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In their isolated country house, a mother and her two children prepare to wait out a blinding snowstorm. Two violent predators walk through the door. Nothing will ever be the same.
When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done.
For San Francisco homicide detective Valerie Hart, their trail of victims - women abducted, tortured and left with a seemingly random series of objects inside them - has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens.
But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.
In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.
It’s deep. It’s complex. It’s explicit. But, damn, it’s well written. It had to be pure torture to assume the personalities of all these characters, to see and accept them in all their imperfections. But if you can stick with the overt and implied brutality of The Killing Lessons this is, indeed, one hell of a thriller...continued
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(Reviewed by Donna Chavez).
The Novelist by W.H. Auden
Encased in talent like a uniform,
The rank of every poet is well known;
They can amaze us like a thunderstorm,
Or die so young, or live for years alone.
They can dash forward like hussars: but he
Must struggle out of his boyish gift and learn
How to be plain and awkward, how to be
One after whom none think it worth to turn.
For, to achieve his lightest wish, he must
Become the whole of boredom, subject to
Vulgar complaints like love, among the Just
Be just, among the Filthy filthy too,
And in his own weak person, if he can,
Must suffer dully all the wrongs of Man.
Saul Black (pseudonym for Glen Duncan) employs no less than a half-dozen narrative points of view in his thriller The ...
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