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The much-anticipated first novel from a Story Prize-winning "5 Under 35" fiction writer; Named a Hot Fall Read by Vogue, Mashable, Vanity Fair, Pop Sugar, Kirkus, Hello Giggles, and Los Angeles Magazine.
In 2012, Claire Vaye Watkins's story collection, Battleborn, swept nearly every award for short fiction. Now this young writer, widely heralded as a once-in-a-generation talent, returns with a first novel that harnesses the sweeping vision and deep heart that made her debut so arresting to a love story set in a devastatingly imagined near future:
Unrelenting drought has transfigured Southern California into a surreal, phantasmagoric landscape. With the Central Valley barren, underground aquifer drained, and Sierra snowpack entirely depleted, most "Mojavs," prevented by both armed vigilantes and an indifferent bureaucracy from freely crossing borders to lusher regions, have allowed themselves to be evacuated to internment camps. In Los Angeles' Laurel Canyon, two young Mojavs - Luz, once a poster child for the Bureau of Conservation and its enemies, and Ray, a veteran of the "forever war" turned surfer - squat in a starlet's abandoned mansion. Holdouts, they subsist on rationed cola and whatever they can loot, scavenge, and improvise.
The couple's fragile love somehow blooms in this arid place, and for the moment, it seems enough. But when they cross paths with a mysterious child, the thirst for a better future begins. They head east, a route strewn with danger: sinkholes and patrolling authorities, bandits and the brutal, omnipresent sun. Ghosting after them are rumors of a visionary dowser - a diviner for water - and his followers, who whispers say have formed a colony at the edge of a mysterious sea of dunes.
Immensely moving, profoundly disquieting, and mind-blowingly original, Watkins's novel explores the myths we believe about others and tell about ourselves, the double-edged power of our most cherished relationships, and the shape of hope in a precarious future that may be our own.
BOOK ONE
There it is. Take it.
William Mulholland
Punting the prairie dog into the library was a mistake. Luz Dunn knew that now, but it had been a long time since she'd seen a little live thing, and the beast had startled her. She'd woke near noon having dreamed a grand plan and intending to enact it: she would try on every dress in the house. They hung like plumage in the master closet, in every luscious color, each one unspeakably expensiveimagine the ones the starlet had taken with her! In the dream Luz had worn every dress all at once, her breasts bestudded with rhinestones and drenched in silver dust, her ass embroidered with coppery alleyways of sequins, pleated plumes of satin fanning from her hips, pale confectioners' tulle floating like spun sugar at her feet. Of course, things went one-at-a-time in the lifeless waking world.
It was important to have a project, Ray said, no matter how frivolous. The Santa Anas winged through the canyon now, bearing ...
With crackling prose that she delivered so brilliantly in her debut collection of short stories, Battleborn, Watkins yanks the ground out from under our feet, exposing us to every vulnerability that this story so resolutely delivers. When all else is gone, what do we thirst for most?..continued
Full Review (755 words)
(Reviewed by Poornima Apte).
In Gold Fame Citrus, the Yucca mountain, which is located in the deserts of Nevada, an hour northwest of Las Vegas, has officially become a nuclear waste depository: "The white bullet trains come in and out thrice daily, soundless, only a slight pressing and unpressing of the air. One day the repository will be filled and it will be sealed and it will stay that way for one hundred thousand years, says the binder. One day all the toxic pellets we fear will be stuffed safely inside the mountain."
In reality, while political maneuvering to make Yucca Mountain a long-term solution to store America's radioactive wastes has been going on for decades, the plans have not yet been realized.
As a quick background, the United States has been ...
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The low brow and the high brow
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