectives, Jean Hamelot and Rachel Kupferstein. The two detectives discover that Ahmed has a key to Rachel's flat, however they do not believe that he is their prime suspect, and this is where it's gets interesting. Ahmed, desperately wants to find the killer as he believes he has been set up to take the blame.

The characters are vividly portrayed, and fully fleshed out. I really got a feel of who they were and how their life experiences had shaped their personalities. Of particular interest to me was Jean and the dark demons from his past. His, is an unsettling character that could certainly be developed and I would love to read more about him and the duo's adventures.

Albeit a seriously prophetic, gritty crime thriller there are also some humorous moments for instance when a pair of killers are attempting to dispose of the body of one of their victims. It is perverse but also amusing.

The pace is initially slow but progresses steadily into a riveting read that definitely held my interest throughout. The plot is uncomplicated but the relationships between the developing characters and their religious beliefs, and the unravelling of events were a little confusing. I compiled my own crime scene chart (in a note book, not a huge wall mounted one!) and had great satisfaction lining up the characters and their developing relationships to each other. There is a fair amount of data, and backfill information so this process was definitely beneficial to me in keeping pace as the story unfolded.
(Originally reviewed in April 2015)

The one niggle I had was the slightly 'Scooby Doo' mystery reveal at the end, but that's such a small niggle it's hardly worth noting, although I did detract a point on an otherwise 5/5 rating.

I loved it and definitely recommend it to anyone interested in unusual crime noir with a twisted edginess.

Karim Miské is a journalist and documentary maker and is born to a Mauritian Muslim father and a French Atheist Marxist mother. Arab Jazz is an exciting debut novel and I'm eager to see what he does next.

Arab Jazz is translated from the original French into English by Sam Gordon. I'm usually a little wary of translated novels as they don't always work well in my opinion but this is extremely well done.

Gushing over ... Just read it!

Set in a small southern town in Alabama, 'The Almost Sisters' is a timely contemporary piece about friendships, family secrets and bi-racial relationships.

The narrator Leia Birch Briggs is a successful writer/artist in the graphic novel industry who, after discovering some life changing news, decides that a visit to her grandmother in Birchville is long overdue. Things do not go quite as planned as her grandmother, suffering from a degenerative disease, has been displaying some unusually outrageous behaviour. Instead of announcing that she will be continuing the Birch's family lineage Leia finds herself taking care of her grandmother.

I loved the fun, quirkiness of Joshilyn Jackson's writing style, and depictions of her characters, all of whom have real presence, warm endearing qualities, and were totally believable. I especially loved the multi-sisterly connections, in particular the endearing relationship between the towns oldest residents, Leia's grandmother Miss Birchie and her lifelong friend and companion, Wattie.

Leia's relationships with her half-sister Rachel and thirteen year old niece Lavender are equally as compelling, as is the relationship between Violence and Violet, characters from Leia's comic novel whom she uses to mirror and work through, to an extent, her own disappointments and frustrations that life heaps on her.

'The Almost Sisters' is an intriguing, story with a touch of a southern gothic feel, about the prejudices and complexities of bi-racial families, and relationships in the modern day 'Second South'; of multi-sisterhood bonds; and witnessing the heartbreaking slow deterioration and loss of a loved one to a degenerative disease. Even though it raises some serious issues it is gently done without becoming sentimental or preachy, and It is ultimately an uplifting story of family loyalty, love and forgiveness.

This is my first encounter with Joshilyn Jackson and one which felt destined to receive a 4 star rating until the ending which didn't quite work for me. However, I thoroughly enjoyed reading it and am now looking forward to reading her earlier novels, in particular 'God's In Alabama'.

Highly recommended and would make a perfect book group choice and summer read.

Memorable scenes: Leia's drunken one night stand with 'African American Batman' from the Comic Convention...fabulously hilarious!

Set high in the Hollywood Hills, LA, Woman No. 17 is a contemporary 'dramedy' with a razor sharp, edgy dialogue and a dark creepy undertone, an undertone in my opinion that didn't really surface. There are some real comedic moments where I laughed out loud, one of my favourite involving the shit-faced nanny and the pooch. Shamelessly, I loved it.

