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A Novel
by Asale Angel-AjaniA stunning debut novel following the turbulent relationship of a Black, biracial teen and her ferocious Russian mother, struggling to survive in the California desert.
When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black, biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia's orbit—insistence on reading only the right kind of books (Russian), having the right kind of relationships (casual, with lots of sex)—might look like.
Lara knows that something else lies beneath her mother's fierce, independent spirit, but Yevgenia doesn't believe in sharing, least of all with her daughter. When a brutal attack exposes the cracks in their relationship, Lara and Yevgenia are forced to confront the family legacy of violence and the strain of inherited trauma on the bonds of their love.
A Country You Can Leave is a dazzling, sharp-witted story, suffused with yearning, as Lara and Yevgenia attempt to forge their own identities and thrive in a hostile land. Compelling and empathetic, wry and intimate, Asale Angel-Ajani's unforgettable debut novel examines the beauty and dangers of womanhood in multiracial America.
1
There is no release from life's turmoil, so put your back into it.
In a gulch somewhere between the San Jacinto and Santa Anas, my mother, Yevgenia, slows the car at the sign welcoming us to the dubiously named Oasis Mobile Estates. She cuts the engine behind the property manager's battered truck and goes about the task of cleaning herself up. She pulls a rubber band out of her stiff, dyed-black hair. She scrunches it back to life. Tweezers in hand, she yanks the rearview mirror down to brutalize her already emaciated eyebrows. When she smell-checks her armpits, I know there is a man inside.
"Don't I get a vote?" I ask, watching Yevgenia resuscitate her breasts by scooping them up in her bra. Our drive from Nevada to California has been nonstop. For miles, nothing but hot dust, windswept trash, and nameless mountains closing in on our resentments.
My mother ignores me. Instead, she looks through the bug-splattered windshield, her eyes turned to the heaven she doesn't believe in. She ...
The novel's quirky mood suggests that it could be a fairly standard, humorous feel-good story that culminates in a reconciliation of differences between mother and daughter. But it's far sadder than that and better for it. A Country You Can Leave willingly adopts the structure of a coming-of-age story, full as it is of dramatic occurrences that serve as learning experiences, yet also skips lightly over this structure. It hits all of the expected beats with confidence, but with a muted quality, deftly filling the mold of a conventional novel more satisfyingly than many more conventional narratives do...continued
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(Reviewed by Elisabeth Cook).
In A Country You Can Leave by Asale Angel-Ajani, teenage narrator Lara characterizes her mother Yevgenia's reading habits as something akin to a religious experience. She describes coming upon her at a time when she was utterly absorbed by Nikolai Gogol's Dead Souls: "...a book she had read before, only this time she was reading the Italian translation. Months later she read it again in Spanish. My mother reads for nostalgia. The same twenty or maybe twenty-five books year in and year out, in the original and in translation. Once I know this, I understand that what my mother seeks from books isn't what I seek. I want to be lifted up, carried away. She wants to be anchored. The exact opposite of what each of us wants from our real life."
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