-
Get a Free Issue
of our Ezine!
by Lindsey Drager
At once an ode to birds, an elegy to space, and a journey into the most haunted and uncanny corners of the human mind, The Avian Hourglass showcases Lindsey Drager's signature brilliance in a stunning, surrealist novel for fans of Jesse Ball, Helen Oyeyemi, Yoko Ogawa, and Shirley Jackson.
The birds have disappeared. The stars are no longer visible. The Crisis is growing worse. In a town as isolated as a snowglobe, a woman who dreams of becoming a radio astronomer struggles to raise the triplets she gave birth to as a gestational surrogate, whose parents were killed in a car accident. Surrounded by characters who wear wings, memorize etymologies, and build gigantic bird nests, and bound to this town in which young adults must decide between two binary worldviews—either YES or NO—the woman is haunted by the old fable of the Girl in Glass Vessel, a cautionary tale about prying back the façade of one's world.
When events begin to unfold that suggest a local legend about the town being the whole of the universe might be true, the woman finds her understanding of her own life–and her reality–slipping through her fingers. A reflection on mental health, the climate emergency, political polarization, and the growing reliance on technology, The Avian Hourglass asks readers to reframe how they conceive of a series of concentric understandings of home: the globe, one's country, one's town, one's family, and one's own body.
"Depending on the reader, The Avian Hourglass is a book that one could spend a couple days with or a couple years and still be satisfied or unsatisfied depending on their wont. However far down the rabbit hole the reader wants to go, Drager's is a novel of surreal literary fiction that opens gateways to a world in which the reader can reflect, indefinitely, on many aspects of their own life." —Independent Book Review (starred review)
"A speculative novel told in fragments peels back the surface of a small town's reality ... this spare and striking novel is what comes next." —Kirkus Reviews
"At times, these musings are arresting—at others confusing—but perhaps all the more powerful for it. All in all, The Avian Hourglass is a compelling, intellectual, and emotionally-charged take on climate fiction." —Sinister Wisdom
"Drager is adept at creating worlds that differ deeply from ours yet are consistent and engaging, demonstrating her substantial literary talents." —Pop Matters
"The Avian Hourglass is splendidly odd and arresting. Drager establishes her themes of loss and duplication and catastrophe and estrangement and connection and sends them orbiting perfectly around each other, round after round, in an orrery of grieving and wonder." —Kevin Brockmeier, author of The Ghost Variations and The Illumination
"Drager's The Avian Hourglass has the mingled timbre of Redonnet & Brautigan: lucid, injured, hope-drunk. It parcels out the world in queries." —Jesse Ball, author of Census and The Divers' Game
This information about The Avian Hourglass was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Lindsey Drager is the author of three novels: The Sorrow Proper (Dzanc, 2015); The Lost Daughter Collective (Dzanc, 2017); and The Archive of Alternate Endings (Dzanc, 2019). These books have won a Shirley Jackson Award, been finalists for two Lambda Literary Awards, and are currently being translated into Spanish and Italian. Recent fiction can be found or is forthcoming in Conjunctions, The Iowa Review, The Southern Review, and elsewhere. A 2020 NEA Fellowship recipient in Prose and winner of the 2022 Bard Fiction Prize, she is an assistant professor at the University of Utah and the fiction editor of West Branch.
In the Garden of Monsters
by Crystal King
A woman with no past, a man who knows her, and a monstrous garden that separates their worlds.
The Naming Song
by Jedediah Berry
Miyazaki meets Guillermo del Toro.
Let Us Descend by Jesmyn Ward
Jesmyn Ward imagines the life of an enslaved girl in the years before the Civil War in this instant classic.
.png)
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
