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Mark S. (Blauvelt, NY)
Surprisingly touching!
My fondness for this book increased with each chapter. It starts a bit slow and depressing, but this makes sense as the story develops. What initially starts out as a question of who will step up for Joel evolves into something much more complex. For a first novel, Lamont skillfully develops the characters whose lives are directly impacted by Joel's plight. What made it even more enjoyable was the way the relationships between the characters evolved as much as they each did individually. Any parent will flash back to similar instances in their own lives as these potential guardians figure out how to navigate the highs and lows of raising a child and the changes in perspective and priorities that go with the experience. By the last few chapters, I wasn't just rooting for Joel; I was rooting for all of them and couldn't put it down until I knew how it all played out. Definitely a book I will recommend to friends.
Judith G. (Greenbrae, CA)
Three Men and a Boy
GOING HOME: Tom Lamont
Take an aging man, Vic Erskine, with a Parkinsonian-type degenerative disease, and two thirty-somethings, one of whom, Vic's son Teo, has fled the suburbs for a slick single life in London, and the other, Ben Mossam, who has stayed in town where he lives luxuriously in a mansion and does nothing because he doesn't need to do anything. Add to this, Lia, former lover of Teo's, and single mother of a toddler, (father unknown) and finally, a very unOrthodox rabbi, and you have the humorous and heartbreaking mix that is GOING HOME.
One weekend, when Teo's visiting his father and friends, he agrees to babysit Lia's toddler, Joel. He does so the next day and while he is out with Joel, Lia commits suicide, apparently leaving Joel in Teo's permanent care, since no plans or arrangements were made.
The novel spins around the three men and the rabbi as they attempt to keep Joel out of foster care. Vic is eager to raise the boy, but his declining health makes this unrealistic. There is no room for a small boy in the life Teo's made for himself in London, and Ben is generous and charming and financially able, but totally unreliable.
This is actually a novel about three boys—one only a few years old and the other two in their thirties. With all the good will in the world, neither of the boy-men comprehend what it means to grow up.
Tom Lamont writes beautifully, with humor, charm and compassion. This situation could easily have lent itself to slapstick or sentimentality, but Lamont avoids both. The characters, including little Joel, are three-dimensional and complicated, and tagging along with them on their bumpy road is a pleasure.
I would definitely recommend this book.
Amanda W. (Durham, NC)
Page-turning, life-affirming debut
I'm still swooning over Tom Lamott's mad writing skills, particularly his ability to swap from one point of view (POV) to another while inhabiting each authentically. Challenging enough with a few characters of similar ages, but Lamott's main characters include:
--Joel, a bereaved but still wildly curious two-and-a-half-year-old
--thirty-year-old Teo Erskine, temporary guardian of Joel
--Vic Erskine, Teo's dad
A confluence of circumstances leads the three generations (and accompanying friends and community members) to rebuild their lives together in this heart-warming and quirky novel.
Strengths of Going Home:
--character development, especially of Joel. His explorations and understanding of the world around him are spot-on for a toddler in a quickly changing home environment.
--Vic's Parkinson's disease and his desire to "make up" for his perceived failings as a parent to Teo are thoughtful and considered
--engaging story and pace
--instant "sandwich generation" story
--multi-generational male perspective
Wonderful read!
Elizabeth W. (Terrebonne, OR)
Engaging, sensitive debut novel
The novel's strengths for me
-Vividly drawn characters and relationships
-friends from different socio-economic backgrounds trying to honor the past and negotiate the harsh realities of the present.
-A rabbi accepting and responding to a temporary lapse of faith
-A thirty-year-old on the cusp of accepting responsibility for his actions and moving into his future
-A son responding to the expectations of his father and dealing with the father's end-of-life illness
I enjoyed the writing: meticulous, and descriptive.
I especially enjoyed the everyday moments; playing poker, football matches, remembrances of growing up together.
And the creativity and patience Teo needed to call upon to respond to the mundane needs of a two-year-old.
Well done!!
Patricia M. (Brunswick, GA)
Home Is Where the Heart Is
Writing students are often taught to show, don't tell. In Going Home author Tom Lamont does just that. Rather than dolling out adjective laced descriptions, he deftly shows the reader how each of his rich and varied characters handles the complex issues they meet and how their individual actions impact each other. While an initial summary of this novel - three unprepared men and a rabbi come to care for a young orphan - may call to mind a bumbling comedy, Lamont delivers a funny, empathetic, and poignant story of family, friendship, and unconditional love. Going Home unfolds by melding readers to Téo Erskine, his ailing father, Vic, his erstwhile friend, Ben, his somewhat reluctant rabbi, Sibyl, and an utterly endearing child, Joel. The author is so effective at investing the reader in the story and characters that an audible gasp escaped me when one of the characters commits a terrible blunder that threatens to destroy relationships and lives. Going Home is first rate literary fiction, offering well defined characters and a propelling plot.
Kathleen Q. (Quincy, MA)
You really can go home
Going home, demonstrates not being a good parent doesn't have to be blood related. Also it demonstrates that you really can go home. When the unthinkable happens to a single mom, Lia, leaving her toddler, Joel, motherless, one of her closest friends. Teo becomes Joel's guardian, more or less by default. The story follows the next year of Joel and Theo's journey, navigating the newly structured family with the help of friends and family, particularly Teo's, dad. It's a story about fathers and sons, and how it really does take a village to raise a child. It is a heart warming and thought-provoking story. I definitely would recommend it
Jamie K. (Berkeley, CA)
Growing up in the Age of Parenthood
When single mother, Lia, takes her own life and leaves raising her toddler, Joel, up for grabs, four unlikely caregivers join forces to share in his upbringing. The learning curve is hard, but love does its magic until a mistake in judgment threatens to tear apart everything they have built.
Going Home is told in alternating characters' points of view. Joel's POV is only at the beginning, but this is his story, and his toddler behavior, quirky language style, and acceptance of his revolving caretakers made me want to reach into the book and hug him—other characters' behavior made me want to grab them and scream, "Grow Up!" These are just two examples of author Tom Lamont's talent for creating well-developed characters.
Funny, sad, sometimes improbable, Going Home is always heartfelt. The one difficulty I had with the book was believing that a mother who adores her son would choose to abandon him. But then I looked through Lia's eyes and realized she knew her son would be in good hands. Once I bought into this mindset, I immersed myself in Joel's life and watched as four imperfect, well-intentioned friends learned to look beyond themselves and find love in unexpected places.
Susan W. (Berkley, MI)
Would you be able to do the right thing?
I enjoyed this book. The descriptions of the Scottish countryside were lovely. The characters were very interesting, although at times tiresome. I think Ben's character development was inconsistent; he went from irresponsible to the other extreme. Are we to assume his character didn't change, he just used his unlimited wealth? How does he really feel about Joel? I would like to know more about the Rabbi (not to give away more plot). Is she meant to be only a secondary character? It doesn't feel like it. I ask if you would be able to "do the right thing" wondering if each of the adults in the book can/have.