David Grann's “The Wager: A Tale of Shipwreck, Mutiny, and Murder” tells an entirely different story than his previous masterpiece, “Killers of the Flower Moon,” in the same captivating way. Understanding the complex life of a sailor, a journey that requires a great deal of background knowledge, is an adventurous experience that intrigues and excites you. You feel like Grann is learning as he goes, adding to the thrill of the narrative.

The early stages of the novel are dominated by tales of scurvy and typhus, a setting that resonates with modern-minded readers. The mission, a glorified treasure hunt, unfolds in a less-than-ideal manner. Even without the historical details, the shipwreck itself is a thrilling read. Grann’s masterful skill in immersing the reader in the star-crossed boat, making you feel transported and involved, is commendable.

Roger Ebert often quoted Francois Truffaut, who said you couldn’t make an anti-war film because movies excite intense combat scenes. Surprisingly, that same theory applies to life at sea. The crew of the Wager had few rations and a barely functioning boat, but they still attempted to complete their mission. I have trouble getting through a lesson without the Internet.

Since the title promises shipwreck, mutiny, and murder, we should see all three coming, but how the crew disintegrates is the stuff of legends. When you write your law, this can happen. The mutineers kept detailed records so Grann could illustrate the depths of this mayhem. Regardless of what was available, the amount of research involved was astronomical, just like his other work.

I felt guilty enjoying the ride when such suffering appeared imminent. Grann (if you haven’t read any of his books, get on that) has a knack for finding horrifying, intriguing, and unknown pieces of history. What a book!

“Prophet Song” by Paul Lynch would seem like a novel stunt if many award-winning Irish books did not seem similar. There are not many paragraph breaks and quotation marks here. You get the point of dystopian suffering even when unsure what is happening. Although this is fiction, it echoes the complicated fears of the Irish today.

Eilish Stack is a typical Irish wife and mother. Still, her husband is a trade unionist for the country’s workers, a controversial position that results in his sudden capture and eerie interrogation. Ireland descends into chaos and confusion, and the author has the challenge of projecting the nation's bewilderment without confusing the readers. Their leaders are paranoid, vicious, and suffocating.

There is a lot of detailed setup and character development, but I was most interested in the main plot’s story arc: this woman living without her husband and at risk of losing her son. Eilish hangs onto the past because nothing about their future seems promising.

History reminds us that The Troubles eventually improved, but we do not see it coming here in Dystopia.
The echoes of modern culture, where doubt and skepticism surround news from specific sources, resonate strongly. When the government controls information, confusion reigns. The depiction of war from within adds an extra layer of mayhem, mirroring the complexities of our world. The perspective of an innocent resident creates a palpable sense of claustrophobia, drawing the reader into the narrative.

The writing style, characterized by long sentences and much longer paragraphs, may initially feel overwhelming. However, it quickly immerses you in the narrative, intensifying the sense of loss and bewilderment. This is not a book for those seeking an easy, low-key read. The subject matter and writing quirks ensure a challenging, thought-provoking experience.

I love books and movies and compare them. “Rough Sleepers” by Dr. Tracy Kidder is the heart-wrenching story that the fictionalized movie “Patch Adams” wanted to be. Yes, the movie was a comedy, but Dr. Hunter Patch Adams wished to be known for more than humor.
Dr. Jim O’Connell gets the hero’s welcome he deserves for serving people experiencing homelessness.

Like most award-winning nonfiction, I recommend this with a caveat: It is heavy! If you read and survived “Evicted” or “Poverty, by America,” expect similar tugging of the heartstrings. The one positive is that the government funded the program better than you would expect. The glaring negative is that few could break the cycle of living as “rough sleepers.”

Next is a series of anecdotes in which the rough sleepers dodge their rough pasts and drug addictions to find roles for themselves, arousing more sympathy than judgment. You may have taken your access to physical and mental health for granted, and reading books like this will keep that from happening. I had difficulty complaining after hearing these horrifying stories.

I often wonder if I would survive like these subjects (Kidder wisely seldom mentions their race), becoming so accustomed to doing without that they do not recognize their health needs. The characters are sympathetic, which is hard to do since we have all read books about these types of disadvantaged people before, with potential and subject to unfortunate circumstances.