Pearl 'Lady' Daniels, the mother of two boys, one a lively toddler, Devin, and his half brother, 18 year old Seth, has been commissioned to write a book. A book about motherhood and caring for children with special needs. A book which she has no true impetus to write. She hires a nanny to enable her to concentrate on writing without the distraction of family interruptions or routines. This solution in itself brings its own distractions. Lady is a complex woman with a simmering mass of emotion and hidden depths to her personality that will gradually bubble over during the course of the story.

Esther Shapiro has a very strong dual personality, hers and that of her alter persona of 'S' Fowler which lends an underlying creepiness into the mix. Esther a 21 year old college graduate is committed to her latest piece of conceptual art, 'The Katherine May Project' where she will devote every waking moment to impersonating her mother as a young girl. There's nothing she won't do to succeed in the project. Esther, transformed into the unshaven, plain faced, drably dressed, renamed 'S' Fowler is taken on as the Daniels' live-in nanny.

Seth's character is somewhat unique and impressive. As a mute, self imposed or not really doesn't necessitate too much contemplation, Edan has given depth and perception to a character that could so easily have fallen into the background, or have been one-dimensional at best. He uses his iPad, Twitter feed and sign language, including secret signings for Lady, to communicate and interact in a believable fashion.

Early on its pretty obvious that a relationship is inevitable between the nanny and Seth. It is a relationship that will have a troubling, powerful impact on all three of them.

During the course of alternating perspectives and back stories, a fuller understanding of how the complexities of the family dynamic, significantly that of the mother-daughter relationships, have shaped the women into who they have ultimately become. Sometimes full of selfish tendencies as with Lady not wanting to share Seth with anyone for fear of losing him, and dismissing Devlin's needs in order to fulfill her own; and Esther with her utter disregard for those caught up in her performance art, as she causes upset and mayhem, crossing boundaries, and taking advantage of everyone to the point of exploitation, all for the cause of her art.

I really enjoyed Edan Lepucki's second novel and think it perfect for fans of art literature or anyone wanting to read something 'off-centre' about art and dysfunctional relationships.

Highly recommended.

After missing for a year the body of Cheri Stoddard has finally been found. The gruesome discovery of her dismembered body has left the Henbane community horrified and Lucy Dane her only 'friend' compelled to find out what happened to her.

Set in the fictional town of Henbane in the Ozark's, Missouri, 'The Weight of Blood' is about two missing young women; Cheri from the present, and Lila from almost two decades before. It is also a 'coming of age' tale with Lucy and Lila, telling their story in the form of alternating chapters.

The majority of Henbane's menfolk are pretty mean and disrespectful of its womenfolk and display an unfriendly, at best, attitude and mistrust toward outsiders. Lucy is Henbane born and raised but even she is still not fully accepted by the superstitious, insular, small minded community. Her resemblance to her mother doesn't help matters as it reminds them of the woman they viewed with suspicion and believed to be a witch.

Gothically atmospheric and hauntingly mesmerising, 'The Weight of Blood' is disturbingly dark with cruel deeds being done to the more vulnerable members of the community by bad, or ignorant individuals. I found it almost impossible to leave Lucy and Lila, and read with red rimmed eyes for hours to find out what would happen to them.

The pace is steady for the first half of the book, setting the scene and getting to know the characters complex personalities and back stories. Thereafter, it gains in momentum and intensity in the lead up to the final outcome. With only a quarter of the book left to read I did wonder if McHugh would be able to pull it all together convincingly. However, I was not disappointed as the final reveal felt plausible and in context with the rest of the book and didn't feel contrived or forced in any way.

My only quibble is the lack of distinction between the voices of Lucy or Lila, even their names felt too similar, making it difficult to recognise who was speaking. At times I had to re-check the start of the chapter to remind myself who was narrating. That said, I still absolutely loved it.

Perfect for fans of Tana French, Karen Slaughter, Emma Cline, and Amy Engel. Utterly enthralling, 'The Weight of Blood' is an outstanding debut novel and I'm looking forward to reading McHugh's second novel 'Arrowood'.

