A Memoir
by Margo Jefferson
The award-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others - her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer.
In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics.
In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author's alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent's voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be.
The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.
"Pulitzer Prize–winning critic and memoirist Jefferson refashions her nervous system into a 'structure of recombinant thoughts, memories, feelings, sensations and words' in this bold and roving work...By inviting readers backstage, she creates a dance of memory and incisive cultural commentary that's deeply and refreshingly personal. This gorgeous memoir elevates the form to new heights." - Publishers Weekly (starred review)
"Jefferson's unique perspective and relentless honesty and self-examination ensure that there's something worthwhile on every page. Devotees of Negroland will want to continue the dialogue with this top-notch writer. A dynamic, unflinchingly candid examination of the impacts of race and class on culture and the author's own life." - Kirkus Reviews (starred review)
"Jefferson is as precise and sensitive as ever, nonpareil in her scope and ability to synthesize the circus of traditions, arcs, and performances that make up a life, taking the role of stage trouper and spectator in turns…What an honor to settle in for the show alongside her." - Vulture, Most Anticipated Books of 2022
"Margo Jefferson is one of our most nuanced thinkers on the intersections of race, class, and feminism. Her latest Constructing a Nervous System is especially alive, as if I'm listening to her think aloud. Her discursive writing is both spiky and supple; jagged and balletic; she retracts, circles around, before doubling down on pointed revelations that linger in my mind for days. It's a thrill to follow the brilliant scintillating thoughts of Margo Jefferson in Constructing a Nervous System." - Cathy Park Hong, New York Times bestselling author of Minor Feelings
"Margo Jefferson's Constructing a Nervous System is as electric as its title suggests. It takes vital risks, tosses away rungs of the ladder as it climbs, and offers an indispensable, rollicking account of the enchantments, pleasures, costs, and complexities of "imagin[ing] and interpret[ing] what had not imagined you." - Maggie Nelson, author of On Freedom: Four Songs of Care and Constraint
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The winner of a Pulitzer Prize for criticism, Margo Jefferson previously served as book and arts critic for Newsweek and the New York Times. Her writing has appeared in, among other publications, Vogue, New York magazine, The Nation, and Guernica. Her memoir, Negroland, received the National Book Critics Circle Award for Autobiography. She is also the author of On Michael Jackson and is a professor of writing at Columbia University School of the Arts.
In order to become the master, the politician poses as the servant
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