I can be opinionated but never argue about medical issues with doctors. Helping a group of people is a human trait, but when the odds are stacked against them (for environmental and self-destructive reasons), you know Dr. O’Connell’s frustration. The author appropriately mentions Sisyphus a few times, but you cannot help but root for these patients to get over that hill.

Shelley Read's “Go As a River” does readers a favor by revealing little in the flap. A farm and drifter meet. Tragedy and romance ensue. That gets you to page 25. What results is a family drama about loss, grief, and development that will remind you of “Where the Crawdads Sing” with its love of the outdoors and its surroundings.

The Colorado landscape in a peach-growing community in the late 1940s serves as the backdrop, and the casual racism will surprise you but should not. It was a strange time. When crimes up to and including murder receive rationalization, you realize that people had a lot of hatred that they needed to release. A $20 reward motivated many narrow-minded people.

Heroine Torie goes on a journey of self-discovery under challenging circumstances, and you do not know how the story will go. You are meant to discover this on your own when the middle of the book reminds you of “Cast Away,” which turns out to be the false dawn. Like a river, you go from plotline to newer plotline seamlessly.

At the halfway point, you start to question how much pain and suffering an author can put on her main character. Reviewing this book is tough without revealing its trials. Some stories have their inevitable happy ending, but you must endure a lot to get there, and “Go As a River” is no different. Be prepared for the worst.

If you read a lot, you may predict what will happen, and that’s fine because star-crossed Victoria earns and deserves her happiness. She has a “Shawshank Redemption” level of hope and blind faith. The ending, which I will not reveal, has a nod to the power of writing in bringing people together that those who wanted to write professionally would appreciate.

“The House of Doors” by Tan Twan Eng tells interconnected tales about characters within the same realm. A married couple, Lesley and Robert, allow a famous writer and his assistant to live with them in a time of personal trouble. Secrets about their marriage arise, and drama they did not expect arises. Malaysia serves as the backdrop.

What was going on in China at the time significantly affected the day-to-day life of this young family. Gender politics are the main struggle when Lesley’s closest female friend shockingly murders her alleged attempted rapist, and everyone assumes her guilt prematurely. Out of context, the comments to women would especially shock and anger you.

You will need some knowledge about Chinese revolutionaries in the early 20th century, but nothing that a few fiction books could not provide. This requires the backstories of all present, including writer Willie and his assistant Gerald. They placed a particular interest in revolutionary Dr. Sun Yat Sen, and his story will cure Willie’s writer’s block and search for something new. Adultery shows double standards despite widespread bigamy.

Following along is easy since the storytelling has fewer characters than usual but more plot lines. I wanted to stay in the book, and this only increased as the story progressed. I received a cultural knowledge of “angmoh” (white people) living in Malaysia and China that I would not have known otherwise. Lesley questioned traditions that others would not.

The engaging novel's themes echo throughout each character arc: homosexuality, gender equality in marriages, and the Chinese revolutionaries in the 1920s. All historical fiction worth its salt shares this. These novels exist to remind us how little we know about Chinese history and why so many of these stories exist. My favorites from the past two years have been by Asian authors.

“Let Us Descend” by Jezmyn Ward requires a strong stomach, like most novels about slavery. The reader wants realism, then reads about rape and technical incest and wishes for less. The protagonist, Annis, takes us on a journey inspired by Dante’s Inferno when her Sire (father) cruelly sends her mother away.

“Magical Realism,” one of the suspicious genres assigned to this intense book by Goodreads, is my kryptonite. I get lost if I struggle to transition from the real to the fantastical. When Annis meets spirits, however, she thoroughly introduces us to them. Having a caring spiritual being with whom you could consult while going through the humiliating process of a slave market provides promise in an otherwise hopeless situation.

I watched a Jezmyn Ward interview on the Seth Meyers show in which he described this as an “easy read.” I needed several double-takes to comprehend everything. I simultaneously thought the action was a horrifying representation of slavery and that I did not know what was going on. I had a professor to help with “Inferno,” thankfully.

