A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author.
In 1939, the Saint Louis sails from Hamburg into Havana's port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear.
Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel's son to travel to Cuba to track down the story of his family's lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana.
In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt's gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura's novel is as compelling, mysterious, and enduring as the painting at its center.
"Starred Review. The intensive, richly detailed narrative is at once a portrait of Daniel's Cuban upbringing, a meditation on anti-Semitism, and an intriguing account of the painting. What did the Cuban police know, and was a murder involved? Highly recommended." - Library Journal
"Padura attempts to join a hardboiled mystery story to a historical epic, and the resulting tonal shifts sometimes strain the material, while still lending stylistic flair to the Kaminskys' plight." - Publishers Weekly
"Padura capably works here in Perez-Reverte territory, where art and ideas meet mayhem. Smart and satisfying." - Kirkus
"The perfect blend of historical, social, and espionage fiction. An adventure that without a respite. The best novel of the eight that Padura has written with Conde as protagonist ... Enjoy it." - El País
"A beautifully teeming novel of revelation and family history, alive with the cadences of Cuba and the sorrows and hopes of the WWII Jewish diaspora. This book is also a lavish detective story, unraveling across continents and cultures and decades as it probes the meaning of a single, beguiling masterpiece - a small Rembrandt portrait of Christ that refuses to be silenced in the folds of art history." - Dominic Smith, author of The Last Painting of Sara de Vos
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Leonardo Padura was born in 1955 in Havana and lives in Cuba. He has published a number of short-story collections and literary essays but international fame came with the Havana Quartet, all featuring Inspector Mario Conde.
Like many others of his generation, Padura had faced the question of leaving Cuba, particularly in the late 80s and early 90s, when living conditions deteriorated sharply as Russian aid evaporated. He chose to stay. And to write beautiful ironic novels in which Soviet-style socialism is condemned by implication through scenes of Havana life where even the police are savagely policed.
The crime novels feed on the noises and smells of Havana, on the ability of its inhabitants to keep joking, to make love and music, to drink rum, and to survive through petty crime...
We should have a great fewer disputes in the world if words were taken for what they are
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