If you like historical fiction, especially India in early 20th century, and learning about different cultures and ways of life, you will like this book. While it is a murder mystery, it is also an exploration of the various cultures active in India from 1915 to 1922. The heroine is a young woman Parisi (Zoroastrian) who has trained to be a solicitor (lawyer) at Oxford and is working in her father’s firm when three widows, Muslims who live in Purda or complete seclusion from men, need a lawyer. A murder occurs, and Perveen, the untried female lawyer, is the only one who can enter the widows’ seclusion.
The situation of women of all faiths becomes integral to the plot, as do marriage customs, inheritance, family practices, the law, the role of the English in India, Indian independence, class strictures and even education and employment for women. While the plot moves slowly, the descriptions of a way of life unknown to most Americans, keeps the reader interested and reading. Besides a murder, there are also two kidnappings, financial shenanigans, jewelry theft, families in crisis, and other plot devices to keep interest high.
The noises, smells and flavors of Bombay and Calcutta set the scene. Clearly drawn characters and lively writing add to a tale well worth spending time with tea, curry and Perveen as she navigates the path forward with three widows who are clearly not sisters of the heart.
4 of 5 stars

I haven’t read any Piccoult for a while (a little tired of the “disease of the month” rut she seemed to be in), so I had avoided this book also. But I kept hearing really good things about it. People who didn’t read Piccoult LOVED it. So, I gave it a shot.
All those good things I heard were true. This is a good book! The tale revolves around an African-American nurse. She is a good nurse with a sterling reputation until she is Labor and Delivery nurse to the wife of a white supremacist. This IS a Piccoult book, so, of course, something terrible happens to the baby. Now the tale becomes sympathetic (yes, sympathetic) portrayals of a white, racist, perfectly awful man, his white racist, perfectly awful wife and a here-to-for unbiased, wonderful person African-American nurse and her honor roll student , off to Yale son.
You will learn more medical jargon than you ever wanted to know and, maybe, discover a few of your own biases and prejudices. This is a good story, well told, that will keep you wondering about yourself until the final pages.
5 of 5 stars

I just couldn't get interested in this book or the characters in it; Frances, a middle aged widow, and her son, Malcolm. While clearly drawn, neither was likeable or very interesting. Their situation (about to become bankrupt) and their reactions were also not interesting. I finished the book all the while wondering why I kept reading. I can't in good conscience recommend this book. Frances is a snide, snobbish and selfish person. Malcolm is a man/child who has no ambition and no desire to do anything including attend to his long suffering fiancé. The entourage they acquire is made up of misfits and ne'er-do-wells. The conclusion is a relief.

The only other Nora Roberts (J D Robb) book I have read is her dystopian YEAR ONE. This is a stand-alone thriller.
The Bodine Ranch and Resort are both run by a close knit family. Bodine Longbow, the eldest daughter is the focus of the book and the COO of the family enterprise. She is clearly drawn and multidimensional as is Callen Skinner, a new hire and old acquaintance. Alice, Bodine’s aunt, who has been missing for years is an integral part of the plot as is Sundown, a highly trained and intelligent horse.
When young women start disappearing and then are found murdered in the close vicinity of the ranch, the plot becomes apparent. There are plenty of red herrings, plot twists, love interests and Ranch/Resort complications to keep the reader interested in this 450 page novel. Roberts is a master of the thriller/love story genre and it shows in this outing.
5 of 5 stars for a convincing thriller with likeable characters, interesting locale and pleasing secondary plots.

THE IMMORTALISTS follows four children throughout their lives. The children visit a woman who tells them their death date. That knowledge compels each of the young people to follow a different pathway through life. A gay boy who is uncertain of his sexuality and self-worth, a girl who may be suffering from a mental illness and infatuated by magic, a girl who is intellectually brilliant but socially inept and a boy who is the family’s “golden child” intent on doing everything perfectly make up this group of siblings.

Each one’s story is told in succession with little interaction between the siblings until each one’s death. Each story is compelling on its own. The characters are well developed. Each life story has a clear beginning, middle and end. The place and time each sibling’s story covers is detailed and distinct.

An intriguing, well written, and aware novel delineating the difference between belief and science, reality and fantasy. The choices each sibling makes will resonate long after you finish reading.

I picked up this book because I thought it was historical fiction about the devastating fire in the Northeast during October of 1947. It is, but first you have to get through the bad sex (there is more bad sex later in the book, too). The fire is only peripheral to the book. It is really about a young mother finding herself, standing up for herself and her children and finally finding her true love. If that is the book you want to read, this one is well written, the characters are interesting and speak and act like real people. There is a bit about the fire that is quite terrifying and a bit about the damage fire can cause to a human being.
The psychology part is also well written. I’m not quite sure about how the title fits the story. I’m still disappointed there is not more about the fire. Oh well, it was a decent read.