Still, you will enjoy Annis as she struggles to find creative ways to have freedom. Annis finds solutions despite her struggles, some of which are too late in the book to mention here. The author based this story on the journey process instead of a sequential plot or specific destination. Dante’s classic “Inferno” qualifies as the same quirky classification.

I read for the same reason I teach: I like “A-Ha” moments. This book had them, but you had to go a long time between them. It was a grueling experience. I wanted to like it more than I did, but my comprehension started to slip, which had a detrimental effect on my interest in the characters and the storyline.

"Tom Lake" by Ann Patchett tells the story of a family that hears a long story about an actor's connection to the mother and creates nostalgia for the recent pandemic. We know what happened, but we go back and forth from the present day to the mother's acting debut, and we still have so many questions to consider.

Novels about someone telling a long story can be tricky because you must allow for details, show the listeners' impatience, and keep moving. Luckily, we have three siblings whose lives are changing rapidly. It would be best if you learned their quirks. The claustrophobia of early 2020 makes secrets come out and see the women's complicated relationship. You will keep reading because of this.

The daughters run together for the first half of the novel, so I thank the author for naming them in alphabetical order. Each has a separate set of farm goals. When one announces she does not want to have kids despite her impending marriage, conversations about the world's fate arise. It brings them all together as one.

Once the twists start coming, Patchett hooks you. All literary characters have a back story, and Nelson's Cherry Farm has them in spades. The book has a different goal than you anticipated. The segues from the past to 2020 happen seamlessly as the author writes in italics to indicate setting changes.

Someone asked me why I wrote these. I do it for the same reason I play fantasy football. I wanted to be a writer and became a teacher instead. A book like this makes you feel like you accomplished something. Learning about normal family relationships with a deeper meaning is good for the soul and brain. “Tom Lake” is that kind of novel. Please pick it up and enjoy it.

"Chenneville" by Paulette Jiles defies gender stereotypes. It has the emotional sensibilities of your best female authors and the lonely Western adventures you expect from the top male writers. Our protagonist, Jean-Louis Chenneville, suffers a massive head wound and returns home to find his sister and family murdered. It reads like a deliberate Western after the costly Civil War.

Imagine an episode of "Law and Order" set up in 1866 with a vigilante interviewing people for information instead of a police officer. Then you have angry, determined John Chenneville. He talks to any helpful soul who has a chance of knowing anything about suspected serial murderer John Dodd. His military experience with Morse Code helped him a great deal.

A novel like this requires an intriguing character since we spent so much time with John. His service and subsequent head wound provides enough engaging stories to tell the reluctant helpers. Since the mission focuses on a singular event, the author needs various techniques to keep the reader interested. You feel isolated as John in the wilderness and long, lonely roads.

Once the outcome becomes more apparent, the tension mounts. How can you assess guilt without knowing the motive or the suspects' whereabouts? Police work was challenging then. The lawlessness leads to some surprising relationships on the road that make the setting more essential to the plot. It took the nation a long time to figure out who it was postwar.

A tall man in a Western-type story with a mystique around him? Could Hollywood do this? Liam Neeson? Vince Vaughn? Joe Manganiello? I am already anxious to see the screen adaptation. Paulette Jiles writes with a distinct patience and deliberate style that I hope Hollywood will respect. If normal award-winners are too much for you, here is some true action.

“In the Time of Our History” by Susanne Pari shows what happened when two Iranian-American sisters followed entirely different paths. Literature does not always allow those from Iran their humanity. When one woman suffers an untimely death, her family unites for the “One Year,” an Iranian tradition meant to commemorate death. America in 1998 serves as our confused, transitioning backdrop.

The best books simultaneously make you experience something new and cause you to nod with recognition. Imagine returning to a city you left behind to mourn the same person. Picture a father who disowns his other daughter and cuts his child out of family pictures to drive his point home. These are typically Iranian events only Pari could have created.

I would argue that the first 100 pages are slow, but things start happening quickly after that. I cared enough about Mitra to root against some cliches happening. She has a good but unsatisfying relationship, and her decision not to have kids follows her in all her interactions. Gender roles in her society greatly influence what happens to her.

