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Book Reviewed by:In this unforgettable debut, a Muslim teen copes with Islamophobia, cultural divides among peers and parents, and a reality she can neither explain nor escape.
American-born seventeen-year-old Maya Aziz is torn between worlds. There's the proper one her parents expect for their good Indian daughter: attending a college close to their suburban Chicago home, and being paired off with an older Muslim boy who's "suitable" to her mother. And then there is the world of her dreams: going to film school and living in New York City - and maybe (just maybe) pursuing a boy she's known from afar since grade school, a boy who's finally falling into her orbit at school.
There's also the real world, beyond Maya's control. In the aftermath of a horrific crime perpetrated hundreds of miles away, her life is turned upside down. The community she's known since birth becomes unrecognizable; neighbors and classmates alike are consumed with fear, bigotry, and hatred. Ultimately Maya must find the strength within to determine where she truly belongs.
CHAPTER 1
Destiny sucks.
Sure, it can be all heart bursting and undeniable and Bollywood dance numbers and meet me at the Empire State Building. Except when someone else wants to decide who I'm going to sleep with for the rest of my life. Then destiny is a bloodsucker, and not the swoony, sparkly vampire kind.
The night is beautiful, clear and bright with silvery stars. But I'm walking across a noxious parking lot with my parents toward a wedding where a well-meaning auntie will certainly pinch my cheeks like I'm two years old, and a kindly uncle will corner me about my college plans with the inevitable question: premed or prelaw? In other words, it's time for me to wear a beauty-pageant smile while keeping a very stiff upper lip. It would be helpful if I could grow a thicker skin, too—armor, perhaps—but we're almost at the door.
My purse vibrates. I dig around for my phone. A text from Violet: You should be here!
Another buzz, and a picture of Violet ...
In Samira Ahmed’s thoughtful debut novel, Maya’s first-person narrative alternates with more ominous passages fueled by hate and dread, passages that initially may unsettle readers and eventually may force them to wrestle with their own prejudices and preconceptions. The shift from straightforward young adult romance to a more intense story of intolerance and hatred may seem abrupt or even jarring to many readers, but in the end, this backdrop helps provide context for Maya’s personal conflicts and illustrate how her particular struggles are both universal and also specific to her identity as a young American Muslim woman of Indian descent...continued
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(Reviewed by Norah Piehl).
Aisha Saeed, author of Written in the Stars Heidi Heilig, author of The Girl from Everywhere and The Ship Beyond Time
A heartbreakingly beautiful debut that weaves together the rush of new love, the shock of old hatred, the pressure of protective parents and the culture clash between generations - in other words, a cinematic glimpse into one experience of growing up Muslim in modern America. Jeff Zentner, William C. Morris award winner for The Serpent King
Love, Hate & Other Filters heralds a dazzling new talent. Samira Ahmed creates a masterful alchemy of heart, humor, profundity, poetry, romance, and humanity. Through the eyes of the richly drawn Maya Aziz, we get a powerful, timely-yet-timeless, and poignant story about the delicate dance of coming of age in two cultures. Marieke Nijkamp, New York Times bestselling author of This Is Where It Ends
Love, Hate & Other Filters shines with heart and hope in the face of prejudice. Samira Ahmed is a bright new star in the YA firmament. Sandhya Menon, New York Times bestselling author of When Dimple Met Rishi
This smart, heartbreaking, honest debut novel is as timely as it is hopeful. Ahmed tackles weighty issues with thoughtfulness and flair. I was completely swept away. Sarvenaz Tash, author of The Geek's Guide to Unrequited Love
Love, Hate & Other Filters hit so close to home, it sometimes hurt to read. I laughed at Maya's wry observations and wept at her profound ones; this book is a searing, honest portrait of what it really means to be a Muslim American teen loyal to two cultures and figuring out how to carve out a space of her own in between.At one point in Love, Hate, and Other Filters, Maya's best friend Violet tells her that love is "a part of who you are, not an object you can film and capture in different kinds of light." Maya is used to viewing the world - including her own life - through the lens of film. She wants to be a documentary filmmaker, and Ahmed's novel mentions several filmmakers - many of them Indian women - who provide inspiration for Maya's future career. Numerous women from India and of Indian descent are making memorable and groundbreaking films, including documentaries. Here are just a few of these notable filmmakers:
Deepa Mehta is an Indian Canadian filmmaker best known for her "Elements" trilogy: Fire (1996), Earth (1998), and Water (2005...
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