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A Novel
by Dan Fesperman
Book Reviewed by:A burned-out war correspondent hoping for a last hurrah in Afghanistan arrives on the Afghan border just as American bombs begin falling on the ruling Taliban in this fast-paced, timely, and galvanizing novel.
His last novel, The Small Boat of Great Sorrows, was hailed as "a
relentlessly crackling mystery and adventure tale" (The Baltimore Sun)
and "a new standard for war-based thrillers" (Los Angeles Times). In
this electrifying new thriller, Dan Fesperman takes us to present-day
Afghanistan–the global capital of death long before it became a battleground
for America–where the fates of an American journalist and a Pakistani
translator become dangerously intertwined with the fortunes of warlords, spies,
and dubious corporate interests.
A burned-out war correspondent hoping for a last hurrah in Afghanistan, Skelly
arrives on the Afghan border just as American bombs begin falling on the ruling
Taliban. Seeking the scoop of a lifetime as witness to the capture of "the
biggest fish of them all," he links up with an exiled warlord's quixotic
expedition. Guiding Skelly's way is Najeeb, a tribal Pakistani with his own
objective–U.S. visas for his girlfriend and himself, promised by Pakistani
intelligence if he acts as an informant.
A harrowing crossing into Afghanistan is only the beginning of trouble for the
two men. Their journey quickly escalates into a race for their lives as they are
pulled into a vortex of intrigue, betrayal, and violence. Finally, only their
loyalty to each other holds out the possibility of survival for either of them.
Fast-paced, timely, and galvanizing from first to last.
This is Dan Fesperman's third book, following
the generally well received novels, Lie in the Dark (2000) and The
Small Boat of Sorrows (2003), both set in the former Yugoslavia -
Fesperman, a reporter for the Baltimore Sun, worked in its Berlin bureau
during the years of the civil war in the former Yugoslavia, and more
recently in Afghanistan.
In The Warlord's Son, Fesperman turns his attention to Afghanistan.
Stan Kelly, known in the business as Skelly, used to be an ace war
correspondent but in recent years has been reduced to covering local
news for a Midwestern daily; that is until a few weeks after 9/11 to
cover the 'war on terror' from Afghanistan. Shortly after arriving
in Parkistan he hires Najeeb, an English speaking Afgan 'fixer' (a fixer
being the necessary human ingredient that enables a foreign journalist
who doesn't speak the language, know the people or the customs, to have
any chance of reporting on any issue larger than his hotel room).
However, Najeeb has a complicated life of his own - he's an outcast from
his own clan, involved in an illicit affair and an informer to boot,
albeit unwilling.
Together they make the harrowing journey into Afghanistan and manage to join up
with a local warlord, but soon their newly formed friendship is put to the test...continued
Full Review
(364 words)
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(Reviewed by BookBrowse Review Team).
With so much focus on Afghanistan's troubles over the last quarter decade it's easy to forget that this is a country with a long and cultured past. At a time when most of Western Europe was wallowing in the Dark Ages, following the fall of the Roman Empire, Afghanistan's location made it a pivotal meeting point between the countries of the East and West. Although most of the cultural treasures from that era have either been destroyed or have disappeared from the country, some have been recovered, including a cache of 20,000 golden objects which were thought to have been lost. National Geographic had an ...
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If you liked The Warlord's Son, try these:
by Jasmine Aimaq
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Jasmine Aimaq's stunning debut explores Afghanistan on the eve of a violent revolution and the far-reaching consequences of a young Kochi girl's tragic death.
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A true-life Catch-22 set in the deeply dysfunctional countries of Afghanistan and Pakistan, by one of the region's longest-serving correspondents.
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Larry Gandle,author of Deadly Pleasures
Dan Fesperman has written two superb novels concerning war-torn Yugoslavia
from two different perspectives of time . . . Lie in the Dark won the
Creasey Award for best first crime novel and The Small Boat of Great Sorrows won
the Ian Fleming Steel Dagger Award for best thriller. Now he returns in by far
and away his best work to date. In a sense it is sweeping in grandeur like Doctor
Zhivago, yet intimate enough to be reminiscent of a Graham Greene and
as a thriller intelligent enough to be in the same ranks of John LeCarre.
However, I predict Dan Fesperman will ultimately equal them in fame writing his
own type of stylistic war novels. This one is a masterpiece.