I spoke about spoilers the other day and stuck to my rule of not revealing anything that happens after the halfway point of the novel. I will say that cultures like Iranians that Americans do not fully understand will handle things as a tragedy when we do not see it that way. We do not need to agree to show empathy.

The issues raised (patriarchy, apostasy, tradition, gender rules) have existed in books before but not so convincingly. Mitra does nothing that we consider outlandish, but Iran begs to differ. Seeing how different people confront these questionable traditions makes this novel unique. It shows that the choice to question and refuse to question defines the lives of frustrated women in Iran.

“Poverty, by America” by Matthew Desmond does much research and pulls no punches. It will rev up those who blame poor people for their problems unfairly and prematurely. His previous work, “Evicted,” exposed issues in the rental industry and showed why no easy answers existed. He also reveals why both sides of the political aisle have faults in addressing disadvantages.

We live in a world where people do not trust statistics. The most important one is the percentage of increase in salary compared to the higher average rental property. From 1985 to 2022, median household income increased by 216 while home prices rose by 423. If you scoff at last, realize how hard it is to break the renting cycle.

Rent prices, since 1985, have exceeded income gains by 325 percent, making saving for a down payment on a home problematic to anyone trying to live the American Dream. Desmond talks about things as simple as how reproductive choice (birth control pills, specifically) increased the educational levels of women and how home ownership led to financial freedom, benefitting the whole society.

Desmond’s plan is ambitious and reminds us that most Americans vote in a way that benefits them personally, leaving the intent to help people experiencing poverty and integrate housing out to dry. The division of this nation is a problem because everyone thinks that only one side does it. Read the reviews of this. People did not even try.

No regular American comes off as innocent here. Some politicians give breaks to the rich when so many desperately need much more. Other ones talk about a good game and then do nothing about it. They want integration, but not in their backyard. You may agree or disagree but do not doubt how much Desmond has devoted to the topic.

“Remember Us” by Jacqueline Woodson is the kind of Young Adult Fiction that reminds you while adults seek out the genre. If your kid has any identity issues, read it. Seeing a rising seventh grader navigate her stuff while the only neighborhood she has ever known goes up in flames will inspire you and your adolescent children to face anything.

Goodreads classifies this as Historical Fiction, Middle Grade, or Young Adult, so the issues remain relevant regardless of the setting. Sage, our hero, sees herself drifting away from her friends. Even in a world where a child with a deceased father seems to populate every Pixar movie, this material seems fresh and relevant. I see it in my students daily.

I once thought I avoided Middle-Grade Literature because it was juvenile, but now it can remind you of the painful, forgotten moments from childhood. Like the underrated movie “Click” (one of the only Adam Sandler movies I liked), we learn that looking back at your youth can bring up emotions you do not want.

Sage lives in an area called “The Matchbox” due to many house fires. Since Sage’s deceased father was a firefighter, she has a complicated relationship with fires. Like any middle school student, she does not always process her confusion well. Our wisdom makes us want to shake her and get to the bottom of her latent issues.

Sage frequently mentions the “once was,” where she classifies things that no longer exist. It is as mature a way to deal with loss as possible. I encountered very little loss at that early age. Our hero reminds us how little control a middle schooler has over their circumstances and how that leads to frustration and anger. It is perfect for 11-14 year-olds, my eldest included.

"This Other Eden" by Paul Harding is a short book with a late climax. I recommend, as always, not to read the flap before enjoying it. The basic plot outline reveals things that do not happen until page 180. Explaining the plot without recognizing its primary meaning would be challenging but allow the book to run its course.

The critics mention a lot of biblical allegories, and I felt dumb that I did not recognize that, but the ending hits you like a ton of bricks in that regard. Like "Saving Private Ryan" and "Schindler's List," I acknowledge the book's greatness, but thanks to one horrifying scene, I would probably never reread this. I assume that most parents would agree.

The experts claim that Harding based this on a true story of an island off the coast of Maine populated by people of mixed-race origin. How much you resemble a person of color will determine your livelihood. People wanted you away from them but then wanted you to vacate a beautiful place. That explains race relations in the early 1900s.

For those tired of race as a primary topic, you may appreciate the subtlety of this book. No one even mentions ethnicity, much less uses a racial slur. Citizens oppress. Like "Milkman," a Booker Prize winner from about five years ago, they single out people from different lands for petty issues, leaving them nowhere to go.

