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What readers think of Next to Love, plus links to write your own review.

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Next to Love by Ellen Feldman

Next to Love

by Ellen Feldman
  • Critics' Consensus (3):
  • Readers' Rating (42):
  • First Published:
  • Jul 26, 2011, 304 pages
  • Paperback:
  • May 2012, 320 pages
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Reviews

Page 6 of 6
There are currently 42 reader reviews for Next to Love
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Molly K. (San Jose, CA)

What is Next to Love
Next to Love came with promise, excitement, nostalgia, and expectations that were well beyond what I found. Ellen Feldman created a tableau of interesting players. In the mix were whites, blacks, Jews, a rich banker, and a woman from the “wrong side of the tracks”. The story is told through chapter sets, each chapter covering several years with a sub-section devoted to each of three women. I liked watching the characters change over time as the country changed with them.

But, in the end, the story was boring and somewhat predicable. The dialog is often stilted and the characters unsympathetic. Only twice did I find myself wanting to know more about how they were dealing with the issues at hand.

Told in the present tense, the writer often seemed to be an invisible wall between me and her characters. I suppose present tense is intended to make the narrative more intense, perhaps create a sense of urgency. For me, though, it is overused, intrusive, and annoying. Feldman dots her story with historical snippets to let us know she did her homework and to put a framework about the women’s lives.

Okay, okay, so I expected the distaff version of The Best Years of our Lives. The book did not deliver.
Sandra E. (Bend, OR)

Failed Expectations
What a disappointment! Being an enthusiastic, voracious, and eclectic reader, I have rarely experienced such failed expectations. Given the rich backdrop of our history (WWII through the Civil Rights era with a nod toward the coming feminist movement), I found he lack of character development disappointing and somewhat astonishing. With that kind of tapestry, what I encountered were poorly-rendered sketches of characters rather than the rich portraiture I felt could have been - and the characters never moved off the canvas for me. Some of the sentences are lovely, and I happen to enjoy the "switchback" chronology the author employs, both in books and film, but I continued reading on awaiting a sense of satisfaction/recognition/empathy which never came. I was left in the final pages with an overwhelming sense of "Is that all there is?" I felt the original story line was terrific, and I frankly expected to receive a heavy tome in the mail - so perhaps it is a case of taking on too much. At any rate, given the potential, I have to rate this one a "2", which I've not done before.

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