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by Michael Christie
A magnificent generational saga that charts a family's rise and fall, its secrets and inherited crimes, and the conflicted relationship with the source of its fortune - trees - from one of Canada's most acclaimed novelists.
It's 2038 and Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple-syrup camp squat, when he hears the cries of an abandoned infant and gets tangled up in the web of a crime, secrets, and betrayal that will cling to his family for decades.
And throughout, there are trees: a steady, silent pulse thrumming beneath Christie's effortless sentences, working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood, and blood—and the hopeful, impossible task of growing toward the light.
"[R]iveting...This superb family saga will satisfy fans of Richard Powers's The Overstory while offering a convincing vision of potential ecological destruction." - Publishers Weekly (starred review)
"[A] page-turner of a saga that complements sylvan books such as Sometimes a Great Notion and The Overstory...Beguilingly structured, elegantly written: ecoapocalyptic but with hope that somehow we'll make it." - Kirkus Reviews (starred review)
"Ingeniously structured and with prose as smooth as beech bark, Michael Christie's Greenwood is as compulsive as it is profound. A sweeping intergenerational saga that explores trees and their roots—from the precious evergreens that become commodities in the entertainment business of the future to the intricately tangled trees of family—all of it is dazzlingly delivered in a framework inspired by the actual growth rings of a tree. Every one of Greenwood's characters burrowed their way into my heart. Beguilingly brilliant, timely, and utterly engrossing, Greenwood is one of my favorite reads in recent memory." - Kira Jane Buxton
This information about Greenwood was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Michael Christie is the author of the novel If I Fall, If I Die, which was longlisted for the Scotiabank Giller Prize and the Kirkus Prize, and selected as a New York Times Editors' Choice Pick. His linked collection of stories, The Beggar's Garden, was longlisted for the Scotiabank Giller Prize, shortlisted for the Rogers Writers' Trust Fiction Prize, and won the City of Vancouver Book Award. His essays and book reviews have appeared in the New York Times, the Washington Post, and the Globe and Mail. A former carpenter and homeless-shelter worker, Christie divides his time between Victoria, British Columbia, and Galiano Island, where he lives with his wife and two sons in a timber-frame house that he built himself.
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It is among the commonplaces of education that we often first cut off the living root and then try to replace its ...
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