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Franz Kafka meets Yorgos Lanthimos in this provocative new novel from one of America's most brilliant and distinctive writers.
In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant's lived experience, to see as if through their eyes.
The case to which Abel is assigned is revealed in the novel's shocking second act. We receive a record of a boy's broken and constrained life, a tale that reveals an illicit and passionate psycho-sexual relationship, its end as tragic as the circumstances of its conception.
Artful in its suspense, and sharp in its evocation of a byzantine and cruel bureaucracy, The Repeat Room is an exciting and pointed critique of the nature of knowledge and judgment, and a vivid framing of Ball's absurd and nihilistic philosophy of love.
"Blistering ... Ball's tragic character study of the accused stands in stark relief to the chilling depiction of the court system and its low estimation of human life ... This strikes a chord." —Publishers Weekly
This information about The Repeat Room was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photo: Joe Lieske
Jesse Ball was born in New York in 1978. The author of fourteen books, most recently, the novel How To Set a Fire and Why. His works have been published to acclaim in many parts of the world and translated into more than a dozen languages. He is on the faculty at the School of the Art Institute of Chicago, won the 2008 Plimpton Prize, was longlisted for the National Book Award, and has been a fellow of the NEA, Creative Capital, and Guggenheim Foundation.
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