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by Kai Thomas
The fates of two unforgettable women--one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act--intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad.
Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south--whose agents do not always stay on their side of the border.
One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.
But Cash doesn't want to confess. Instead she proposes a barter: a story for a story. And so begins an extraordinary exchange of tales that reveal the interwoven history of Canada and the United States; of Indigenous peoples from a wide swath of what is called North America and of the Black men and women brought here into slavery and their free descendents on both sides of the border.
As Cash's time runs out, Lensinda realizes she knows far less than she believed not only about the complicated tapestry of her nation, but also of her own family history. And it seems that Cash may carry a secret that could shape Lensinda's destiny.
Sweeping along the path of the Underground Railroad from the southern States to Canada, through the lands of Indigenous nations around the Great Lakes, to the Black communities of southern Ontario, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.
"Thomas's mesmerizing debut explores freedom, family, and the interconnections between white, Black, and Indigenous communities in 1859 Canada.... Excerpts from a collection of enslaved people's narratives [and] stories of ... Black Canadians during the War of 1812; and the American enslaved people who settled Dunmore add to the vivid tapestry. At once intimate and majestic, Thomas's ambitious work heralds a bright new voice." - Publishers Weekly (starred review)
"The harshly real and the fantastic mingle in ways that recall Ta-Nehisi Coates's The Water Dancer and Esi Edugyan's Washington Black. What's most impressive is Thomas' imaginative power; sure-handed, often lyrical prose; and strong, complex, resilient women. An exceptional work that mines a rich historical vein." - Kirkus Reviews (starred review)
"This fascinating series of stories within stories reflects the fragmentary history of African and Indigenous people experiencing the effects of enslavement, particularly from a Canadian perspective. Engrossing and intensely readable, this book represents just the beginning of a larger narrative, with many chapters yet to be told; very highly recommended." - Library Journal (starred review)
"Kai Thomas' In the Upper Country is a sweeping epic that imagines all the ways our ancestors tried to get free. This is an exciting new voice in fiction, as interested in the complexities of land and belonging as in the vagaries of human love and connection." - Kaitlyn Greenidge, author of Libertie
"Stories within stories; until I read them, I hadn't realised these are ones I'd long been wanting, needing even. In this remarkable debut, Kai Thomas fills out the picture of a place, a time, peoples and their relationships, all previously neglected in the day-to-day unfolding of the nations. His immensely compelling details, and a host of voices so well-wrought you can see and hear the speakers long after you've finished reading, will leave you eager to see what he'll do next." - Shani Mootoo, author of Polar Vortex
"In the Upper Country is not only fiction alive with history; it is historic… In the Upper Country reminds me—yes—of Lawrence Hill's Book of Negroes and Ernest J. Gaines's A Lesson Before Dying. And practically every page turns up a sentence or a phrase that could have been penned by Toni Morrison or James Baldwin… a gift of lyric genius to enthrall all—and to educate Afro-Métis people about the love and courage that enabled their creation." - George Elliott Clarke, author of Where Beauty Survived: An Africadian Memoir
This information about In the Upper Country was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Kai Thomas is a writer, carpenter, and land steward. He is Afro-Canadian, born and raised in Ottawa, descended from Trinidad and the British Isles. In the Upper Country is his first novel.
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