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A stunning debut novel about an immigrant Vietnamese family who settles in New Orleans and struggles to remain connected to one another as their lives are inextricably reshaped.
When Huong arrives in New Orleans with her two young sons, she is jobless, homeless, and worried about her husband, Cong, who remains in Vietnam. As she and her boys begin to settle in to life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father.
But with time, Huong realizes she will never see her husband again. While she attempts to come to terms with this loss, her sons, Tuan and Binh, grow up in their absent father's shadow, haunted by a man and a country trapped in their memories and imaginations. As they push forward, the three adapt to life in America in different ways: Huong gets involved with a Vietnamese car salesman who is also new in town; Tuan tries to connect with his heritage by joining a local Vietnamese gang; and Binh, now going by Ben, embraces his adopted homeland and his burgeoning sexuality. Their search for identity--as individuals and as a family--threatens to tear them apart, until disaster strikes the city they now call home and they are suddenly forced to find a new way to come together and honor the ties that bind them.
Despite some lulls in the Tuấn storyline and perhaps an overabundance of water-related metaphors, this is an exceptional debut novel. Nguyen works background and historical information into the text without breaking narrative stride, capturing the aftereffects of the Vietnam War as an integral part of family lore. The story is an artfully constructed arc, yet also full of small, meaningful vignettes in which ancillary characters, such as Kim-Anh, are given their brief moments of brilliance...continued
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(Reviewed by Lisa Butts).
When the Vietnamese family depicted in Things We Lost to the Water arrives in New Orleans, they move into an apartment building called Versailles located in the eastern part of the city. The setting is based on the real-life Versailles Arms public housing project in the neighborhood of Village de L'Est, which attracted a large Vietnamese population beginning in 1975 after the fall of Saigon. Many residents were brought to the region via refugee programs run by Catholic charity organizations. The neighborhood's Mary Queen of Vietnam Church, opened in 1985, is the largest Vietnamese American Catholic church in the United States. (A fictionalized version called Our Lady of Saigon appears in the novel.) In research conducted prior to ...
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