After about 100 pages of character development, the novel's point hits you like a sledgehammer. It would be shocking if this occurred (since the author based this on grains of truth). As Americans studying their history would tell you, learning from the past and pushing away what we do not want to know is a constant struggle. Bravo to Paul Harding, nonetheless, for this.

“Covered with Night” is an expression among the Native American community in the 18th century to describe someone overcome with guilt. In a time when we called people “savages” to rationalize horrific treatment of them, the words meant more than you would imagine. I fixated on the part in which an accused murderer served as a translator for the plaintiff at his trial. That tells you all you need to know.

I was disappointed by the slow start since the murder happened immediately, and you get the point. Since the abuse of Native Americans is something that the average American knows, and not specifically, the book has more ways to illustrate that as it goes on. Seeing things from the perspective of a wife with her husband in jail and Native Americans encountering alcohol for the first time are just two ways that Eustace sets herself apart.

With so many tribes and languages involved in the Native American community, greater unity existed at the level of the colonists. Although this story has a singular focus, it explains other aspects of history. As a native Pennsylvanian, I could not believe how I knew places like Conestoga without knowing anything about the happenings there in 1722.

Like “Killers of the Flower Moon,” an outstanding book, you will meet a cast of characters unlike what you usually encounter in non-fiction true crime. The similarities end there, however, since Eustace takes one incident and stretches it out over an entire novel, for which she should receive praise.

People will give up this novel quickly but give it time to make its point. Not all of you will compulsively leaf through the notes and bibliography like I do, but trust that Eustace completed significantly exhaustive research considering that the topic only dealt with one event.

London, 1926. I am not a history guy, but I love that I have many friends who could tell you so much just from those details. “Shrines of Gaiety” by Kate Atkinson tells the story of a life of excess in the British club scene but gets to its point deliberately. You will not know the story for quite some time, so read no blurbs and discover its goal.

My favorite critic is an older British woman, and I agree with her often. Some books seem “too feminine,” “too British,” or “too old.” The book was all three until the story started; it was a prolonged burn, and I was confused after the first quarter. Since it is all set up, I wondered if I was missing anything. I did understand, and that is all there was at that point.

A friend told me she gave books fifty pages to see if she wanted to keep reading. “Shrines of Gaiety” takes about 150 pages. Protagonist Nellie Coker has six kids, and they all have a story. Because no one is an expert on the nightlife of London in the 1920s, Atkinson provides a great deal of background information. It rewards the patient.

You feel guilty waiting for someone to die, but once bullets start flying, the book picks up. You see the potential of wealth to find quick fixes and sweep things under the rug. The line of the book stuck with me: “You cannot make money off of your vices, but you can make money off of the vices of others.” Nellie does just that, but not everyone is what they seem.

I have often compared books to my favorite movies; the last two reminded me of “Forrest Gump” and “The Shawshank Redemption.” This book is like “The Departed,” in which every character has depth and requires a top-notch actor to deliver their message. There are many people to keep track of, but don’t let that keep you from enjoying it.

“His Name is George Floyd: One Man’s Life and the Struggle for Racial Justice” by Robert Samuels and Toluse Olorunnipa breaks “Becoming’s” record for most reviews on Goodreads by people who did not bother to read it. I write these so people can discover a new book they may enjoy. I have a loyal following of about ten people, but I am sure more fringe friends will come out of the woodwork to regurgitate TV news talking points and pass them off as original thoughts.

The author tries a narrative technique that works. He tells the incidents leading us to the infamous arrest and returns in time. We learn about Floyd’s ancestors, fatherless upbringing in Houston, and segregation that still existed in the 1970s. Teachers will recognize “that kid” with a rough background who goes down the wrong path despite promise. His life path is equal parts horrible choices, decisions, and a cycle he could not break.

I did not read this as a white man but as a teacher. Some kids lack the most basic skills, and you cannot help but wonder what happens to those kids in the real world. George Floyd did not seem to fit in academically and athletically and did not pick up skilled trades well. I have read several Facebook trolls stating that Floyd’s death shouldn’t matter because he was a criminal. He was, but those fools do not acknowledge the roadblocks that keep ex-convicts from turning their lives around.

