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"May in Ayemenem is a hot, brooding month."
"Tomorrow."
Between this remarkable novel's first and last sentences, between May 1992 and December 1969, between the freighted present and past elusive hope, Arundhati Roy constructs a tale as far reaching and sensuous as myth, as inescapable as history, as passionate as the loves that impel the members of the Kochamma family to their fates. Told mainly from the perspective of 7-year-old Rahel and Estha, "two-egg twins," and from that of Rahel 23 years later, Roy's story focuses on two tragic events in 1969-the drowning of the twins' 9-year-old Anglo-English cousin, Sophie Mol, and the murder of Velutha, the Untouchable carpenter beloved by the twins and their divorced mother, Ammu. Moving back and forth through time, guiding us through the many-splendored mansion of her tale, Roy ingeniously reveals-chamber by chamber, heartbeat by heartbeat-the details, the "small things" that fill her characters' lives and furnish the dwellings that cannot protect them.
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It is among the commonplaces of education that we often first cut off the living root and then try to replace its ...
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