Summary and Reviews of Doghead by Morten Ramsland

Doghead by Morten Ramsland

Doghead

A Novel

by Morten Ramsland
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  • Critics' Consensus (10):
  • First Published:
  • Feb 17, 2009, 384 pages
  • Paperback:
  • Jul 2010, 384 pages
  • Reviewed by BookBrowse Book Reviewed by:
    Marnie Colton
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About This Book

Book Summary

From a fiercely funny Danish John Irving, a bighearted, epic story of mad dogs, naughty boys, strange relatives, and family secrets.

An international sensation sold in seventeen countries around the world, Doghead has critics across the globe declaring, “brilliant,” “magnificent,” “powerful and engaging.” “When I read it I had to pinch my arm to see if I was dreaming,” says Weekendavisen (Denmark). “It was really that good.” Morten Ramsland won Author of the Year and Book of the Year for Doghead in Denmark, and critical comparisons include Gunter Grass, Jonathan Franzen, Peter Høeg and Gabriel Garcia Marquez—everyone agrees that here is a world-class writer.

In Doghead, Ramsland treats U.S. readers to a highly imaginative, exuberant saga that follows three generations of a wildly dysfunctional Norwegian family. The tale begins as Asger, the narrator, visits his dying grandma, who has a few corrections to make to certain family stories. Asger learns that contrary to popular belief, Grandpa was not a war hero. Instead, his nickname was "Crackpot," and both before and after he escaped from a Nazi concentration camp, he was to put it bluntly, a cheat and a liar.

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Reviews

BookBrowse Review

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While Ramsland has received comparisons to John Irving and other writers lauded for using magical realism within the context of a family saga, his writing most aptly conjures an anarchic, more salacious version of Astrid Lindgren, the Swedish author best known for creating Pippi Longstocking...continued

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(Reviewed by Marnie Colton).

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Beyond the Book



Cubism (c. 1907 - 1921)

Asger inherits his love of art from Grandpa Askild, who paints in the Cubist style pioneered by artists like Pablo Picasso, Georges Braque, and Juan Gris, influenced by Paul Cezanne's later work. Although some art historians now credit the lesser-known Braque with creating the first Cubist paintings, Picasso's Les Demoiselles d'Avignon, painted in 1907, was long considered Cubism's precursor, and the beginning of modern art. Though it wasn't exhibited until 1914, it wrestles with ideas that would become central to the Cubist movement -- "the most important and influential single innovation in the early history of modern art," according to historian Simon Wilson.

pictureLes Demoiselles d'Avignon
by Pablo Picasso (2007)

...

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Read-Alikes

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