What readers think of Burial Rites, plus links to write your own review.

This is a dark book. With an even darker ending. But that's not a spoiler because this extraordinary tale by Hannah Kent (published in 2010 when she was only 25 years old!) is based on actual historical events. While it is a novel, the author's prodigious research gives the story authenticity.

Taking place in Iceland in 1828, "Burial Rites" is a (partially) fictionalized account of the life and death of Agnes Magnúsdóttir, a young woman found guilty of the murder of her lover. While she awaits her execution, she is housed in the remote country home of a low-level government official, his wife and two grown daughters. She chooses a young and inexperienced priest named Tóti to counsel her. The family is frightened to accommodate the prisoner, but something happens over the months that Agnes lives with them. She talks. Tóti listens. The family listens. Is Agnes really guilty of this horrific, bloody crime?

While the murder may be the tantalizing centerpiece of the story, the descriptions of the north of Iceland are so vivid, the reader can almost feel the brutal cold, see the snow and hear the howling winds. Like I did, you may find yourself looking online for photos of a badstofa, turf homes and the barren winter landscape of north Iceland.

This isn't a light beach book. It is by turns disturbing, alarming and sorrowful with no humor to lighten the woeful tale. But it is an incredible book that will give you an appreciation for this time and place and the most basic of human emotions that transcend both.

Marvelous, incredible, beautifully told.

A murderess who must be housed at a farm because there is a financial problem with the prisons? How would you feel about being forced to live with someone who committed murder? Would you feel safe? Would you protest?

Agnes Magnusdóttir was brought to Margret and Jon's home until her execution date. Agnes is required to work as a farmhand in a town that embellishes her murderous deeds more and more each time the tale is told. BURIAL RITES is based on an actual historical event in Iceland.

In alternating voices and flashbacks the author masterfully lets the reader in on the secrets and the story of the murders and of Agnes' life before her conviction and in her current position in the chosen household.

The author also has you questioning if Agnes has been wrongfully accused. Her flashbacks describe the actual murder, her relationship with the deceased, and her earlier life. A life lived in this same town holding her captive.

The writing and prose is exceptional. The book flows beautifully as it describes the harsh life in Iceland and the bitter weather. There is no lull in the narration.

The book's descriptions are amazing. Every minute detail is described beautifully. Even the dreary, tedious life of each character is described so well you see it clearly and are right there sharing their misery. The living conditions were described as on the poverty level but the families had servants....that was a bit confusing.

Everyone was poised to not like Agnes, but as the story unfolded the family became fond of her simply because she was a good person and a good worker. The only person who didn't like her was Lauga, the daughter of Margret and Jon. Margret became comfortable with Agnes and enjoyed having her around. Each of the characters connected well and are marvelously authentic and believable.

BURIAL RITES is a book that you do not want to miss. The book's situation and setting, the writing, and the characters are all phenomenal and come alive through the author's exquisite skill. 5/5

This book was given to me free of charge and without compensation at the BEA by the publisher in return for an honest review.

Themes of capital punishment, injustice, and poverty are balanced somewhat by friendship and kindness. The imagery is bold and at times breathtaking. The story is haunting.

The other reviews here have said it all. I want to also recommend the audio version of the book. I listened to a Hatchett Audio recording, 2013, read by Morven Christie. Her beautiful voice brought Agnes and her story to life in a way that few audio book readers have done, in my experience. Her pronunciation of the difficult Icelandic names and words sounded perfect to my ear. Highly recommended.

Burial Rites is the first novel by Australian author, Hannah Kent. In 2003, during an exchange year in Iceland, Hannah Kent became interested with events leading up to the last execution to occur in that country. Thus began ten years of research into Agnes Magnusdottir, beheaded by axe in 1829 for her role in the murder of two sleeping men. Eventually Kent produced a novel in which she aimed to show another side to this condemned woman. This novel won the Writing Australia Unpublished Manuscript Award, and deservedly so. Kent takes the many facts she has uncovered in her extensive research and, along with fictional likelihoods, weaves them into a fascinating tale of love, cruelty, passion and betrayal. Kent fills out the real and fictional characters, giving them a depth that cannot be gleaned from recorded data. A great wealth of interesting facts about early 19th century Iceland is incorporated into the story, giving it a wonderful authenticity. With sparkling prose, Kent evokes both the feel of northern Iceland and emotions of her characters. Gems like “I staggered in the light of the world and took deep gulps of fresh sea air. It was late in the day: the wet mouth of the afternoon was full on my face. My soul blossomed in that brief moment….” and “I had no friends. I didn’t understand the landscape. Only the outlying tongues of rock scarred the perfect kiss of sea and sky – there was no one and nothing else. There was nowhere else to go.” abound. Kent’s mentor for this masterpiece was, very appropriately, Geraldine Brooks: this genre is right up her alley. This is a powerful and moving first novel, and readers will eagerly await Hannah Kent’s next work.

Burial Rites based on the true story of Agnes Magnúsdóttir, In 1829, she was convicted along with two others, of murdering two men and setting a house a fire to cover their crimes. Agnes was the last person in Iceland to receive a capital punishment sentence.

The story begins as Agnes is going North to live with the Jonsson family while she awaits her execution. Told simply and straight forward, Kent tells the story of a who woman tries to move away from her poverty and harsh life only to end up in even worse circumstances. There are no surprises in this book, it is beautifully written.

It is very hard to describe the atmosphere of this novel. The coldness, the loneliness, the lives hard lived permeate this book, as the story of Agnes is told. Well researched accounting of the last woman beheaded and the last case of capitol punishment in Iceland in 1830. This narrative follows the last months of her life and is hauntingly and movingly told.

The district is hard put to harbor a criminal awaiting death and so Agnes is put in the care of a good Christian farm family. Her only provision is that of a young priest who job is to reconcile her to her fate and her God. He does, however, do more as it is to him that she tells her story. This is a quiet, book, a slow book, but a poignant one as we learn of Agnes's life.

This book and the way it was written made it seem as if the events were happening now and Agnes was currently in the news, or someone I knew.This story affected me the way it did because it seemed so very real. But do not expect alot of action, you won't get it and do not expect a fast paced novel, this is not that wither. It is a slow unraveling of a woman's life that leads to death. I look forward to what this author will write next and admire the amount of research she put into this book to make it as historically accurate as possible.

I like historical fiction in general, but I really liked this story. Add mystery on top of historical fiction and that made it all the better. This was based on a true story, and even some names and places are actual, while others were changed for privacy reasons and the story was filled in where no actual fact could be found.

It is 1829 in Iceland. A woman is sent to be housed with a family, that doesn't want her, while she waits her execution. She is to be executed for murdering her previous master. Her crime and trial is based on the stories of others. While working as free labor for this host family she is visited multiple times by a young priest and it is through his visits that her side of the story is told.

You know going in that Agnes dies. She is the last person to be beheaded in Iceland. But it is her story that captivates. How she got into the position to be charged with killing two men, how she survived the loneliness and cruel treatment of her host family, and how she withstood her trip to the gallows.

The writing is impeccable and transfers you to that North Iceland homestead Agnes has been assigned to. You feel her loneliness. You empathize with the family forced to harbor a criminal. You await the execution right along with Agnes, as you finally hear her side of the story. It is very easy to lose yourself in this harrowing story, as you feel the pending doom and commiserate with Agnes.