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Book Reviewed by:The riveting confession of a woman awakened, transformed, and betrayed by passion and desire for a world beyond her own.
From the New York Times best-selling author of The Emperor's Children, a brilliant new novel: the riveting confession of a woman awakened, transformed, and betrayed by passion and desire for a world beyond her own.
Nora Eldridge, a thirty-seven-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs," a reliable friend and tidy neighbor always on the fringe of others' achievements.
Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist--have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist," Nora is drawn into the complex world of the Shahid family: she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal.
Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions.
Claire Messud has shown an extraordinary range in all her work and this book is no exception. At times the analogies and metaphors to A Doll's House are too overtly drawn, yet this story is much more than a well-paced, slightly creepy look at one woman's obsession. It helps us step back and take a look at weightier questions: What exactly is art? How much does one have to sacrifice to reach one's life goals? Is such a pursuit even worth it? And what happens when the best you can offer is merely mediocre?..continued
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(Reviewed by Poornima Apte).
It was the door slam that reverberated around the world. In 1879, Norwegian playwright, Henrik Ibsen, published the famous play A Doll's House. The play, in three acts, revolves around Nora Elman, who balances a delicate secret while trying to save her marriage. Eventually the secret is revealed as is the nastiness of her husband. Sick of the constraints set forth in a traditional marriage – a doll's house construct – Nora decides she must leave to find, and eventually become, the person she truly is. This door slam that marks her departure might have been literal, but it has been held as metaphor for a woman breaking free from the structure of traditional marriage. Since the play criticizes the social construct of marriage, it ...
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