Book Club Discussion Questions for The House of Tomorrow by Peter Bognanni

1. Do you think Nana is brainwashed with Fuller's idealist lifestyle, or does she really believe it? Why do you think she finds it better to keep Sebastian sequestered at the dome than allow him to interact with the outside world regularly?


2. Discuss how Fuller's hypothesis about living in chapter 3, where he states "we have to figure it all out by ourselves and that is some incredibly grueling work." Do you believe this foreshadows what happens with Sebastian when he must forge out on his own?


3. Nana tells Sebastian that his path is like Fuller's, to teach people to be free. Why do you think Nana still believes that Fuller's utopian future will come to fruition?


4. In chapter 4, Sebastian says "I had been chosen for something. I had a path," referring to the night when Nana tells him of his life's path. He explains this passively. Do you think it's because he has no say in the matter, or is it something else?


5. Discuss the irony of Fuller describing the universe as always transforming, but Nana forces her and Sebastian into an isolated lifestyle where they experience very little change. Do you think she deviates from Fuller's thoughts, or is she doing exactly what she believes he taught?


6. Discuss punk rock's underlying influence on the entire story and how it relates to what the characters are going through.


7. This novel has a theme of isolation versus community, especially on a individual level. Do you think that by the end, the story has changed from one to the other, and if so, why?


8. In chapter 12, Sebastian refers to the dome as symbolic to a snow globe: his world is being shaken by outside forces that he has no control over. Do you think Sebastian is better off because of it?


9. As was Fuller's vision, the domes he wanted to build should be clear and in harmony with the planet. Discuss how Nana has warped this vision by forcing them into isolation and making them a tourist attraction. Does this hinder the validity of Fuller's vision, or does this reinforce why he and domes failed in popularity and longevity?


10. In chapter 16, Jared finally talks to Sebastian about his heart transplant and claims that their band has to be good because he got to live, and someone else had to die. Discuss this in the context of the story and the Whitcombs' attitude toward him.


11. Discuss the significance of painting the dome and Nana carrying on and finishing by herself. Was this a result of her finally fulfilling Fuller's dream of a Geodome, or because of her being ill, or maybe some of both?


12. In chapter 24, Sebastian tells Meredith that he thinks the "band is dying." Discuss the parallel with Jared's illness and Sebastian's relationship with Nana, and also Sebastian's time staying with the Whitcombs. How are Jared's and Nana's illnesses and bouts in the hospital similar or different?


13. When Sebastian is teaching Jared geometry he describes a point as having "no length, breadth, depth at all" and then describes feeling like a point himself lately. Before Sebastian left Nana's, he really had no worries, so discuss the deeper significance of his remark. Do you think he is better off one way or the other?


14. At the end of the novel, Sebastian describes when he used to scale the dome and how the world looked ideal from up there, how he had assumed it was, and how Nana had created her own world because the rest of the world wasn't quite up to her standards. Sebastian chooses not to live the same life as Nana because he has experienced something richer, realizing the importance of relationships and human contact. Discuss some of these examples and why you think he differs from Nana in this thinking.


15. At the end of the novel after putting his headphones in to listen to punk, Sebastian says, "and I braced myself for the noise." Discuss the different kinds of noise he is alluding to.

Unless otherwise stated, this discussion guide is reprinted with the permission of Berkley Books. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.