Summary and Reviews of Shadow and Light by Jonathan Rabb

Shadow and Light by Jonathan Rabb

Shadow and Light

A Novel

by Jonathan Rabb
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  • Critics' Consensus (8):
  • First Published:
  • Mar 31, 2009, 384 pages
  • Paperback:
  • Mar 2010, 384 pages
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About This Book

Book Summary

Berlin, between the two world wars. When an executive at the renowned Ufa film studios is found dead floating in his office bathtub, it falls to Nikolai Hoffner, a chief inspector in the Kriminalpolizei, to investigate. With the help of Fritz Lang (the German director) and Alby Pimm (leader of the most powerful crime syndicate in Berlin), Hoffner finds his case taking him beyond the world of film and into the far more treacherous landscape of Berlin’s sex and drug trade, the rise of Hitler’s Brownshirts (the SA), and the even more astonishing attempts by onetime monarchists to rearm a post-Versailles Germany. Being swept up in the case are Hoffner’s new lover, an American talent agent for Metro-Goldwyn-Mayer, and his two sons: Georg, who has dropped out of school to work at Ufa, and Sascha, his angry, older son, who, unknown to his father, has become fully entrenched in the new German Workers Party as the aide to its Berlin leader, Joseph Goebbels.

When we last met Hoffner, it was 1919, and he had taken on the disappearance and death of Rosa Luxembourg in Rosa, a novel the critic John Leonard hailed as “a ghostly noir that could have been conspired at by Raymond Chandler and André Malraux.” Shadow and Light is equally brilliant and atmospheric, and even harder to put down or shake off. Like Joseph Kanon or Alan Furst, Rabb magically fuses a smart, energetic narrative with layers of fascinating, vividly documented history. The result is a stunning historical thriller, created by a writer to celebrate—and contend with.

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Reviews

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Rabb is a master at creating atmosphere, of firmly moving the reader to the time and place he has created... A lesser writer could easily be crushed under the layers of detail and plot, setting, and character; Rabb juggles them all so smoothly, the only question the reader wants answered is "what happens next?" or perhaps, "why?"..continued

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(Reviewed by Joanne Collings).

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Beyond the Book



Nikolai Hoffner is, he admits, not a big fan of the cinema, so meeting studio executives and the well-known director Fritz Lang does not much impress him. Lang's immediate friendliness, however, does have an effect on the jaded police detective. [Lang] "looked at Hoffner as if the two had had this conversation a thousand times: the intimacy was oddly engaging." If Hoffner hasn't spent much time watching movies, Lang had spent considerable time watching the police. "'There has to be authenticity to film, an honesty of purpose....You have to be inspired by truth and then find the reality beyond it.' Hoffner had never considered a reality beyond truth, but in this little [editing] room it might have made sense."

MetropolisHoffner is thrown into a world...

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Read-Alikes

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