The book required research, as with most non-fiction efforts that win awards. Interviews with those who knew Floyd and witnessed the incident had their frustrations with the lack of rehabilitation but knew many of his great qualities. His lack of a father figure and drug use set him up for failure, but most recognized that his good traits meant that he deserved to live.

Reviewing books like this is a challenge; most people who believe its message do not need more evidence, and those who do not are likely to dismiss it before even picking it up. To my conservative friends: recognize that we should acknowledge George Floyd’s humanity. To my liberal friends: as Mr. Rogers said, look for the helpers. Members of law enforcement were directly responsible for the administration of justice in this case.

“Trust” by Hernan Diaz is a lot. “Books within books” test your abilities, and you must reread a lot. That doesn’t mean it isn’t worth the work. You will feel more competent when you finish. The main character, Benjamin Rask, is wealthy and mysterious, earning a great deal on the market but remaining disdainful of excessive wealth.

The novel picks up when we learn about mental illness, solitude, and the 1929 stock market crash. Benjamin Rask navigates it so well that some of his peers hold him responsible. The part that the reader forgets is that you are reading a fictional novel about a fictional story, leaving you to doubt the reliability of the narrator and the “facts” that he presents.

When one “story” ends and another begins, the confusion doubles. You have to meet and absorb a lot of new characters, and you will not get the point right away, but the reveal is rewarding. Men in the business world will respond well to the financial aspects divulged and how they tie in with the familial strife presented by the author.

Since the novel spans a century, you will identify with some parts more than others. The third “novel” by Ida Partenza speaks of life as an Italian immigrant at the turn of the century, and I wanted more of that. For this reason, the book requires patience, but you have my word that it is worth it. A little knowledge of the stock market wouldn’t hurt, though.

Novels like “Trust” do not come around often because one could easily do them poorly. You have to do a great deal to keep the stories straight; your enjoyment will depend on how intriguing the story is. I found the presentation of contradicting facts interesting, but you had to re-learn everything.

“Black Cake” by Charmaine Wilkerson tells the story of a deceased woman who leaves behind a cake for her estranged children. You do not understand why, but the book reveals its details methodically. Wilkerson has a story to tell from the past; however, that introduces a bevy of other characters, so keep up.

The dynamic between Byron and Benny is complex, with the man being famous and thriving and the woman dropping out of school and having a relationship with a woman. Byron does not understand his sister’s aloofness, but we do. The back story with a swimmer connected to a murder intrigued me, but we did not get the connection for a while.

A big reveal/twist arrives early in the novel, but do not worry since the author will provide more characters whose tie-ins you need help identifying. A pattern of running away emerges, making you sad, but also wonder what it would be like if you could repeatedly go away and change your identity.

Stories of changed/multiple identities can be complex to follow without revealing too much. I liked the characters, so I went along, even though they solved 90 of their problems with more communication. I was frustrated by these people that I cared about.

I already have my favorites for the year, but I must give “Black Cake” the award for the most ambitious. The number of characters and twists could cause a casual reader to DNF. Stick with it, though. You will connect with the family, immigration, gender role, or mystery themes.

“Lessons in Chemistry” by Bonnie Garmus tells the story of women in the sciences in the ’50s and ’60s confronting the type of sexism we wish was hyperbole, but we probably know better. My favorite reviewer, who happens to be female, rated this one of the best of 2022, but I think your gender will directly affect how you experience the rigid roles of the day.

Elizabeth Zott, a chemist who cooks with the same passion that she does scientific experiments, works hard and pairs off with famous scientist Calvin Evans. Both are damaged and do not usually pursue relationships as a top priority. Chemistry plays a key role, as Elizabeth attacks every problem, even grief and sexism, in a search for a solution.

Since I always read the flap summary, I realized that the blurb only covers about the first 100 pages. Many trials and tribulations await Mrs. Zott, and she has predictable results in unpredictable ways. We understand early on that the theme of sexism will permeate the story, but we do not know the depths and the subtle changes over the years.

