Acclaimed, best-selling author Laura Lippman uses a real-life unsolved drowning as the springboard for her new thriller, set in Baltimore in the turbulent mid-1960's.
The world is changing rapidly. Societal norms are being challenged. And thirty-seven-year-old Maddie
…more Schwartz is no longer content to sit on the sidelines in her comfortable home with her dull, but reliable husband, Milton, and seventeen-year-old son, Seth. Maddie did what was expected of her -- she married an attorney, keeps a kosher home, cares for her son, and hopes that no one ever finds out about the dark secret she harbors. Before she married Milton, she did not always conform.
When Milton brings home the local television reporter -- a man Maddie knew in high school -- something snaps and she realizes she needs to pursue the dreams she abandoned in favor of stability and acceptance. She leaves Milton, and rents an apartment downtown in a neighborhood that is suffering the ravages of "white flight" to suburbia. Seth refuses to join her there. An one day, the always-clever Maddie devises a scheme to improve her circumstances that has far-reaching consequences she could never have anticipated.
Meanwhile, the body of a young woman lies submersed in the fountain situated in the park surrounding a local lake. She is a missing person that no one is actually looking for, a young African-American woman who left her two young sons, fathered by two different men, with her parents to raise while she worked in the notorious Flamingo Club, tending bar and performing other duties better left unmentioned. She visits her sons and parents, brings them gifts, and leaves again, much to the dismay of her parents.
When Maddie and a friend discover the body of a missing eleven-year-old girl, she schemes to find a way to parlay her luck into a job as a reporter at the Baltimore Star. She gets a job, although not as a reporter, but will not be satisfied until she reaches her goal. She understands all too well that men control her destiny and will use any means necessary, including flirtation and trust of those who provide her tips, to achieve her goal.
Lippman knows Baltimore. She spent twelve years as a reporter at the Baltimore Sun. Ironically, she says that she didn't set out to write a book in which much of the action is focused around a newspaper, noting that "Maddie Schartz surprised me as much as she surprised her longtime husband." Soon Lippman found herself interviewing her father's colleagues -- Theo Lippman Jr. was a journalist at the Baltimore Sun beginning in 1965 -- in order to get the details just right. Lady in the Lake is replete with historical and geographical references not just to the era, but Baltimore specifically. She even includes two real-lie people as characters in the book: the first African-American police officer in Baltimore, Violet Wilson Whyte who was known as Lady Law, and Oriole centerfielder Paul Blair.
The story is told by a series of narrators, primarily the lady in the lake herself and Maddie. But as Maddie encounters other characters, they are called upon to narrate the next chapter. Some reoccur, some only briefly contribute to the plot's progression. Lippman uses their voices to great effect to supply historical significance, context, and perspectives that balance Maddie's increasingly obsessive, and at times quite selfish, quest for the truth. Through her eclectic group of storytellers, Lippman explores not just the two killings, but racism, classism, and sexism, as well as the price that unbridled ambition can extract -- especially from a woman.
Lady in the Lake is a sophisticated and absorbing tale about a time and place not all that long ago that will leave readers pondering how much America has changed in the intervening years. (less)