With Sisters, Lily Tuck delivers a riveting psychological portrait of marriage, infidelity, and obsession; charting with elegance and insight love in all its phases.
Lily Tuck's critically-lauded, bestselling I Married You for Happiness was hailed by the Boston Globe as "an artfully crafted still life of one couple's marriage." In her singular new novel Sisters, Tuck gives a very different portrait of marital life, exposing the intricacies and scandals of a new marriage sprung from betrayal.
Tuck's unnamed narrator lives with her new husband, his two teenagers, and the unbanishable presence of his first wife - known only as she. Obsessed with her, our narrator moves through her days presided over by the all-too-real ghost of the first marriage, fantasizing about how the first wife lives her life. Will the narrator ever equal she intellectually, or ever forget the betrayal that lies between them? And what of the secrets between her husband and she, from which the narrator is excluded? The daring and precise build up to an eerily wonderful denouement is a triumph of subtlety and surprise.
"Starred Review. Though compact enough to be read in one sitting, it's also magnificent enough to be reread and savored." - Publishers Weekly
"Masterfully detailed and elegant in all its parts but ultimately a novel that prioritizes the virtuoso skill of its narration at the cost of a hastily staged conclusion." - Kirkus
"[Tuck's] latest book, a contemporary novel, is a stunningly compact series of images of a woman's obsession with her husband's former wife, rendered in chapters only a paragraph or at most a page in length." - Booklist
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Lily Tuck was born in Paris and lived in Thailand in the early '60s. She is the author of two previous novels: Interviewing Matisse, Or the Woman Died Standing Up and The Woman Who Walked on Water. She has written numerous short stories, the most recent of which have been published in The New Yorker, Fiction, and The Antioch Review.
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