So – was this a good book? It asks so many questions and doesn’t give many answers. The clear take away is: Be careful what you ask for – you might get it!
What would it be like to never die? To always return as an eighteen year old when one “life” is ended? What if this was punishment for sin? How many times can a person reinvent themselves and adapt to changing values, science, language, culture, etc, etc. Those are some of the questions this novel tries to answer. Rachel, a complex character born in Jerusalem 2000 years ago, lives in the pages of this book for centuries as does her co-sinner and lover. A basic knowledge of Bible history and a smattering of knowledge of the Jewish faith will help the reader grasp the nuances of the tale. When we meet Rachel in this current age, Rachel is desperate to die – permanently.
The book is well written, the characters are strong and sympathetic, the situation – well – that is a problem. First, the God who loves people, and is the God Rachel knows, wouldn’t condemn a penitent to an eternal punishment. The premise the plot is based on is false. Second, the probability of one person finding another in ancient times, or even in modern times, is minimal. So Rachel and Elazar would be unlikely to keep meeting. However, the questions the book asks are important to ponder.
So – suspend belief and enjoy the writing and the characters. It is fiction after all!
4 of 5 stars

Although long (perhaps a bit too long), this tale of brothers holds your attention. When an Italian nun, woefully unprepared for a mission in Africa, turns up at a medical mission in Ethiopia, she is welcomed because of her skill with patients and her ability to serve as nurse to a highly skilled but disconnected surgeon. After she gives birth unexpectedly to twin boys, the story switches to the boys, raised at the mission, and the “family” at the mission that raises them to adulthood.
World War II and the civil war that later divides Ethiopia into political factions serve as the background for this fascinating tale of medicine, natives, doctors, politicians and family. Secrets and intrigue abound and are satisfyingly brought to a conclusion as the two boys search for their birth father and fulfilling lives in the midst of great love and great upheaval.
5 of 5 stars

I really wanted to like this book but I just couldn’t sustain an interest in these characters or their story. Perhaps it was the jumps from past to present or present to indigenous tale or family to family, I just didn’t care.
The whole premise of giving away a child (and then taking him back - sort of) just didn’t seem believable. Emmaline never really seemed to be a “real” person, just a non-entity. LaRose was too good to be true. Nola was too submerged in grief to be interesting. Maggie was my favorite character and the most believable. I couldn’t understand why anyone would believe anything Romeo said.
I have read other books by Erdrich and liked them. This one was just a disappointment.
3 of 5 stars for good writing, poor story

Grafton reaches back into Kinsey’s past for this thriller so you know she will survive. Two concurrent plots make up the story line. Ned, a serial killer who wants Kinsey dead, is one, the other is the 10 year old death of a popular teen whose murder was solved – or was it? The book bounces from one plot to the other, so for me the momentum was lost. But I like Grafton’s heroine, so that was okay.
Grafton shows that although the end of the series and the end of alphabet approach, there are still stories and plots to tell. She has lost none of her story telling skill and the plots are still intriguing. So for Kinsey fans this one is win, win.
What will be the “Z” title????? And how will the series conclude? Are the only questions remaining.
5 of 5 stars for longevity and continuing deft plotting

There are at least four stories in this one novel. Mary and Joe are the two characters that are the most clearly and realistically drawn. You may need a “cast of characters” to keep all the individuals, families and alliances straight. Several plots seem a bit far-fetched. Here are three instances.– Southern Dad admitting after years and on his death bed that two of his slaves are his children and disinheriting the white brother: a slave girl in a brothel for 4 years just walking away with no residual mental damage: a Northern soldier given the option of just walking away from his unit and commission by his commanding officer.
The story line is intriguing and holds your interest. The love story is well written and believable. The ending is a bit too “pat” and comes out of nowhere. The author shows great promise in his writing skill. I look forward to seeing his next tale. My copy is an advance readers’ edition and there are many grammatical and typo errors.
3 of 5 stars

This book within a book was frustrating at times. It was difficult to know who was the narrator and which “book” you were in. There is a difference of font, but it is a slight variation and easily missed. Susan is a bit too “talky.” I wanted her to just get on with it instead of rehashing all of the clues and suspects. I thought the Atticus book was by far the better plotted and told of the two tales. It just took forever to get to the finish line.
Andreas seemed to be thrown in just so he could be around to “finish the plot.” Susan didn’t miss him at all when he was gone for 6 weeks. The end, therefore, seemed too pat a finish.
The depiction of the English village and the various inhabitants was spot on. I didn’t agree with some of the characterizations of other detectives. I rather like Father Brown and don’t find Miss Marple brusque at all.
So….. Magpie Murders by Alan Conway is well written and tightly plotted. Magpie Murders by Anthony Horowitz is too long and too fussy. Bring back Conway and Pünd!

