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Stories
by Edith Pearlman
Book Reviewed by:A new story collection from the author of Binocular Vision, winner of the National Book Critics Circle Award and finalist for the National Book Award.
Over the past several decades, Edith Pearlman has staked her claim as one of the all-time great practitioners of the short story. Her incomparable vision, consummate skill, and bighearted spirit have earned her consistent comparisons to Anton Chekhov, John Updike, Alice Munro, Grace Paley, and Frank O'Connor. Her latest work, gathered in this stunning collection of twenty new stories, is an occasion for celebration.
Pearlman writes with warmth about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the true excitement comes from the evocation of the interior lives of young Emily Knapp, who wishes she were a bug, and her inner circle. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway-while the lead story, "Tenderfoot," follows a widowed pedicurist searching for love with a new customer anguishing over his own buried trauma. Whether the characters we encounter are a special child with pentachromatic vision, a group of displaced Somali women adjusting to life in suburban Boston, or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them to us with unsurpassed generosity.
In prose as knowing as it is poetic, Pearlman shines a light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. Both for its artistry and for the recognizable lives of the characters it renders so exquisitely and compassionately, Honeydew is a collection that will pull readers back time and again. These stories are a crowning achievement for a brilliant career and demonstrate once more that Pearlman is a master of the form whose vision is unfailingly wise and forgiving.
Unlike many contemporary short works, Pearlman's stories usually have satisfying narrative arcs that will appeal to many readers, even those unaccustomed to frequently reading short stories. And they are truly "short" stories—most clocking in at twenty pages or less, making them ideal brief escapes into vividly realized, beautifully written worlds and lives. Throughout, Pearlman exhibits an elegance with language that's essential for mastering the genre...continued
Full Review
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(Reviewed by Norah Piehl).
Many of the stories in Honeydew are set in the town of Godolphin, an imaginary suburb of Boston that bears a great deal of resemblance to Pearlman's home town of Brookline.
Brookline, first settled in 1638 and incorporated as an independent town in 1705, is what's commonly known as a "streetcar suburb," a residential community whose historical development is strongly linked to the rise of public transit. In this case, the streetcars still persist as trolleys on Boston's Green Line, one branch of which runs down a boulevard at the center of Beacon Street, a broad avenue at the heart of Brookline.
Once known as the "richest town in the world," Brookline became known in the nineteenth and early twentieth century as the home of ...
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It is a fact of life that any discourse...will always please if it is five minutes shorter than people expect
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Lauren Groff, New York Times bestselling author of Arcadia and The Monsters of Templeton
To read an Edith Pearlman story is to sense a mysterious voice singing just under the surface of the prose; it is to be so beguiled by elegance and wit that the inexorable surging power of the story astonishes when it finally hits the reader.