An excellent debut. I thought I was in for just 'another psychological domestic thriller' in Emma Flint's debut novel 'Little Deaths', but I was pleasantly surprised. 'Little Deaths' is a well written, compelling, literary crime novel with a classic crime noir influence.

Set in Queens, New York during the stifling hot Summer of 1965, Ruth Malone, a single mother wakes one morning to find that both of her children have gone missing. Ruth is not the conventional mother or wife (of the times) and at her instigation she has been separated from her husband Frank for the past year. Her priorities also appear a little skewed especially her obsession with her appearance purely to make her attractive and desirable to men.

Frankie Jr's and Cindy's bodies are soon found and in light of a conversation with her lawyer ending with, ‘He can’t have the kids. He can’t have them. I’d rather see them dead than with Frank’, Ruth becomes the prime suspect.

Ruth is not an easy character to like and I found myself judging her, (and boy is she easy to judge), for not behaving in a manor deemed appropriate for a caring mother, or for her lack of emotion as a grieving mother. As a result i wondered if she could indeed be guilty of murder in order to live the glamorous lifestyle she craved. I did warm to her somewhat during the course of the book as her narrative gives a privileged insight to her thought processes. I still didn't agree with her choices or actions, but I did gain an understanding of why she behaved as she did.

Emma Flint has written a thought provoking story based on the '60's real case of Alice Cribbins, and she has kept pretty close to the original facts in this reimagined account albeit with a neat resolution which I found a bit contrived, and coming from nowhere. However I do appreciate that for some readers a finality to a plot is preferred, which is more than can be said for the real case.

Gripping, intensely upsetting in parts, 'Little Deaths' is an impressive debut novel and perfect for fans of Megan Abbott.

'Speak' A Novel by Louisa Hall is a multi narrative consisting of five seemingly unconnected voices distanced by geography, and alternating time periods spanning from the 1600's, to the near future of 2040.

The 'voices' have their own individual style of narrative:

Mary, a young girl sailing with her parents and her new husband from England to the Colonies uses her journal to document her anguished thoughts as an outlet for her frustrations and feelings of increasing despair and isolation. So touching and exquisitely written this was by far the most compelling narrative for me;

A Texas inmate writes his (confessional) memoirs for his part in the story;

Chat transcripts of a young girl’s internet conversations are used as evidence in the inmate’s trial;

We hear the sad, deeply moving private and individual thoughts of a couple who are drifting ever farther apart, but remaining ever closer together; again these narratives were highly emotive and deeply moving.

Alan Turing writes letters voicing his concerns about a friend to the mother, ultimately divulging his own intimate thoughts, inner turmoils and dilemmas, again sensitive, touching and beautifully composed.

The narrators 'speak' because they have a need to be heard and understood, but they do not necessarily 'speak' to whom they really should, nor are their voices necessarily heard by their intended listener. Their private intimate divulgences may also be read out of context, misinterpreted or manipulated and used against them or people connected to them in some way by an unintended listener. Therefore, not speaking and being misunderstood becomes a common thread in this complex tale.

These totally random stories, and characters initially appear to be unconnected, however as you read on, fragments that interconnect the voices and threads begin to come together making sense as the story unravels.

I savoured and devoured this book in equal measures and genuinely didn't want it to end. Louisa Hall is a master in the art of painting vivid imagery with the written word. With stunning, sumptuous and beautiful balletic prose, I absolutely adored this novel.

Powerfully written in its complexity, and diverse in narrative style, Speak is sheer brilliance in its construction and delivery. Fans of David Mitchell's 'Cloud Atlas', Emily St. John Mandel's 'Station Eleven' and Erin Morgenstern's 'The Night Circus' should seek this one out as a 'must read'.

It is unfathomable to believe that 'Speak' is only the second novel from the author. I'll definitely read more from Louisa Hall and will have to contain my excitement until her next book is published.

