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A Graphic Memoir
by Liana Finck
A visually arresting graphic memoir about a young artist struggling against what's expected of her as a woman, and learning to accept her true self, from an acclaimed New Yorker cartoonist.
In this achingly beautiful graphic memoir, Liana Finck goes in search of that thing she has lost—her shadow, she calls it, but one might also think of it as the "otherness" or "strangeness" that has defined her since birth, that part of her that has always made her feel as though she is living in exile from the world. In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they're embarrassing, or inconvenient, or just plain weird—and at what cost?
Passing for Human is what Finck calls "a neurological coming-of-age story"—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self.
Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human.
"Starred Review. In its ambition, framing, and multiple layers, [Passing for Human] raises the bar for graphic narrative. Even fans of [Liana Finck's] work in the New Yorker will be blindsided by this outstanding book." - Kirkus Reviews
"This story is as tender as it is wry. ... Becoming human is a lifelong task—but Finck illustrates it with humor and panache." - Publishers Weekly
"A sure hit for readers of graphic memoirs, this explores feeling different while recognizing sameness in others and making art while embracing being a work-in progress oneself." - Booklist
"Passing for Human is one of the most extraordinary memoirs I've ever read. It's a story about becoming a person, about creativity, about love, all told with originality and grace. An amazing, amazing book." - Roz Chast, author of Can't We Talk About Something More Pleasant?
"If even for a minute, somewhere along the way, you've wondered whether you may have been uneasily zipped into a human body, you need this book, a magical, moving, twelve-dimensional tale of fugitive soulmates and fugitive souls. No one draws like Liana Finck, and no one enchants like her either." - Stacy Schiff, author of Cleopatra
"Liana Finck has crafted an inventive, one-of-a-kind memoir that's as heartfelt as it is unpredictable." - Adrian Tomine, author of Killing and Dying
This information about Passing for Human was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Liana Finck is a regular contributor to The New Yorker, The Awl, and Catapult. She is a recipient of a Fulbright Fellowship, a New York Foundation for the Arts Fellowship, and a Six Points Fellowship for Emerging Jewish Artists. She has had artist residencies with the MacDowell Colony, Yaddo, the Lower Manhattan Cultural Council, and Tablet magazine. Her first book, A Bintel Brief, was published in 2014.
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