The Fall and Rise of the Raven
by Joe Shute
For millennia, we have tried to explain ourselves using the raven as a symbol. It occupies a unique place in British history and has left an indelible mark on our cultural landscape.
For centuries, the raven Corvus Corax has stalked us in life and in death. Excavations of Bronze Age settlements in Britain have revealed raven bones mingled with human remains. The Viking and Norman warriors that stormed these shores did so sporting ravens on their shields and banners. By the 15th century the service the birds provided scavenging and picking clean bodies on the streets of British cities led to their protection, under the first-ever piece of nature conservation legislation.
Yet by the 1700s this relationship between humans and the raven had soured. The birds came to be regarded as vermin--representative of something deeper and more visceral--and were driven out of towns and cities with a hatred that moved into savagery. By the close of the 19th century, ravens clung on only in the furthest outposts of the United Kingdom--the southwest, west Wales, and the Scottish uplands--and this remained the case throughout most of the last century, but the past decade has witnessed a remarkable comeback. Raven numbers have increased by 134 percent since the turn of the millennium and there are now well over 12,000 breeding pairs across the country, with these moving ever closer to human settlements.
The history of this bird embodies our best and worst impulses, and symbolizes our deepest fears. Ravens became ingrained in our culture as omens of death, and we projected our own deepest fears on to them.
Joe Shute's book chronicles the return of the raven, and the people who have made that comeback possible. In it, he travels to every corner of the UK, meeting those who have spent the past ten years recording every sound and sighting, and showing why these birds reflect and provoke our innermost feelings.
His interviews will range from the descendants of the Vikings on Orkney to those who monitor the White Cliffs of Dover, where ravens have started breeding for the first time since the Victorian era, to the burgeoning raven roosts of Anglesey. Joe meets biologists studying the vast intellect of the birds which have proved how they mimic human speech - and interactions - and the city dwellers who never imagined the sight of ravens in residential streets could ever be possible in their lifetimes. He also spends time with upland sheep farmers still struggling to come to terms with this uneasy relationship, and asks why we drove this bird to near extinction in the first place.
"Early in the book, the author makes a confession: 'I came to birds late'. Joe Shute may have misspent his adolescence - youth without ornithology is, by definition, wasted - but he's made up for it. This hymn to Corvus corax is the work of a birdman." - Country Life (UK)
"Shute's enthusiasm, although lightly worn, is deeply infectious [...] he is never pretentious or aggrandising. At his best, he writes with a charming, immediate humanity." - Daily Telegraph (UK)
"Shute writes superbly and his book is both evocative and provocative." - Mail on Sunday (UK)
This information about A Shadow Above was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Joe Shute is an author and journalist with a passion for the natural world. He studied history at Leeds University, and currently works as a senior staff feature writer at The Telegraph. Before joining the newspaper, Joe was the crime correspondent for The Yorkshire Post. He lives with his wife in Sheffield, on the edge of the Peak District.
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