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Book Reviewed by:From the universally admired, award-winning author of Waiting and War Trash: an urgent, timely novel that follows an aspiring author, an outrageous book idea, and a lone journalist's dogged quest for truth in the Internet age.
New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency that produces a website read by Chinese all over the world. Danlin's explosive exposés have made him legendary among readers - and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom.
Haili's scheme infuriates Danlin both morally and personally - he will do whatever it takes to expose her as a fraud. But in outing Haili, he is also provoking her powerful political allies, and he will need to draw on all of his journalistic cunning to come out of this investigation with his career - and his life - still intact. A brilliant, darkly funny story of corruption, integrity, and the power of the pen, The Boat Rocker is a tour de force.
...as a first person narrative of a – perhaps too-naïve – Asian-American man's experience, The Boat Rocker is a compelling glimpse into the mirror he holds up to the world of 21st Century politics, nationalism and journalism, and publishing...continued
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(Reviewed by Donna Chavez).
The protagonist in The Boat Rocker, Feng Danlin, is a journalist who prides himself on being impartial in his reporting and principled about expressing his opinion. Throughout the book he wrestles with the importance of maintaining objectivity. He researches facts and scrupulously reports his findings, calling out fraud where he sees it.
It is a perennial battle fought out in every newsroom the world over. Some reporters offer opinion with the facts. Others bend over backward to assure only verifiable facts get reported, allowing readers to draw their own conclusions. But are all facts equal? Are all ideas built upon solid ground? Do readers even care? Questions like these have especially dominated more newsrooms in the take-no-prisoners...
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