-
Access Our
Most Anticipated
Books of 2025!
Summary | Excerpt | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio
Book Reviewed by:A brilliant excavation of an obscure piece of music history, Steve Earle's I'll Never Get Out of This World Alive is a ballad of regret and redemption, and of the ways in which we remake ourselves and our world through the smallest of miracles.
Doc Ebersole lives with the ghost of Hank Williams - not just in the figurative sense, not just because he was one of the last people to see him alive, and not just because he is rumored to have given Hank the final morphine dose that killed him.
In 1963, ten years after Hank's death, Doc himself is wracked by addiction. Having lost his license to practice medicine, his morphine habit isn't as easy to support as it used to be. So he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighborhood in search of Doc's services, miraculous things begin to happen. Graciela sustains a wound on her wrist that never heals, yet she heals others with the touch of her hand. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost - who isn't at all pleased to see Doc doing well.
There's something endearingly old-fashioned about Steve Earle's debut novel I'll Never Get Out of This World Alive, a tale with a straightforward beginning, middle, and end, punctuated by spectral showdowns and heavenly healings. While it will likely appeal most to music fans eager to see how this iconoclastic singer/songwriter will fare in the literary sweepstakes, I'll Never Get Out of This World Alive deserves praise for the way it captures both the squalor and the community spirit of a down-and-out enclave populated with lively, believable characters. That one of them is dead only adds to the festivities...continued
Full Review
(879 words)
This review is available to non-members for a limited time. For full access,
become a member today.
(Reviewed by Marnie Colton).
Speculation and myth swirl around accounts of 29-year-old country music legend Hank Williams's death in the back seat of a Cadillac on January 1, 1953. For years, Charles Carr, the only person who knew for sure what had happened that snowy day in the hinterlands of West Virginia, never talked about it.
A mere 17 at the time, Charles Carr was home on vacation from Auburn University on December 30, 1952, when his father, the owner of a limousine service and an acquaintance of Hank's, asked Charles if he would drive the country singer from his home in Montgomery, Alabama to a New Year's Eve gig in Charleston, West Virginia and then to a New Year's Day concert in Canton, Ohio. Charles agreed, but, after a late start and with a freezing ...
This "beyond the book" feature is available to non-members for a limited time. Join today for full access.
If you liked I'll Never Get Out of This World Alive, try these:
by Jennifer Egan
Published 2011
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. Sly, startling, exhilarating work from one of our boldest writers.
by Amy Greene
Published 2011
Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot is a stunning fiction debut about the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations, from the Great Depression to today.
.gif)
Everywhere I go, I am asked if I think the university stifles writers...
Click Here to find out who said this, as well as discovering other famous literary quotes!
Charles Frazier, author of Cold Mountain and Thirteen Moons
What a delight to read this novel and find so many elements I've admired in Steve Earle's songwriting for nearly twenty-five years. It is a rich, raw mix of American myth and hard social reality, of faith and doubt, always firmly rooted in a strong sense of character.
