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The Marriage Plot meets The Idiot in this brilliant debut, which tells the story of a young Muslim scholar stuck in the mire of adjunct professorship in Los Angeles who decides to give up her career in academia and marry rich, committing herself to 100 dates in the course of a single summer. By midsummer reality hits, taking her—and her project—to Tehran.
The unnamed Iranian-Indian American narrator of Liquid has always believed herself to be the smartest person in the room. And from an early age, she and her best friend—a poet-turned-marketer named Adam—have turned their noses up at other peoples' riches. But two years after earning a PhD from UCLA, the narrator is no closer to the middle-class comfort promised to her by the prestige of her fancy, scholarship-funded education and the successes of her immigrant parents. Jokingly, Adam suggests she just "marry rich."
But our protagonist, whose PhD thesis compared Eastern and Western views of marriage in film and literature, takes the idea seriously. She makes a spreadsheet and outlines a goal: 100 dates with people of all genders and a marriage proposal in hand by the official start of the fall semester. What follows is a whirlwind summer packed with dating: martinis sans vermouth with the lazy scion of an Eastside construction empire; board games with a butch producer who owns a house in the hills and a newly dented Porsche; a Venmo request from a "socialist" trust fund babe; and an evening spent dodging the halitosis of a maxillofacial surgeon from Orange County.
Only a tragedy in Tehran and an overdue familial reckoning can alter the narrator's increasingly manic trajectory and force her to confront the contradictions of her life in Los Angeles. And as doubts begin to creep in about her marriage project, it suddenly seems possible that the eligible prospect she's been looking for has been beneath her nose the entire time.
For fans of Kaveh Akbar and Elif Batuman, Liquid delivers a modern tale of romance, loss, and belonging like no other. Mariam Rahmani's gorgeous high-wire satire explodes off the page with verve and originality in this riveting spin on the classic romantic comedy.
"Heady and intellectual yet sexy and deeply felt in its explorations of loss, identity, and relationships, this is fiction that brings theory into practice in a romantic comedy of sorts that will leave readers thinking about much more than Jane Austen's truth universal." —Library Journal (starred review)
"Rahmani's attempt to straddle the line between satire, literary fiction, and rom-com doesn't quite land, though there's plenty of sharp cultural criticism, particularly on dating and adulthood. Fans of Elif Batuman ought to take note." —Publishers Weekly
"Rahmani's debut novel joins a canon of what I've called the millennial midlife crisis novel…Though unsparing and wry like its bedfellows, Liquid is also pleasingly buoyant…Rahmani's romance invokes Jane Austen arithmetic." —Literary Hub
"Erudite...Rahmani's debut novel is a sharply observed, cleverly composed examination of modern love." —Booklist
"Hirsute, heuristic, and humorous, Liquid is an electric read. From Los Angeles to Tehran, past to present, academia to the bedsheets, Rahmani navigates these journeys with undeniable verve, serious street-smarts, and a glowing charismatic cool. The smoothest, smartest book I've read in quite some time and the dawning of a literary force." ―Paul Beatty, Booker Prize-winning author of The Sellout
"Flailing in the disparate worlds of academia, Los Angeles, and Tehran, the complex and complicated protagonist of Mariam Rahmani's electrifying debut novel is struggling to find a job and a husband, both of which prove elusive. Written with a sharp eye and warm heart, Liquid traverses a fascinating woman's circuitous route to self-discovery. An eminently memorable novel worthy of all the praise and raves it will undoubtedly receive—it literally took my breath away." ―Binnie Kirshenbaum, author of Rabbits for Food
This information about Liquid was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Mariam Rahmani is a writer and translator. Her fiction, essays, and translation have appeared in Granta, Gulf Coast, n+1, and elsewhere. Her first translation from Farsi was named a Best Book of 2022 by The New Yorker, and she is now translating the definitive biography of the mid-century Iranian poet Forugh Farrokhzad. Rahmani holds a PhD from UCLA and an MFA from Columbia, as well as degrees from Princeton and Oxford. She currently teaches at Bennington College.
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