-
Access Our
Best Book Club
Books of 2025!
Summary | Excerpt | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio
A Novel in Nine Episodes
by Daniel Kehlmann
Book Reviewed by:In Fame, nine episodes coalesce to form a coherent whole as Daniel Kehlmann plays a sophisticated game with reality and fiction - creating, in essence, a dazzling hall of mirrors.
Imagine being famous. Being recognized on the street, adored by people who have never even met you, known the world over. Wouldn't that be great?
But what if, one day, you got stuck in a country where celebrity means nothing, where no one spoke your language and you didn't speak theirs, where no one knew your face (no book jackets, no TV) and you had no way of calling home? How would your fame help you then?
What if someone got hold of your cell phone? What if they spoke to your girlfriends, your agent, your director, and started making decisions for you? And worse, what if no one believed you were you anymore? When you saw a look-alike acting your roles for you, what would you do?
And what if one day you realized your magnum opus, like everything else you'd ever written, was a total waste of time, empty nonsense? What would you do next? Would your audience of seven million people keep you going? Or would you lose the capacity to keep on doing it?
Fame and facelessness, truth and deception, spin their way through all nine episodes of this captivating, wickedly funny, and perpetually surprising novel as paths cross and plots thicken, as characters become real people and real people morph into characters. The result is a dazzling tour de force by one of Europe's finest young writers.
Translated by Carol Brown Janeway.
Daniel Kehlmann's novel can be read, in many ways, as an extended exploration of the distinctions between artifice and reality or, more precisely, between story and "real life," whatever that consists of. Defining that distinction - only to blur it again repeatedly - is the ongoing project of Kehlmann's brilliantly playful novel... With energy, flexibility, and elegance, Kehlmann constructs a brilliant whole, simultaneously playful and thoughtful, certainly the kind of novel that engages readers emotionally and intellectually in equal measure...continued
Full Review
(648 words)
This review is available to non-members for a limited time. For full access,
become a member today.
(Reviewed by Norah Piehl).
In a now-infamous statement preceding the awarding of the 2008 Nobel Prize in literature to French author Jean-Marie Gustave Le Clezio, Swedish Academy member Horace Engdahl remarked that the publishing climate in the United States had grown "too isolated, too insular. They don't translate enough and don't really participate in the big dialogue of literature." It's true that no American has won the Nobel Prize in literature since Toni Morrison did so in 1993. However, partly in defiance of Engdahl's statement, and partly in response to the recent run of prizewinners not writing in English, some American publishers are rediscovering the sometimes heady, sometimes just downright entertaining bounty of literature originally written in other ...
This "beyond the book" feature is available to non-members for a limited time. Join today for full access.
If you liked Fame, try these:
by Jennifer Egan
Published 2011
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. Sly, startling, exhilarating work from one of our boldest writers.
by Paul Auster
Published 2010
“One of America’s greatest novelists” dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date.
.gif)
Discovery consists of seeing what everybody has seen and thinking what nobody has thought.
Click Here to find out who said this, as well as discovering other famous literary quotes!
Jonathan Franzen
Who would have thought contemporary Central European literature could be so fun and so funny? ...Modern fame may have been invented in America, but nobody has dramatized its paradoxes and heartbreaks more entertainingly than the European Kehlmann does here.
