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Searching for Paradise and the Promised Land in America
by Aaron Robertson
A lyrical meditation on how Black Americans have envisioned utopia―and sought to transform their lives.
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?
These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit―the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.
Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.
The Black Utopians offers a nuanced portrait of the struggle for spaces―both ideological and physical―where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making―one that points the way toward radical alternatives for the future.
"Ambitious and captivating...Robertson paints a vivid and beguiling picture of the indomitable human yearning for a safe and nurturing home. It's a must-read." —Publishers Weekly (starred review)
"Fascinating and resonant." —Booklist (starred review)
"This enticing mix of personal and general history of Black utopian safe spaces promises to engage readers interested in reckoning with the past and present of Black American experiences and milestones." ―Library Journal
"At a time when signs of dystopia and despair abound, The Black Utopians takes us on a journey to a place―as much inside as around us―where stubborn hopefulness pushes back against the sirens of impossibility. In these pages, utopia is not fanciful and fleeting escapism, but the sweat-soaked soil of freedom dreams and fugitive imagination―nowhere and everywhere at once." ―Ruha Benjamin, author of Viral Justice: How We Grow the World We Want and Imagination: A Manifesto
"An entrancingly rich odyssey of observation and storytelling, The Black Utopians returns us to forgotten and unknown histories of the ongoing search for a fairer, more equitable America. Aaron Robertson reminds us that integral to Black struggle has been an unbreakable sense of hope, resistance, and joy." ―John Keene, National Book Award-winning author of Punks: New & Selected Poems and Counternarratives
This information about The Black Utopians was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Aaron Robertson is a writer, an editor, and a translator of Italian literature. His translation of Igiaba Scego's Beyond Babylon was short-listed for the 2020 PEN Translation Prize and the National Translation Award, and in 2021 he received a National Endowment for the Arts grant. His work has appeared in The New York Times, The Nation, Foreign Policy, n+1, The Point, and Literary Hub, among other publications. He lives in Brooklyn, New York.
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