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The 19th-Century Courtesan Who Built an Empire on a Secret
A fantastically readable biography of a nineteenth-century Parisian courtesan who harbored an incredible secret.
Comtesse Valtesse de la Bigne was painted by Édouard Manet and inspired Émile Zola, who immortalized her in his scandalous novel Nana. Her rumored affairs with Napoleon III and the future King Edward VII kept gossip columns full.
But her glamorous existence hid a dark secret: she was no comtesse. She was born into abject poverty, raised on a squalid backstreet among the dregs of Parisian society. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life - and even her death - remained shrouded in just enough mystery to keep her audience hungry for more.
Spectacularly evoking the sights and sounds of mid- to late nineteeth-century Paris in all its hedonistic glory, Catherine Hewitt's biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.
"A thoroughly researched and clearly written account of a determined and talented woman and of an era." - Kirkus
"An enthralling story, told with both conviction and sympathy." - The Observer (UK)
"Hewitt is a diligent researcher and her handsomely illustrated debut biography is crammed with period detail ... she offers an intriguing insight into the precarious glamour of life as a nineteenth-century courtesan." - The Daily Telegraph (UK)
"Riveting." - The Bookseller (UK)
"A fascinating biography ... Full of detail and astute observation, the book is a remarkable tale of a woman who never stopped aiming high, but whose personal life was shrouded in mystery." - France magazine
"Her lovers included painters and politicians, and she caused plenty of scandal that will have you curled up with this book for hours." - Living France
"Well researched ... she has written a truly handsome boudoir book." - Irish Examiner
"It is incredibly readable. The story itself is innately fascinating ... Hewitt has a great deal of knowledge on the time period of nineteenth-century Paris ... much to enjoy in this engaging account of Parisian culture." - All About History (UK)
"This proves to be both a full and intriguing biography, and a fascinating portrait of the time period ... The Mistress of Paris is not just a biography of a fascinating woman, but an in-depth look at the France of the nineteenth century ... A skillfully woven tapestry of a fascinating life, this is a hugely interesting and surprisingly involving read." - The Bookbag
This information about The Mistress of Paris was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Catherine Hewitt studied French Literature and Art History at Royal Holloway, University of London and the Courtauld Institute of Art. Her proposal for her first book, The Mistress of Paris, was awarded the runner-up's prize in the 2012 Biographers' Club Tony Lothian Competition for the best proposal by an uncommissioned, first-time biographer. She lives in a village in Surrey.
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To make a library it takes two volumes and a fire. Two volumes and a fire, and interest. The interest alone will ...
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