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A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.
Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man--a fellow slave--seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony.
With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries--of ancestors and future generations to come--culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
Maggie
She woke.
She yawned.
A burial place. This house is a fucking burial place, Maggie whispered, before it was time to go to the other room, the kitchen that she was chained to even though not a single link could be seen. But yes, there it was, snapped around her ankle, clinking nevertheless.
She mumbled the curse to herself, but it was meant for other people. She learned to do that, whisper low enough in her throat that an insult could be thrown and the target would be none the wiser. It became her secret language, living just below the audible one, deeper behind her tongue.
The sky was still dark, but she laid in her hay pallet an extra moment, knowing it could cost her. The Halifaxes each had their own way of communicating their displeasure, some less cruel than others. She could tell you stories.
She climbed out of the pallet and rolled her eyes at the hounds that lay on the floor by her feet. Oh, she slept on the back porch with the animals. Not her choice. Though it ...
This is a powerful novel that is sure to garner some awards in 2021. It is a fantastic debut from Jones, who followed the advice of Toni Morrison (as indicated in his acknowledgements) and wrote the book he wanted to read, but could not find (Robert M). This would be a good book club selection, allowing for much discussion of not only the story and the characters, but also the literary techniques the author uses to create a vivid world where hatred, love, desire, self-loathing, loss and other emotions are raw and on full display (Rosemary C). Jones' lyrical language transports you to the time and place and, despite the difficult subject matter, I didn't want to put the book down (Danielle M)...continued
Full Review (585 words)
(Reviewed by First Impressions Reviewers).
The Prophets by Robert Jones Jr. is a work of historical fiction that follows the relationship between Isaiah and Samuel, two enslaved men in love on a plantation in the Antebellum South. While the book is Jones' debut novel, he is an established essayist, blogger and cultural critic. Below are a few notable examples of his published work.
"Let It Burn," which was published in The Paris Review in June of 2020 during protests following the murder of George Floyd, reflects on the general phenomenon of antiblackness in the United States and more specifically on police brutality. Jones points out that the American police force cannot be separated from its origins in Antebellum South networks dedicated to controlling Black people through ...
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Tread softly because you tread on my dreams.
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