A master of tightly plotted and well-crafted mysteries has written another winner. John Hart gives us a lawyer accused of his father’s murder, the DA that USED to be his friend, the wife he has never loved, the woman he does love, the cop who would love to see him hang, and, finally, a homeless man and a PI who may be his only friends. Add in a suicidal sister and her lover and the possibility of millions of dollars in inheritance and you have a first class mystery.
I thought I knew who the murderer was by the end of the second chapter. I was wrong. You will be too. But it doesn’t matter because the book is compelling reading.
5 of 5 stars

WOW. John Hart really knows how to write an engrossing, heart pounding, well plotted mystery…… and he can do it with a minimum of sex, blood and vulgar language. A disgraced cop, a damaged cop, a terrified girl and a bereft child all come together in this tale of violence and corruption. Greed and power fuel the bad guys. You will have to read the book to discover what motivates the good guys. Who are the good guys? Who are the bad guys? Who, or what, is redeemed?
5 of 5 stars

Lucy, 16 and naive, runs away with her High School teacher. Their life together in an isolated, and isolating, rural area is not what Lucy expected.
Lucy is portrayed sympathetically. The reader gets to know her intimately through her thoughts and actions. William, the teacher, is not so well known. His back story is presented in back flashes. His life with Lucy is seen only through her eyes. Lucy’s sister, a minor but very important character, never gives up searching for her sister.
The reader is constantly aware that “this will not end well”, but the actual ending is dramatic and terrifying. You will remember this book for a long time.

This not your usual “end of the world” book. It is a LOT better! An Amish community is well prepared when a solar storm knocks out all machinery worldwide. But the English (anyone not Amish) begin to run out of food and their money becomes worthless, civil society breaks down. The Amish are called to help. When they do, their closed community is affected as never before.
Written entirely from the viewpoint of Jacob, an Amish farmer who lives near several large cities, the book explores the challenges and fears of a community that wants to avoid “the English” and their worldly ways. Written with sympathy for both groups and displaying an intimate knowledge of the Amish, the book is a look into the future of a disaster. The one quibble with the book is a weak ending.

A compelling read of loss, anger, fear, and murder. Johnny is just a child, but he is a child searching for his kidnapped twin sister and aided by a detective possessed of the same relentless need to find Alyssa. Then another young girl goes missing.
The characters are clearly drawn, especially the giant of a child man. The setting is detailed and atmospheric. There are red herrings in plenty, but the plot is tightly controlled and moves along at a ever increasing pace.

A 20th century neurosurgeon is transported to Siena, Italy, in 1346 AD where she becomes a scribe and falls in love. That is the short story of this vastly absorbing and intriguing novel.

The characters are fully developed, especially Beatrice, Gabriele, Clara and Accorsi. The plot is constantly offering a new twist even as the threat of the Bubonic Plague approaches. The flavor of medieval Italy is beguiling, however some of the more "indelicate" and primitive aspects of life are glossed over. The patterns of daily life in and around a bustling market and monastery are clearly set forth. The talents needed of a scribe in a society where most had little or no education are delineated.

I don't think I would make Beatrice's choices, but the book is a winner. 5 of 5 stars

A tight plot and likeable characters people this mystery set in post World War I England. Masie is a detective and a psychologist and uses both to solve interesting and informative crimes. This one is no different. Hired to find a runaway daughter, Masie stumbles on a serial killer. Well written, with believable and clearly drawn characters with interesting backgrounds and a spot on sense of time and place, this series gets better as it continues. While the second in the series, there is no need to have read the first before beginning this one.
5 of 5 stars

A tightly woven mystery that jumps back and forth from the present to the past to solve a long ago drowning and now a family murdered. Who lied and why?
Agent Aaron Falk is one of those accused of lying – then and now? Did he? Why did he come back and why does he stay where he is clearly not wanted.
The time jumps are clear by the use of an italic font for the past. The suspicions will keep you reading. Some of the characters are more fully developed than others. The plot is clear and the red herrings are plentiful. This is an enjoyable and clever book.