What readers think of The God of the Woods, plus links to write your own review.

This book is 10 out of 10. Moore does her magic with a multi perspective multi decade story of two disappearances separated by about 10 years, the first in the 1960s and the second in the 1970s. Saying anything more about the story gives it away. Best to enter this one cold and let it sweep you away till the well thought out and moving denouement.

One of my favorites of 2024

Liz Moore has once again crafted a dark, character rich mystery. A teenage girl goes missing from her summer camp in 1975. Fourteen years ago, her brother disappeared in these same woods. Barbara Van Laar is the daughter of the rich family that owns the camp. It’s a family that adheres to a strict set of social expectations and mores.
The story explores the class distinctions and misogyny of the day. Rich men called the shots, women and the lower classes are just meant to obey. The book goes back in time to the original disappearance of young Bear in 1961. Told mostly from the viewpoints of Alice, the mother, Louise, the blue collar camp counselor, Tracy, the bunkmate and friend of Barbara and Judyta, the criminal investigator. All were finely nuanced. But having started my career in a male dominated field in the 1970s, I especially engaged with Judyta.
Moore’s writing is richly detailed. The scenes of the camp, the woods, the Van Lear’s compound; they all were easy to envision. Short chapters kept the tension high. There were numerous times I shuddered over the way things played out. I was totally engrossed. Nothing else got done.

I thought I knew how this would play out but I was woefully wrong.

Saskia Maarleveld was excellent as the narrator.

This may be the perfect summer novel. It's a multilayered mystery about a missing 13-year-old girl at a summer camp nestled deep in the Adirondacks and wrapped around a horrifying domestic drama. And secrets! So many secrets being closely guarded by so many people.

But it's more than that—a lot more. It's also a deftly written and intricate novel with vibrant characters whose very different stories about their troubles and worries and their quests for happiness and purpose in life are just as important as the underlying mystery.

Written by Liz Moore, the novel is told by multiple characters in alternating chapters that bounce around in time but in a way that is easy to follow and adeptly advances the story. From the moment Louise Donnadieu, the 23-year-old camp counselor at Camp Emerson, realizes that Barbara Van Laar is missing from her bunk in the early morning hours of an August day in 1975, the story is a whirlwind that sucks in the reader. The campers are taught on the first day that the forest around them is dangerous. If they are ever lost and alone, they are instructed (over and over again) to sit down and yell.

The camp is owned by a fabulously wealthy family, Peter and Alice Van Laar, whose son, Bear, went missing from the camp 14 years ago in 1961 when he was only eight years old. And Barbara, a troubled, angry teen, is their daughter, so this is no ordinary situation. We soon learn that all is not right in the Van Laar mansion located on the hill above the camp with shocking, appalling revelations about troubled Alice, who has never recovered from Bear's abduction, as well as deceitful Peter.

This truly is a character-driven novel with deep backstories and a richly descriptive narrative for each of them. From the awkward camper, Tracy Jewell, whose only friend is Barbara to the spoiled rich boy John Paul McLellan, who is toying with Louise to T.J. Hewitt, the no-nonsense woman who runs the camp to Lee Towson, the good-looking prep chef with a dark past to Judyta Luptack, a rookie police investigator who is the first female investigator in the state and the only woman on this large team that is hunting for Barbara. Add to this mix Jacob Sluiter, a notorious killer who haunted the area a decade ago and escaped from prison three weeks ago.

And the ending? It's perfect. It's a two-part ending: One gave me the shivers, while the other made me smile.

THE GOD OF THE WOODS by Liz Moore

Saskia Maarleveld always does an incredible narration. Another favorite narrator of mine. I also paired this with the book.

At an esteemed summer camp in 1975 in the Adirondack Mountains, a young teenage girl goes missing in the middle of the night when the camp counselors aren’t around. Tension and a sense of doom builds as it becomes known that the missing teen is, Barbara Van Laar, daughter of the wealthy family that owns the camp. This isn’t the first time the Van Laar’s had a missing child; Bear, Barbara’s older brother, who was eight, also went missing years prior. The mother, Alice Van Laar, has never recovered from when Bear went missing.

Moore’s story jumps around in time, from the 1950s into the '70s and features a host of characters. There are intricately interwoven plots among the crowded characters of this narrative. A literary suspense/crime read that will keep you reading and guessing.

“As it unfolds, “The God of the Woods” becomes more and more focused on how its female characters break free — or don’t — of the constraints of their time and social class. Whatever the case, breaking free of the spell Moore casts is close to impossible.” A quote from Maureen Corrigan, a book critic

Touching upon family dynamics, secrets, lies, guilt, betrayal, relationships, trust, abuses of various forms, submissiveness, grief, and justice.

There was a lot to like about this book, although I can see why some people would find it frustrating; there is a huge cast of characters, and there are multiple timelines. The writing style is also very pointed; Liz Moore uses a lot of very detailed writing, a matter-of-fact style that isn’t very flowery, or ‘pretty.’ It doesn’t help that most of the characters are unlikeable, so if that bothers you when reading, you might not enjoy this for that reason alone.

I like getting swept along in all the details, but they have to move the story forward to be necessary. (I think they were all necessary, but I didn’t have the time to pore through the text to analyze whether that was the case, when all was said and done.)
Overall, this must have an incredibly complex book to write (and edit), and I was mostly in awe of that, even if I was a little underwhelmed by the actual mystery or climax upon finishing.

There are so many good critical reviews of this book that I couldn’t wait to get my hands on it. And for the first one-third of the book I kept thinking “this is going to be really good,” but after that it turned into a bit of a slog. The main problem I had is that there are SIX different alternating timelines with different characters in each of the timelines. The timelines go back in forth in different decades. For me, it made the tension of the mystery fizzle. I couldn’t keep track of the characters (of which there were too many) and what part of the mystery they were in. The book really needs a flowchart of characters.

My rating would be 3.5 stars because I thought it was better than average, but it really wasn’t that good. The author writes well, but the structure did not work.