Our heroine walks backward into a hosting gig on a local cooking show, and she becomes an overnight success. She deserves happiness after a laundry list of bad news came her way. Nonetheless, the plotline follows a predictable pattern since her failure would not have made for much of a story. Since I liked Elizabeth, I went along for the ride willingly.

The Internet shows varied reactions to the book, some inspired by the feminist message and others annoyed by the Zott character. Elizabeth has no filter, and that makes for fun reading. It takes a turn at the beginning of the last quarter, but I enjoyed it and thought it probably represented the ‘50s and ‘60s for female scientists well.

“Peach Blossom Spring” by Melissa Fu starts in a haphazard, chaotic way that only tales of war can. China is under siege by the Japanese, and the war tears Renshu’s family apart in more ways than one. American history classes did not talk much about this, so there is no shame if you are learning about it for the first time.

The novel starts as a tale of a horrific but oddly familiar war-torn nation. As China exits World War II only to enter a rift with itself, things pick up as Renshu and his mother, Meilin, fight to survive.

Meilin fights to shield her growing son from the horrors of their civil war, but they struggle to find money. She lands a job at an emporium, which works until the Nationalists lose their wealth to spend on such extravagances. Even though she is a seamstress, a man assumes he has the right to rape her because she worked in an emporium.
Since the story spans decades, the family has multiple obstacles to overcome as China goes from one conflict to the other.

A brilliant scroll that Meilin possesses drives the beginning of the story. It has many inspiring stories, but one that stands out asks, “How do you know this is not a blessing?” every time something tragic happens. Renshu begins to think positively after each trial and tribulation as a result. After all of this, you start to root for the characters, even when cliché parts about the ultimate dream being a trip to America occur. Meilin was one of my favorite characters this year.

I connect “Peach Blossom Spring” to “Homegoing” because it sweeps through history and covers a significant period. To go through two wars and then experience the Kennedy assassination as an outsider covers a great deal of the Chinese and American experience. The best moments come between Renshu and his mother. I will not dare reveal the events later in the novel, but the strong character development made me want the best for our heroes.

The immigrant experience, which I can only imagine, feels authentic here, and we see both sides of the internal debate. Do you flee from a nation of strife, or do you stick to the culture you know and love? Seeing China through America’s eyes is a challenge. Seeing the political drama that faces mixed-race people is tough since we sometimes assume that only America has that problem. You will learn and understand so much more about Chinese life.

"Africa Is Not a Country" by Dipo Faloyin starts by explaining what Africa is not. As with people who have taken a safari or done missionary work, it is easy to forget that cities and organized towns exist where no touristy activities occur. More to the point, assuming that places lack their own culture just because someone conquered them 200 years ago damages a country's reputation. When those imperialist countries draw random borders and separate ethnic groups, the problem grows.

The West's impression of Africa drives the novel, as even philanthropic efforts damaged the continent's reputation as a dark place with backward people. The term "White Savior Complex" may be overused, but the author shows how the United States tends to oversimply with its desire to help. In a land with seven different dictatorships that are all different, Africa needs help that would best occur locally as the citizens know which areas need help and which are doing fine.

Faloyin dedicates much time to demonstrating how seven African dictatorships existed for vastly different reasons. He finds democracy to serve as the solution for these countries but argues that citizens should solve those problems instead of thinking that the answers come from white Europeans. With 48 countries on the mainland, it saddens me to realize that Muammar Gaddafi's actions could make Americans avoid and stereotype a whole continent.

A fellow reviewer described this book as a "collection of eight essays" instead of chapters, making the transition from dictatorships to Hollywood's horrible depiction of Africa make sense. They focus on wilderness and do not give African towns a personality or Africans their storylines. He credits "Black Panther" (no surprise) and "Coming to America" (minor shock) as films that allowed Africa to develop a unique personality, despite Wakanda and Zamunda being fictional.

It all adds up to a cultural experience like no other. So many of us have studied abroad and learned that the most exciting thing about different continents is how they go about their business in such similar ways. Africa has fought to maintain its identity while generations of pillagers have stolen from them. Come for a different perspective but stay for the celebration of Jollof Rice and the introduction of travel options you did not know you had. Call some "shithole" countries if you want, but no blanket statement you make covers them all.