: The Triumphant Story of the All-Black Musical that Changed the World (aka Footnotes)
(4/1/2021)
The extent of my knowledge about the history of Broadway is very limited so "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" by Caseen Gaines is a revelation. Narrowly, this is the story of “Shuffle Along”, the first all-Black musical to succeed wildly on Broadway in 1921, but Gaines uses the story of the production to journey through history and discuss the pernicious racism in the United States, the service of Black soldiers and musicians in France during World War I, the Harlem Renaissance, and the lives of the performers, musicians, and creators who participated in or had an effect on the musical. Gaines starts his story at the 1921 opening night premier of the musical, with the team of four incredibly talented men, Noble Sissle, Eubie Blake, Flournoy Miller and Aubrey Lyles, anxiously waiting to see if white audiences would embrace the musical or start a race war after realizing it broke social taboos. He then travels back to the origins of the collaboration and takes the reader on a rollicking journey of success and heartbreak through the years. While I was familiar with Josephine Baker, Al Jolson, and Langston Hughes, and had heard of Eubie Blake and Paul Robeson, I was unfamiliar with many of the artists and was riveted by their stories, especially James Reese Europe, bandleader extraordinaire who was killed by a crazed drummer, and Florence Mills, beloved comedian, singer, and dancer whose career was launched by “Shuffle Along”. While reading, I was so interested that I found myself searching Google to look for clips of performances by the people discussed by Gaines, and to seek additional information about events or individuals that Gaines could only touch on peripherally. This is a well-researched and well- written history – highly recommended.