On Meri's 10th birthday her father gives her a book, 'The Burgess Bird Book for Children'. For her 11th birthday he gives her, Darwin's 'On The Origin of the Species'. Six months later her father dies leaving both Meri and her mother utterly devastated.
At 17 years old Meri leaves her hometown of Pennsylvania and attends Chicago University with a fierce ambition to earn an advanced degree in ornithology. She sits in on one of Professor Whetstone's physics lectures and is completely smitten by this man old enough to be her father. This is what she says about seeing him at that first lecture, ' I was in awe of Alden. I could only sense the very fringes of concepts that his intellect grasped with such easy, ready fingers. I worshipped his knowledge, his aloof independence and greater world experience. He was my teacher; he led me, and I followed gladly.' They embark on an affair fuelled, not by passion or lustful recklessness, but of joint admiration of intellectual minds. They marry and Alden takes her away to Los Alamos, New Mexico.

At the commencement of each chapter there are ornithological terms of reference which cleverly shadow Meri's experiences within the chapter they refer to.
The writing style is gently paced, and intelligent, with beautifully constructed sentences and phrases such as,"I watched the first snowfall begin as a light, dry powder and morph into those luscious, fat, lazy flakes that sashay downward and accumulate into weighty drifts." I fell immediately under the authors spell of words and eagerly devoured the pages of the book. In another poignantly beautifully written scene where the crows say farewell to one of their own, I cried as the loss and feeling of loneliness was utterly palpable and I truly believed I understood how Meri was feeling at that particular stage of her life.

The Atomic Weight of Love is primarily a love story written and voiced by Meri about the ever changing, evolving love she feels for Alden, and then in her 40's of her love for a much younger man. I found it in turns to be heartbreaking, and infuriating due to the out dated attitudes of the times, but above all an uplifting read. There is a bittersweet quality to the story and at times it simply broke my heart.

Elizabeth Church’s debut novel is an exquisite poignant tale of loyalty, trust and knowing when to let go. I truly hope there's a lot more to come from her as a writer. I'd recommend it for readers who love beautifully written literary historical fiction that will make them question their own sacrifices and accomplishments. I would also suggest it for book group readers as the multitude of topics raised throughout the book could generate some lively discussion.

The Roanoke girls appear to have it all, they're rich, stunningly beautiful and envied by all the townspeople. However, things are not as they seem. Over the course of the book, and as layers are sloughed away we find out what befell the girls in this family saga, and also solve the present day mystery of one missing Roanoke Girl.

Set in a fictional rural town in Kansas, 'The Roanoke Girls' is a deeply disturbing story. It is a complicated mix of sensual beauty with an underlying creepy darkness. It's a distasteful storyline with manipulative calculating characters.

With a decades old history unfolding as the narrative moves back and forth in time, unpalatable secrets are revealed about the girls relationships within the family and with some of the townsfolk. Engel has written a perceptively shocking, utterly compelling tale about the many affectations of love; innocent, lustful, cruel, selfish, controlling and warped. Some of the characters were pretty unlikeable but with the progression of the storyline and revelations about the family's past, it became easier to accept, but not condone, their behaviour and treatment of others.

The interaction between the main character, Lane and 'wild boy', Cooper really resonated with me. Their relationship was electrifying and the sexual tension and pangs of lust were palpable. Allegra and Tommy's relationship couldn't have been more different with the hopelessly infatuated 'wholesome' Tommy being teased and tormented by the more predatory and sexually aware Allegra.

I loved 'The Roanoke Girls' right from the get-go. Written in a style similar to Emma Cline's, 'The Girls' and likened to Virginia Andrews', 'The Flowers In The Attic', 'The Roanoke Girls' is a fabulous crossover debut for the YA/Adult readership. Its a tough subject matter to write well about, but with a cracking good storyline I think Engel absolutely 'nailed it', and I cannot wait to read what she offers up next.

'The Underground Girls of Kabul' by Jenny Nordberg is an immensely informative, insightful and compelling read. Nordberg obviously did extensive research on the practice in Afghanistan of 'basha posh'. I was not aware of the practice but not surprised.

Having lived in the Middle East I can appreciate a little of the difficulties muslim women face daily living in this often oppressive, male dominated environment. A woman's life outside the home is practically impossible without a male family member to escort them and I understand the necessity for the compromise in order to be able to get things done, or simply be respected.

The reportage is intelligently written in a compelling, non judgmental manner and brings to light the cultural and religious reasons, benefits and disadvantages of having, and being a 'basha posh.

Highly recommended.