Book Club Discussion Questions
Please be aware that this discussion guide will contain spoilers!
- When we first meet Shelley Noakes, she wants out of Birnam Wood and
out of her role as Mira Bunting's "sensible, dependable, predictable
sidekick" (16 – 17). Discuss the complicated relationship that she and
Mira share. What are its strengths, its sources of tension, its imbalances
of power? Does their dynamic ever change? If so, is it a change for the
better or the worse?
- Robert Lemoine is captivated by Mira after their surprise encounter at
the farm in Thorndike. In his eyes, she's ambitious, determined, and
lies with a kind of defiant panache that suggests a "genuine enjoyment
of the practice of deception" (78). Consider Lemoine's attraction to
Mira and his interest in Birnam Wood. What do you think draws him
to her? In what ways do he and Mira share common ground? In what
ways are they very different people?
- "There comes a point," Mira says to Tony Gallo during their tense
exchange over whether Birnam Wood should join forces with Lemoine,
"where refusing to compromise basically means choosing to be
ineffectual" (120). Do you agree with Mira? Delve into this pivotal
decision for the activist collective, keeping in mind Birnam Wood's
"three Principles of Unity" (113) and the details about the offer that
Mira chooses to share with the group. What does Lemoine's proposal
look like from Mira's perspective, from Shelley's, from Tony's, from
your own? If you were at the hui that night, how would you have
voted? Do you think those present would have voted differently if
Tony had not been in attendance?
- The day after Birnam Wood's crucial vote, Tony is determined to
write a scathing article about the super-rich that will finally expose the
"hypocrites and cynics ... tax-dodging economic parasites ... [and]
crypto-fascist dirty tricksters" (141) like Lemoine. Discuss Tony's
pursuit of his writing project and all that it reveals about his character, both admirable and ignoble. What do you make of his motivations for
writing the article and the lengths he's willing to go to get what he
wants?
- Lady Jill Darvish is proud of her marriage to Sir Owen. And yet, she also
perceives an "ever-widening space between them" (209). Discuss the
connection that she and Owen share. What do you make of the couple
and the state of their marriage? Does their relationship change over the
course of Birnam Wood? How do class symbols of wealth, status, and
success influence their relationship? Do you think the Dervishes were
right to sell their property to Lemoine? Do you consider them in any
way culpable for how he planned to use the property? Do you think
they were right to sign the non-disclosure agreement?
- Deceptions occur throughout Birnam Wood, from Mira's phony cover
stories to Lemoine deliberately "dialling up the billionaire psychology"
and "acting spoiled and bloody-minded" (221) to get what he wants.
Even Jill admits that Owen's passion for conservation is an act to bolster
his Korowai local bona fides. Discuss the impostures and duplicities
you see in Birnam Wood, taking note of who carries out the deception
and who's meant to be deceived. Where do these performances work
out in the character's favor? Where do they backfire terribly?
- Lemoine is a flagrant self-mythologizer who loves to present himself
to the world as an enigma. What were your first impressions of him?
Near the end of Part II,we're let in on a "clue" from his childhood
"that [explains] everything about him" (224). Discuss this sequence in
Birnam Wood. Do the revelations about Lemoine's upbringing explain
everything? Do they alter your opinion of the adult Lemoine becomes?
Why or why not?
- "The real choices that you make in your life," Shelley says to Mira, "are
never between what's right and what's easy. They're between what's wrong
and what's hard" (243). Do you agree with her outlook? Why or why not?
Apply Shelley's philosophy to the fateful choices each of the characters
makes in Birnam Wood. Where do you see instances of a character making
a hard choice? Where do you see a character making the wrong choice?
- A flash of violence at the Darvish farm upturns everything in Birnam
Wood—and in the bloody aftermath of the incident, Lemoine is certain that
"the truth [will] have to change" (289). Share your thoughts on this startling
and cataclysmic event. How does it happen? Why does it happen? What do
you make of each character's choices in the wake of the incident? Are they
hard choices? Wrong choices? What would you do in the circumstance?
- It takes the incident at the farm for Lemoine to realize that he "had been
entirely wrong about Shelley Noakes" (319). Perhaps we were as well.
Trace your impressions of Shelley over the course of Birnam Wood. What
do you make of her character at the beginning of the novel, after the incident
in Thorndike, after her fiery confrontation with Mira at the safe house?
