Stories
by Kelly Link
Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers.
In "The Summer People," a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In "I Can See Right Through You," a middle-aged movie star takes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In "The New Boyfriend," a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids... These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty - and the hidden strengths - of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.
"Starred Review. Each carefully crafted tale forms its own pocket universe, at once ordinary... and bizarre... Link's characters, driven by yearning and obsession, not only get in trouble but seek trouble outto spectacular effect." - Publishers Weekly
"Starred Review. Exquisite, cruelly wise and the opposite of reassuring, these stories linger like dreams and will leave readers looking over their shoulders for their own ghosts." - Kirkus
"In short, the tales are imaginatively bizarre yet can be seen as allegorical representations of our own crazy modern world. Most of the protagonists here are female and resourceful; it's a pleasure to immerse oneself in fantasy worlds where women aren't victims or pale stereotypes." - Library Journal
"Each one of these 'short stories' feels infinitely vast once you are inside it, like the enchanted castles and bottomless wells in fairy tales." - Karen Russell
"Kelly Link is inimitable. Her stories are like nothing else, dark yet sparkling with her unique brand of fairy dust, wonderfully strange but still familiar and real." - Erin Morgenstern
"[Link] knows things we all know: what it feels like to be in love, to want to be in love, to be alone, to want to be alone, to be disappointed in people, to try again. She makes those old heartbreaks glow with strange new lights." - Arthur Phillips
This information about Get in Trouble was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Kelly Link is the author of the collections Get in Trouble, Stranger Things Happen, Magic for Beginners, and Pretty Monsters. She and Gavin J. Grant have co-edited a number of anthologies, including multiple volumes of The Year's Best Fantasy and Horror and, for young adults, Monstrous Affections. She is the co-founder of Small Beer Press. Her short stories have been published in The Magazine of Fantasy and Science Fiction, The Best American Short Stories, and Prize Stories: The O. Henry Awards. She has received a grant from the National Endowment for the Arts. Link was born in Miami, Florida. She currently lives with her husband and daughter in Northampton, Massachusetts.
Idealism increases in direct proportion to one's distance from the problem.
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