In this novel, Paul Harding walks with Faulkner and McCarthy to pen a ferocious subsistence writing about suffering, incest, race, art, and faith -- and floods and fires; and unlike most contemporary authors, Harding seriously courts religiosity, futility, and cruelty in
…more his fiction, which lends it earned tenderness and much needed nuance. It's a shame, then, that the major conflict of the novel between the progressive, utopian Apple Islanders and the progressive, utopian eugenics program of the state of Maine often lacks that same nuance. (less)