In what ways does Shelley confirm your assumptions about her? In what
ways does she subvert those assumptions?
- Tony makes a discovery that he is certain presents evidence of "conspiracy
and corruption at the highest level" (332). It's a breakthrough that leaves
him full of "fury and despair" over "the sheer inexorability of late-capitalist degradation" (332) and brimming with delight over how famous he's
about to become. Use this moment as a springboard to discuss the political
and environmental themes of Birnam Wood. What does the novel have to
say about the power of activism, both individual and collective, and the
responsibilities of a government to protect the environment and its people?
How is the private sector portrayed in Birnam Wood? When is it a force of
protection, of destruction?
- As Birnam Wood moves closer to incorporating and enters its final
phase with Lemoine, Mira surprises everyone by nominating Shelley
as the group's future Executive Director. Mira frames it as an act of
contrition and says "it's just obvious that it's the right thing to do"
(366); Shelley sees it as being handed "a poisoned chalice" (369).
What do you make of Mira's surprise announcement and Shelley's
response to it?
- The novel leaves us with a shocking finale and a glimmer of hope
that someone might finally come to put out the fire at Thorndike.
Share your thoughts on this big finish. Is it an ending of retribution,
reconciliation, justice, cruelty? Imagine all that unfolds in the days
after the book's conclusion. Who do you think ends up controlling
the narrative about what happened at the farm?
- Early on in Birnam Wood, Tony mentions that whenever he brings
up the activist collective to his family, his father, Dr. Gallo, teasingly asks: "So who's Macbeth?" (35). Now that you've finished the
novel, revisit Dr. Gallo's question, drawing on what you know of
Shakespeare's play. What makes a Macbeth? What core components
of a Shakespearean tragedy—for example, ambition, revenge, and a
fatal character flaw—also drive Catton's novel? Is there a Macbeth in
Birnam Wood? If so, who is it?
- Perspective shifts throughout Birnam Wood, moving from one character to another and offering dramatic new views of key personalities and events. Discuss the novel's revolving point of view and its
impact on your reading experience. When did a shift in perspective
change your perception of a particular character or moment? When
did it verify your worst suspicions?
ENHANCE YOUR BOOK CLUB
- "Is this a dagger which I see before me?" Shakespeare's Macbeth
haunts the peripheries of Birnam Wood. The novel begins with a quote
from the play and the narrative's activist collective draws its name
from the foreboding forest near Dunsinane Hill. For your next book
club gathering, consider reading Macbeth. You might also wish to host
a viewing party of one of the many (many!) film adaptations of the
dramatic work. Afterward, share the parallels and connections you see
between Catton's novel and Shakespeare's play of doomed ambition
and the ruthless pursuit of power.
- The novel is both a timeless study of human nature and a scathing
critique of our perilous present. For your next book club gathering,
discuss Catton's novel through the lens of current events. What real-life
public figures, social movements, and political struggles resonate with
Birnam Wood? When is the book a work of fiction? When does it all too
harshly mirror reality?
- Catton cites thriller author Lee Child as a primary inspiration for
Birnam Wood. Throughout the novel, one can also see the influence of
Jane Austen, George Eliot, Rachel Carson, Ruth Rendell, and William
Shakespeare. For your next book club gathering, explore Birnam Wood's
diverse styles and genres. When is the book a psychological thriller? A
dramatic tragedy? A social satire? A morality play about the climate crisis
and outrageous wealth disparity? How does Catton weave these different
influences into her narrative, and why is it important that she does so? For
further insight, consider matching each member of your book club with
a work by Child, Austen, Eliot, Carson, or Rendell. Afterward, discuss
your reading experiences as a group. What similarities and differences
do you see between each book pairing and Birnam Wood?
- An array of political ideals guide Birnam Wood's guerrilla activism.
At the collective's core, however, is a radical appreciation of the quiet
act of gardening. For your next book club gathering, find a way to give
back to nature and your community by getting your hands dirty. This
could involve volunteering with a community garden or helping out at
a public park. You might even try to find a way to combine your group
volunteer efforts with a bit of overnight camping—though, please, no
trespassing! Afterward, share your impressions and experiences. In
what ways does your day of volunteering harmonize with the spirit of
Birnam Wood, in particular, the collective's commitment to comradery,
sustainability, and community-building?
Unless otherwise stated, this discussion guide is reprinted with the permission of Picador.
Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.