"Jeff VanderMeer's Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel." - Colson Whitehead
"Am I a person?" Borne asked me.
"Yes, you are a person," I told him. "But like a person, you can be a weapon, too."
In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company - a biotech firm now derelict - and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech.
One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump - plant or animal - but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts - and definitely against Wick's wishes - Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford.
"He was born, but I had borne him."
But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same.
Named one of the most anticipated books of 2017 by The New York Times, The Huffington Post, Chicago Reader, The Week, and Publishers Weekly.
"Starred Review. What's even more remarkable is the reservoirs of feeling that VanderMeer is able to tap into ... resulting in something more than just weird fiction: weird literature." - Publishers Weekly
"Starred Review. Superb: a protagonist and a tale sure to please fans of smart, literate fantasy and science fiction." - Kirkus
"Starred Review. VanderMeer's talent for immersive world-building and stunning imagery is on display in this weird, challenging, but always heartfelt novel." - Booklist
"VanderMeer ("Southern Reach" trilogy; Finch) delivers a work of dystopian ecofiction that will appeal to fans of Margaret Atwood's "MaddAddam" trilogy, albeit with a weirder sensibility. The language is lush and playful, with surreal touches, such as the building-sized bear that wanders a ruined landscape, attacking the sparse human population." - Library Journal
"Jeff VanderMeer's Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel." - Colson Whitehead
This information about Borne was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Called "the weird Thoreau" by the New Yorker, New York Times bestseller Jeff VanderMeer has been a published writer since age 14. His most recent fiction is the critically acclaimed novel BORNE, which has received raves from the New York Times Book Review, Los Angeles Times, Washington Post, and many more. Paramount Pictures has optioned BORNE for film.
VanderMeer's Southern Reach trilogy was one of the publishing events of 2014, the trilogy made more than thirty year's best lists, including Entertainment Weekly's top 10. Paramount Pictures has made a movie out of the first volume of the Southern Reach, Annihilation, released in 2018 and starring Tessa Thompson, Oscar Isaac, Gina Rodriguez, Natalie Portman, and Jennifer Jason Leigh.
His nonfiction appears in the New York Times, Los ...
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